Gregor Mobius. DNA Semantics. Visual Representation of DNA and RNA Lecture @ Motto Berlin on 09.08.2016 @ 7:30 PM

Posted in Motto Berlin event, science on August 1st, 2016
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166 DNA Semantics-U3 MG Ljublljana 2016

Gregor Mobius. DNA Semantics. Visual Representation of DNA and RNA Lecture @ Motto Berlin on 09.08.2016 @ 7:30 PM

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This lecture is about an interpretation of DNA/RNA as visual structures with specific formal properties and relationships. Instead of the existing alphabet representation U, C, A, G and T, all the bases are expressed as five discrete values of the gray-scale:  T=white, G= light gray, A= gray, C= dark gray and U= black. Arranged in 3 x 4 matrices DNA strands as linear structures consisting of alphabet letters are converted into 2-D images with distinct visual properties. In this representation we could learn more about DNA/RNA, not only as biological (functional) structures but also as a specific language that can be expressed visually.

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Gregor Mobius is a theoretician of languages that are expressed visually. His early work was in the field of Graph Theory developing an algorithm for visual representation of all planar and regular graphs. As a Fulbright scholar he received master of Science in Visual Studies at MIT with the paper “Discrete Visual Structure – Elements of Visual Grammar” (1984). A few years later, based on his thesis paper, Mobius proposed a specific representation of DNA and RNA that converts linear alphabet DNA structure into a 2D image. This work was presented to the public at the exhibition Gene(sis) that traveled through some West Coast universities: Washington University(2002), University of California, Berkeley (2003) and University of Minnesota, Minneapolis (2004). It is now for the first time presented in a comprehensive way in the book “DNA Semantics”.

Dreams First. Erik Steinbrecher. Exhibition @ Motto Berlin from July 13th to August 25th.

Posted in art, exhibitions, Motto Berlin event on July 26th, 2016
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Dreams First

During years Erik Steinbrecher sorted out daily dirt, leftovers and all kinds
of wrappings. The design of this artist book is based on photographes
of made layouts of waste, moody notes, scribbelings and liquid stains.

For this new episode the artist has decorated Motto’s vitrines in an instant and enjoyable way.

From July 13th to August 25th at Motto Berlin

 

OnCurating @ Motto Berlin. 23.07.2016

Posted in events, magazines, Motto Berlin event on July 15th, 2016
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OnCurating Issue 31_Dorothee Richter_Motto books_1

On Curating @ Motto Berlin. July 23rd from 7pm

OnCurating #31- Spheres of Estrangement: Art, Politics and Curating

With contributions from

Josephine Baker-Heaslip, Jonas Becker, Franco ‘Bifo’ Beradi, Benjamin T. Busch, Dan Bustillo, Lilian Cameron, Joey Cannizzaro, Carson Chan, Jeni Fulton, Ken Gonzales-Day, Matthew Hanson, Anke Hennig, Alistair Hudson, Alison Hugill, Suzana Milevska, Jared Pappas Kelley, Penny Rafferty, PUNK IS DADA, Claire Ruud, Jack Schneider, Adrian Shaw, Paul Stewart, Sam Thorne.
Editors: Jonas Becker, Benjamin T. Busch, Matthew Hanson, Penny Rafferty, Paul Stewart

Today’s estrangement is a fully incorporated component of the modern experience, a stimulant for ‘surplus alienation’. Therefore, this issue asks what artistic, architectural and curatorial approaches to estrangement offer current discourse in organisation, aesthetics and activism. The articles unpack estrangement for the political, social and cultural sprint of our time.

Publisher: Dorothee Richter
Co-Publisher: Michael BirchallRonald Kolb
Editors: Jonas Becker, Benjamin T. Busch, Matthew Hanson, Penny Rafferty, Paul Stewart
Proofreading: Stephanie Carwin
Graphic Design: Ronald Kolb, Biotop 3000

 

Buy the magazine

Jean-Max Colard – Die Ausstellung meiner Träume (The exhibition of my dreams). Book launch @ Motto Berlin on July 5th at 7:30 pm

Posted in 2016, events, Motto Berlin event, Motto Berlin store on June 20th, 2016
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Ausschnitt Schinwald Kurt_2008_Motto Berlin_Launch_2016

Image by Markus Schinwald, Kurt (2008)

Book Launch: Jean-Max Colard – Die Ausstellung meiner Träume (The
exhibition of my dreams)

Jean-Max Colard is an art critic, exhibition curator and literary scholar.
On July 5th Wolff Verlag will present the german translation of his book
L’exposition de mes rêves, MAMCO, 2013, a collection of dreams linked to
contemporary art exhibitions, either probable, imaginary or real. A set of
texts which propose through dreams another form of art exploration and
writing.

Book presentation in the presence of the author Jean-Max Colard and the
translator Christian Hartwig Steinau.

Reading of selected dreams by the actress Stefanie Tiedtke.

JEAN-MAX COLARD: art critic for Les Inrockuptibles, France Musique, France
Culture, curator of numerous exhibitions, including the Exhibition for the
100th anniversary of the writer Marguerite Duras “Duras Song” (October 15,
2014 – Jan 12, 2015) at the Centre Pompidou and the parallel to the
European Football Championships in France presented exhibition “La Grande
Galerie du Foot “(5. Jun. – July 10, 2016.) in La Villette, Paris.
JeanMaxColard.com

Free admission, In German

Jean-Max Colard: Die Ausstellung meiner Träume. Edited and translated from
French by Steinau, 118 pages, paperback, Wolff
Verlag Berlin, ISBN 978-3-941461-34-5, 14,90 Euro

 

Tamami Iinuma. Japan in der DDR. Opening 28.05.16 @ Motto Berlin at 6pm.

Posted in art, events, exhibitions, Japan, Motto Berlin event, Motto Berlin store, Motto Books, Uncategorized on May 24th, 2016
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There is a strikingly conspicuous high-rise building behind the Leipzig Central Station that contrasts with the city horizon. The 96 meters high tower, in a dignified shining pearl color, was first called Interhotel Merkur and is now The Westin Leipzig. With 27 floors it hosts more that 400 rooms with event and seminar spaces on separate floors, shops, restaurants. It’s a little city within the city.

In 2008, shortly after starting to study at the Academy of Visual Arts Leipzig, I learnt that it is one of the few buildings that a Japanese construction company has build in German Democratic Republic in the late 1970s (there is two other constructions to be find in Dresden and Berlin). Something around and in this building triggered me to feel at home. When I saw it, I thought of the World Trade Center in Tokyo, from the top of which I enjoyed the Summer Festival of fireworks one day before my departure to Leipzig. So at that time I started to project my personal conflicts of a stranger in a new city on this huge building which became both a symbol of my hometown (even if, to be honest, there is nothing Japanese in its architecture) and of my frustrations.

With the celebrations of the 25 year of the fall of the Berlin Wall and the end of GDR, I wanted to know more about this building. Until then I had just looked at it from a distance and I finally decided to enter the Interhotel Merkur after 6 years of observation. I booked a room for one night there, took my camera and opened the door.

The Four-star hotel was deserted. Its Japanese restaurant which was once the best in Leipzig had no guests. And a cleaning man said to me: « I have been working here since the opening of the hotel, it was full of business people from all over the world in the 1980s ». He also explained me that the hotel was a hotbed of “illegal” prostitution (however this prostitution took roll as the espionage). I went to the reception and asked: « I heard that this hotel was build by a Japanese company. Is that right ? » A young man answered: « never heard about that » but the next morning I found a letter in my room with that simple sentence : This hotel was built by the Kajima Corporation.

In the summer 2014 I visited the library of Kajima Corporation in Tokyo. The librarian, Ms. Oda, prepared for me archive photos of construction, company’s monthly report, and even confidential documents. She also introduced me to Mr. Shimazu who was in charge of the architectural design team and lived in Leipzig from 1978 to 1981. I got the opportunity to hear their anecdotes, like the event that happened on January 12th, 1979 when the construction office was robed and all the money (GDR-Mark) from the safe was stolen. Additionally one roll of 35mm film that was in the camera of Mr. Sako, a colleague of Mr. Shimazu, had been gone as well. The camera was still in the office, but it had been opened and the negative had vanished. What was photographed in Mr. Sako’s camera must be normally the hotel’s construction process but that disparition had something from a spy movie. They went to the police but neither cash nor the film have ever been back.

I have been photographing modern architecture in Germany since 2008 and I am continuing to shoot similar buildings depending on my trips. In the process of creation, there is always a logical decision on positioning three bodies: the architectural body, the machinal body (camera) and my own body (photographer). But with Interhotel Merkur, I was strangely so excited that I could not measure the distances between the different « actors ». This architecture has, for me, the presence of a real and existing body that contains its story and its emotion. The building has its own life (which I am probably projecting on it) and, therefore, is reluctant to my photographs. But, for the History it represents, for its architecture (between classical Plattenbau and Japanese brutalism), for its role in my personal life, I decided to give it a try, again and again, until I obtain the right portrait of that motionless character of concrete.

When I left the archive of Kajima Corporation after my third visit, the librarian said to me: « Thank you, you shed light on our work, which has been forgotten ». This made me understand the real meaning of my obsession for the Interhotel Merkur: I sensed a Japanese spirit (or a soul?) in Leipzig. And I need to follow it before it flies too far away.

*This essay was originally written by the artist, and edited by Thibaut de Ruyter, for the publication「Stadt Bild / Image of City」(Cooperation by Berlinische Galerie, Deusche Bank Kunsthalle, KW Institute for Contemporary Art, Nationalgalerie-Staatlische Museen zu Berlin)

Japan in der DDR – Tamami Iinuma – Exhibition Opening 28.05.16 @ Motto Berlin at 6pm.

Transparenzen / Transparencies. Sternberg Press. Book Launch @ Motto Berlin 17.05.2016 at 7.30 pm

Posted in art, books, events, Motto Berlin event on May 11th, 2016
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Wir freuen uns, die Neuerscheinung der Publikation
TRANSPARENZEN ankündigen zu können!

We are happy to announce the release
of the publication TRANSPARENCIES!

Mit einem BOOK LAUNCH im Motto Buchladen, Berlin
With a book launch at Motto bookstore, Berlin
(Motto, Skalitzer Str. 68, 10997 Berlin)

Dienstag, 17. Mai 2016, 19.30 Uhr
Tuesday, May 17, 2016, 7.30 pm

Die Publikation ist ab sofort erhältlich bei:
The publication is available now at:
Sternberg Press

TRANSPARENCIES
The ambivalence of a new visibility

Simone Neuenschwander, Thomas Thiel (Ed.)
With contributions by Emmanuel Alloa, Neïl Beloufa, Clare Birchall, Juliette Blightman,
Ryan Gander, Calla Henkel & Max Pitegoff, David Horvitz, Metahaven, Simone Neuenschwander, Katja Novitskova, Yuri Pattison, Manfred Schneider, Thomas Thiel

The globalized world seems at once transparent and opaque. The exhibition project »Transparencies« examined the cultural facets and atmospheres of these (non-)transparencies. The two-part, joint exhibition project in Bielefeld and Nuremberg was dedicated to developments in »transparent society«, asking how these are reflected in the current work by contemporary artists. The paradigm of transparency and the ambivalence of the term was addressed by participating artists in multiple, diverse ways. This book documents both exhibitions and outlines all of the contributions to this substantial project. Conceptually designed by Metahaven, it contains artistic statements and scientific essays that encourage an ongoing discussion of the subject.

Copublished by Bielefelder Kunstverein, Kunstverein Nürnberg – Albrecht Dürer Gesellschaft and Sternberg Press.

Design by Metahaven
April 2016, German/English, 34 x 24 cm, 162 pages, softcover
ISBN 978-3-95679-223-6
Price: € 26

Guy Meldem. AMPUTEE LOVE + Maximage. NO NEIN NU! NIET. Opening 28.04.2016 @ Motto Berlin at 6pm.

Posted in art, books, events, Motto Berlin event, Motto Books on April 26th, 2016
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Guy Meldem
AMPUTEE LOVE

+

Maximage
NO NEIN NU! NIET

28.04.2016
from 6pm

Exhibition runs from 19.04 until 25.05, 2016

Motto Berlin
Skalitzer Str. 68
D-10997 Berlin

Infrastructure Canada Book Presentation, Daniel Young & Christian Giroux, with graphic designer Katja Gretzinger, interviewed by AA Bronson @ Motto Berlin 14.03.16

Posted in 2016, Artist Book, books, events, Motto Berlin event on March 10th, 2016
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Bridges, tunnels, pipelines, hydroelectric lines, public transit, dams, ports, navigational aids for waterways and
airspace, communication towers—infrastructure is the foundation of our economy and society. Filmed using a
35mm motion picture camera, this project provides a core sample of infrastructure interventions in Canada’s
landscape. Drawing on statistical information on expenditures since 1947 in order to proportionally represent
investment in different sectors, the artists chose these one hundred objects and locations as a subset reflecting diversity
of region and type. Presented in random order, they function as a rigorous dérive through nodes in the network of a material body that can be thought of as comprising a single piece of architecture.

—–
Project book includes essays by Jonathan Shaughnessy, Richard William Hill, and Carlotta Daró
Published by Oakville Galleries

 

Monday March 14th

From 7:00pm

http://cgdy.com/

One Helluva Hole Lecture by Jérémie Gindre @ Motto Berlin.

Posted in Artist Book, Motto Berlin event on February 25th, 2016
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One Helluva Hole Lecture by Jérémie Gindre  @ Motto Berlin

The novella “One Helluva Hole” by Jérémie Gindre is one of the outcomes of a residency that artist Jérémie Gindre undertook in 2011, at the Swiss Center for Affective Sciences, University of Geneva, where he studied the effects of brain damage in Neuroscience. Focusing on the emotional side of experiences and how this affects human behaviour and society, this short fictional writing describes the vicissitudes of Bill Ronson, whose life changed dramatically after a terrible accident that perforated his brain

It is this inexplicable mix of feelings, together with the occasion of an extra day – extra chance – in the year, that gave motion to the exhibition, where different artists present works somehow connected with the idea of emotions, experiences, sensitivity and personal perceptions.

Monday February 29th

from 7:00pm

Lecture / Screening / Talk
with Jérémie Gindre

Facebook Event

[theatro]. Maria Lalou’s Book Launch & Exhibition @ Motto Berlin 19.11.2015

Posted in Artist Book, exhibitions, Motto Berlin event, performance, Uncategorized on November 15th, 2015
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Questioning the physicality of space and the meaning of an object within its relation to a viewer, I tend to intertwine the viewer’s visual memory and imagination by repeating previous moments of an experience. The architectonic theatre features various objects and [theatro] expands on the notion of ‘view’ (‘thea’ in Greek, where the word ‘theatre’ comes from). The word ‘view’ is also the root of the word ‘theory’ [coming from the junction of the words ’thea’(=view) and ‘oro’( =to perceive)]. Intending the theory as practice, Ι composed [theatro] as an act of theory, asking ‘Does a de-construction of a composition inquire or does it request a knowledge of the past?’

[theatro] is a rhythmical reading experience, a 5.5 meters long transcript of a seminar performance reflecting it’s original pulse and duration. It is based on the seminar performance “PUZZLE”, that took place at FROWN, Athens initiated by Maria Lalou, consisted of Katerina Drakopoulou [A], Maro Zacharogianni [B], Maria Lalou [O], Mirrored Glass Object [X] and a live-feed camera. In this work Maria Lalou uses two software platforms for writing. Powerpoint for the pre-fabricated text and a live performed text on ‘Word’, both projected on the screen from her computer. [theatro] is verbatim transcription of the piece with several functions. Next to the documentation of the PUZZLE performance and a manual reading, it also serves as a script for the play, ‘I AM A ‘Φ’.

During the book launch in Motto Lalou will introduce the work with the lecture performance ‘theatre of consciousness’ a work based on a critical text that Lalou has written in 2013 for the academic press ‘activate’ published in London prior to the idea of [theatro]. The performance’ theatre of consciousness refers to the seen and the seer through an analysis that places the audience in a central position and as a core thematic of ‘the seen’.

[theatro] is published by Onomatopee launched primary in Eindhoven at Lalou’s solo exhibition ‘a spect’ during June 2015. The publication is designed in collaboration with Yin Yin Wong/Werkplats and includes an introduction to the work by Alena Alexandrova.

[theatro] leporello will be installed in its full length from the 19th November in the vitrines of Motto accessed through the public space. Lalou is producing a limited edition of prints of the floor plan ‘archetype’ which is one of her basic tools for this series of work, to will be installed in the exhibition space.

Maria Lalou is an artist born in Athens in 1977. She works with the science of objects – containers, spatial installations, film and accumulated performances, developing context as of extensions of architecture. Lalou’s specialization at glass science has been evolving in contextualizing aspects of mass / surface / space/ time /duration in the sphere of cognition by challenging the bodily experience and questioning alignment of the vertical and horizontal, disposition and disorientation. She graduated from the Gerrit Rietveld Academie in Fine Arts and from Technical University of Athens in Architecture, Design of Space – Object and Constructive Arts. She has been researcher at DasArts Amsterdam and an invited resident in e- mobilArt program for Interactive Artists. Lalou’s works have been shown amongst others in the Contemporary Art Museum of Thessaloniki during the 2nd Biennale of Thessaloniki, in ‘Technopolis’ Industrial Museum of Athens and at ‘Living Spaces’-2nd Contemporary Art Festival in Damascus, ‘Manobra’ Festival in Sao Paolo Brazil. She has been in collaboration with institutions as the E-Engineering of the Hogeschool of Amsterdam as an external adviser, with Roehampton Univesity in London as a writer on a post academic journal and an invited lecturer by Rijksacademie Studios in Amsterdam in 2012. For more info visit: http://reaction-lalou.com