Quick #11, Erica Baum: Study
Quick #11, Erica Baum: Study
Satisfaction: Consumption Art from the communist Poland of the 1970′s.
During the revitalization of avant-garde practices in 1970s Poland, a strain of artmaking emerged that applied Pop aesthetics to the unlikely subject matter of consumer identity in a Communist state, responding to a new initiative by the government that encouraged the private consumption of luxury goods in the service of a more modern socialism. The films that arose from this moment engage with absurd, colorful and even scandalous content. Informed by Marxist analyses of the Western culture industry, they examine the effects of a socialist-consumerist experiment through sensuous fantasies of desire and excess
2 x DVD, poster and booklet
Polish / English
The posters created by Martin Kippenberger (1953-1997) for his own exhibitions represent a core aspect of his multimedia output and artistic vision. The show You too will eventually come into fashion – Posters by Martin Kippenberger therefore reveals an essential slice of Kippenberger’s characteristic, often wildly absurd sense of humor.
The exhibition marks the Museum Folkwang´s acquisition of a comprehensive collection of posters by Martin Kippenberger in 2013 which substantially enhances the existing group of works by the artist held at the museum.
A catalogue is due for release to accompany the show, available from Edition Folkwang/Steidl.
Edited by Museum Folkwang
Paperback / softback
20.5 x 26.5 cm
Verlag Lutz Wohlrab at MOTTO Berlin. 10.01.2015
Despite being illegal in the DDR when formed, Lutz Wohlrab have been publishing titles since the mid-1980s. In 2009, the release of the Robert Rehfeldt book was a significant point for the publishing house. Considered the most important German Mail Aritst, Robert Rehfeldt was central in connecting the East and the West from his East Berlin home. The book celebrates his life and work up to his death in 1993. Along with books, Lutz Wohlrab publish editions and films that focus on Mail Artists, including Oskar Manigk, Ruth Wolf-Rehfeldt, HR Fricker, Klaus Staeck, Martin Berhardt, Endre Tót, John Held Jr., Carl Chew and many others. Of particular note is the 2012 edition celebrating 50 Years of Mail Art.
Lutz Wohlrab ist seit Mitte der 1980er Jahre verlegerisch tätig, damals noch illegal in der DDR. Mit dem Buch über Robert Rehfeldt von 2009 intensivierte er diese Arbeit. Robert Rehfeldt erhob den Briefverkehr zur Kunst und war Schaltstelle zwischen Künstlern in Ost und West. Von Ost-Berlin aus wurde er der wichtigste deutsche Mail Artist. Das Buch würdigt Leben und Werk des 1993 Verstorbenen. Lutz Wohlrab gibt neben Büchern auch Editionen und Filme heraus, die sich auf Künstler der Mail Art konzentrieren. Dazu gehören Oskar Manigk, Ruth Wolf-Rehfeldt, H.R. Fricker, Klaus Staeck, Martin Bernhardt, Endre Tót, John Held jr., Carl Chew und viele andere. Besonders hervorzuheben ist das Assembling zum Jubiläum “50 Years of Correspondence/Mail Art” von 2012.
10.01.2015 at 7pm at MOTTO Berlin in conjunction with the openings of HOME ARCHIVES: Paulo Bruscky & Robert Rehfeldt’s Mail Art Exchanges from East Berlin to South America and SIGNS FICTION, Ruth Wolf-Rehfeldt at Chert Gallery.
Stoikerinnen. Kasia Fudakowski.
This record is part of the exhibition ‘Stoikerinnen\’ by Kasia Fudakowski, June 14 – September 19, 2014 at Kunstverein Harburger Bahnhof, Hamburg, curated by Anna Sabrina Schmid.
Music sampled with kind permission from ‘Don’t Split Valley and Hill’ by Tobias Levin and Volker Zander. Recorded at Electric Avenue Studio, Westwerk e. V., Hamburg, 2014. Published by Apparent Extent and Kunstverein Harburger Bahnhof. All rights reserved.
Featuring Alexander Brenchley, Dorothy Feaver, Christopher Fillipini, Kasia Fudakowski, Sam de Groot, Paul Haworth, William Kherbek, Helen Marten, Ayumi Rahn, Anna Sabrina Schmid and Anna Szaflars
Motto Berlin presents the small fair ‘BOOKSTORES from TOKYO’ for two weeks; a project which introduces new & old Japanese books selected by five independent bookstores in Tokyo:
Accompanying the publications is a collection of unique stationery products made in Japan.
The project is conceived and curated by Jun Harada.
Lisa Oppenheim & Argobooks @ Motto Berlin. 11.04.2013
Motto and Argo Books are presenting the artist book “Billowing” by Lisa Oppenheim, which was published in conjunction with her solo exhibition at Kunstverein Göttingen (January 11 – February 24, 2013). The publication is the first of an artist book series designed for Kunstverein Göttingen by jungundwenig.
Lisa Oppenheim will discuss the project and recent work in conversation with Ana Teixeira Pinto at 7pm
Judith Raum disestablish
Publication documenting Judith Raum’s solo exhibition at Pavillon, Lucca, Italy, May-September 2012.
During the Middle Ages in Europe, the city of Lucca in Tuscany was the most important center for the silk industry. Textile companies from Lucca were among the largest corporations in the region. Most of the family-owned companies were active both in the textile sector and in international banking activities. At the same time, it was in the Tuscany region that workers’ revolts took place, who, for the first time in world history, managed to have their demands documented in written form. Raum’s works analyze the close relationship between textile production and banking business and between the texture of fabric and political thinking, adopting imagery and gestures of the time to look for moments of how emancipation takes form.
Judith Raum (*1977) is a visual artist living in Berlin. In her work, she investigates qualities of subject-object relationship through painting, objects, performing, writing and interviewing. See also: www.judithraum.net
Size: 42 x 29 cm
Publisher: Verlag der Universität der Künste Berlin, December 2012
Text: Paolo Emilio Antognoli Viti
The interview book „Kippenberger & Friends“ comes closer to uncovering Kippenberger the myth, through 25 conversations with artists, curators, gallerists, and friends who contributed approx. 55 documentary photographs from their personal archives, published for the first time. They give us their view on someone who left a lasting impression on them, in descriptions that are contemplative, funny, critical, and also self-ironic. The extremely personal memories bring to life not only Kippenberger himself; they also create a dense picture of the cultural life in a Germany which, torn between the sensationalist Springer press and student revolts, the hedonistic consumer culture of yuppies and the provocative rebellion of the punk scene, still had to become convinced of the maxims of its own actions.
Interviews with: Roland Augustine, gallerist, New York; Lukas Baumewerd, architect; Klaus vom Bruch, artist; Werner Büttner, artist; Gisela Capitain, gallerist, Cologne/Berlin; Zdenek Felix, curator; Max Hetzler, gallerist, Berlin; Carmen Knoebel/Brigitta Rohrbach, former innkeepers Ratinger Hof, Düsseldorf; Kasper König, museum director; Jutta Koether, artist; Christian Ludwig Attersee, artist; Helmut Middendorf, artist; Albert Oehlen, artist; Peter Pakesch, museum director; Friedrich Petzel, gallerist, New York/Berlin; Martin Prinzhorn, linguist; Achim Schächtele, former co-owner S.O.36, Berlin; Stephan Schmidt-Wulffen, rector New Design University, St. Pölten; Elfie Semotan, photographer and wife; Claudia Skoda, fashion designer; Helene Winer, gallerist, New York; Johannes Wohnseifer, artist; Michel Würthle, owner Paris Bar, Berlin; Bernd Zimmer, artist; Heimo Zobernig, artist