11.08: Panya Routes with UTC’s African Centre for Cities | Book Launch with the author, Kim Gurney, in conversation with Neo Muyanga @ A4 Arts Foundation, Cape Town

Posted in art, events, Motto Books on August 10th, 2022
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FRI JUNE 10 from 6.20pm > BLACK MED * book launch + listening session @ Dropcity, Milan

Posted in art, Artist Book, events on June 10th, 2022
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Motto is pleased to invite you to the presentation of Black Med (Humboldt Books), by Invernomuto, with Giovanna Silva, Alexis Zavialoff, moderated by Luca Galofaro.

Dropcity
Auditorium tunnel 60
Via Sammartini, 20125 Milano


Friday 10 June
from 6.20 to 7pm

//

See you there!

« Outro », a solo show by Robert Brambora | Vernissage & Book launch | Sans titre (2016) and Motto Books | Milan, Italy

Posted in art, Artist Book, exhibitions, Motto Books on March 28th, 2022
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Dear friends,

We are pleased to invite you to the opening of

« Outro »
Robert Brambora
’s first solo exhibition in Italy.

Wednesday 30th March
6 – 9pm

Via Vincenzo Gioberti 1 – Milan, Italy

Organized by Sans titre 2016

The exhibition will be on view until April 9th, 2022

During the opening, the artist’s monograph published by Motto Books and Sans titre 2016 will be presented.

Robert Brambora – Images, Texts, Ceramics

with contributions by Susanne Mierzwiak, Moritz Scheper and a conversation between Lucie Sotty and Robert Brambora

Graphic design: Paul Bowler

Published by Motto Books

Order here




Robert Brambora (born in 1984, Germany) lives and works in Berlin, Germany. He completed his studies in the class of Rebecca Warren at the Kunstak.

The work of the artist takes as its subject the current neoliberal system and its impact on the individual, as measured under Marxist analysis. It particularly approaches issues such as working conditions, school dropouts, stress-related illnesses, anxiety and loneliness, the housing crisis, and overpopulation as so many causes leading to alienation in our contemporary societies. Also at the heart of his questioning is the analysis of a sense of loss of points of reference, of a form of time distortion generated by these stress conditions. The artist seeks to extract the waking hallucination – the onirism – from these crisis situations.
Robert Brambora practice primarily develops itself in two ways: he creates on the one hand paintings and ceramics, in the realm of traditional techniques and media, and on the other hand large format panels upon which texts are laser-engraved. The most recent text works address issues such as the real estate market crisis and financial speculation. These texts are based on political journals, excerpts of conversations and comments from internet forums, as well as personal notes. The artist draws equally from scientific articles from medical journals, evoking afflictions related to anxiety, as well as theoretical essays on the economic competition faced by individuals. These extracts are then reworked, superimposed on each other to create a three-dimensional pictorial space, which sometimes evokes the outlines of architecture.

Dayna Grosz, Jana Nowack – MISTAKE or Miracle? book launch | Friday 22nd October @ Motto Berlin

Posted in events, Motto Berlin event on October 21st, 2021
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mistake-or-miracle-dayna-gross-jana-nowack-9783000703256-1

Friday 22nd October

From 6pm @ Motto Berlin

MISTAKE or Miracle?

a collaborative project between artist Jana Nowack and writer Dayna Grosz.

Order the book here

Book launch: ‘CONQUERING THE PRESENT IN THE LONG SIXTIES: The curatorial birth of contemporary art’ at Motto Berlin. 28 September 2019

Posted in art, books, events on September 20th, 2019
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conquering_the_present_poster_motto_file

Saturday, September 28th

5-7 PM. Talk at 5.30.

Motto Berlin Skalitzer Str. 68, 10997 Berlin, Germany

Kristian Handberg’s Conquering the present in the Long Sixties is an art historical essay. The book presents a new understanding of the art work in the 1960s and how a predominant interest in the present even brought a Soviet Cosmonaut to the Venice Biennale in 1968.

Talk with Terry Smith, author of Art to Come. Histories of Contemporary Art (2019).

Kristian Handberg., (b. 1980) Art historian, Ph.D., postdoc at the University of Copenhagen. Handberg has researched in the importance of exhibitions and their international circulation in the postwar era at Louisiana Museum of Modern Art.

Terry Smith, Professor in Art History, University of Pittsburgh. A leading historian and theoretician on the history of contemporary art, Smith has just published the book Art to Come. Histories of Contemporary Art (Duke University Press, 2019), which will be available at the launch. Smith will be in conversation with the author on the notion of contemporary art and the exhibition as a way of staging the present.

OnCurating @ Motto Berlin. 23.07.2016

Posted in events, magazines, Motto Berlin event on July 15th, 2016
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OnCurating Issue 31_Dorothee Richter_Motto books_1

On Curating @ Motto Berlin. July 23rd from 7pm

OnCurating #31- Spheres of Estrangement: Art, Politics and Curating

With contributions from

Josephine Baker-Heaslip, Jonas Becker, Franco ‘Bifo’ Beradi, Benjamin T. Busch, Dan Bustillo, Lilian Cameron, Joey Cannizzaro, Carson Chan, Jeni Fulton, Ken Gonzales-Day, Matthew Hanson, Anke Hennig, Alistair Hudson, Alison Hugill, Suzana Milevska, Jared Pappas Kelley, Penny Rafferty, PUNK IS DADA, Claire Ruud, Jack Schneider, Adrian Shaw, Paul Stewart, Sam Thorne.
Editors: Jonas Becker, Benjamin T. Busch, Matthew Hanson, Penny Rafferty, Paul Stewart

Today’s estrangement is a fully incorporated component of the modern experience, a stimulant for ‘surplus alienation’. Therefore, this issue asks what artistic, architectural and curatorial approaches to estrangement offer current discourse in organisation, aesthetics and activism. The articles unpack estrangement for the political, social and cultural sprint of our time.

Publisher: Dorothee Richter
Co-Publisher: Michael BirchallRonald Kolb
Editors: Jonas Becker, Benjamin T. Busch, Matthew Hanson, Penny Rafferty, Paul Stewart
Proofreading: Stephanie Carwin
Graphic Design: Ronald Kolb, Biotop 3000

 

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