Drown Good Drown. Various Authors. Type+Authorship

Posted in design, graphic design, typography, writing on September 2nd, 2022
Tags: , , , , , , ,

Is what is below the surface so fatal?

Becky posed this question in her piece, which speaks to a lot of what we’re trying to capture here in Drown, Good Drown.

In their own way, the writers expressed consciousness and subconsciousness immersed in empathy, stories with sentiment and hints of humor, sadness, and joy. These writings and drawings were made by us ArtCenter College of Design students in the summer of 2022.

Actually, Megan hates summer. As Megan says, “summer’s role is to forever choke and steal what life came after winter.”

She thinks June is okay.

Rachael gave us a downpour of thoughts, an imagistic stream of consciousness straight to our souls, and Sophia spoke in a tender melodic tone provoking a sense of coziness and the tension of intimacy.

While Ibrahim imagined life undersea as a telepathic realm of shadow twins.

Along with Constant’s honesty and vulnerability, we also got to share his quiet but bold humor reflected in his story.

We almost named the publication Esther Williams because of Natalia’s misfit mermaid tale, which inspired us to be who we really are.

My story of reminiscing leads to the end of the book leaving softhearted fragrances of nostalgia.

Me. Cringe.

Drown, Good Drown, I think, is most importantly a collaboration. We’re all so different. You’ll see. But our different perspectives are reflected in drawings and stories. We mish and mash our creative minds for a submersive experience for the reader more than any of us could accomplish on our own.

So we invite you to pour yourself a cool water on the rocks, snorkel through our creative minds, and drown in the world of our stories.

Trust me; it will be a good drown.

– The Editor

*
Type+Authorship is a multi-disciplinary class taught at ArtCenter College of Design in Pasadena, California. We conjure, discuss, and immediately write our way into a book of collective thematic interest and function within an aggregate studio environment where we design and produce a publication.

Order here

La Grida Loca. Maximage. ECAL (Lausanne University of Art and Design)

Posted in books, design, graphic design on July 31st, 2022
Tags: , , , , , ,

A tool for students and professional designers.

Order here

How to hum. Oliver – Selim Boualam. Lukas Marstaller. Butter Books.

Posted in art, graphic design on March 5th, 2022
Tags: , , , , , ,

How to Hum is a handy manual for amateur hummers. With hum poems, hum exercises and hum gestures, it invites you to experience your body in new ways.

Order here

Impulse – Volume 16 Number 1, 1990. Peter Day (Ed.). Impulse [b]

Posted in art, graphic design, magazines on November 23rd, 2021
Tags: , , , , , ,

impulse-volume-16-number-1-1990-peter-day-impulse-b-1 impulse-volume-16-number-1-1990-peter-day-impulse-b-2 impulse-volume-16-number-1-1990-peter-day-impulse-b-3 impulse-volume-16-number-1-1990-peter-day-impulse-b-4 impulse-volume-16-number-1-1990-peter-day-impulse-b-5 impulse-volume-16-number-1-1990-peter-day-impulse-b-6 impulse-volume-16-number-1-1990-peter-day-impulse-b-7 impulse-volume-16-number-1-1990-peter-day-impulse-b-8

Dedication:
During his brief editorship of Impulse magazine, Peter Day inspired us with his activism and advocacy for contemporary art. Peter died on May 29, 1990, just before this issue was to go to press. He wrote the dedication that follows:

He wrote under variants of his forename: Shaunt Basmajian. Shant Basmajian. Sha(u)nt Basmajian. He died on January 25, 1990, aged thirty-nine, and this publication of one word works is dedicated to him.

He had promised to contribute to it, but never had time to submit a piece. In his self-effacing and humble way he would have apologized profusely for this.

Our personal acquaintanceship was short. We had talked on the telephone a couple of times and met twice. He was modest about his own work, overly so, and surprised that others were interested in it.

The last time we met he gave me a book, not one of his, but a collection of works by Marlene Mountain. It was inscribed: “To Brian from Marlene”. He said I should have it.

Sha(u)nt had been given the collection by his colleague Brian David J(o(h)n)ston. Her work was unknown to me. It was Pissed Off Poems and Cross Words (1986). She was a great poet, Shaunt said, someone overlooked and neglected. May day, 1990. l Peter Day

Introduction:
It has been a year since our last issue – and for us, like much of the world, it was a year of dramatic transitions and new beginnings.

Here, briefly, is the story: Last winter, after 15 years as the Executive Editor of Impulse, Eldon Garnet transferred his duties to Peter Day. Peter began selecting One Word Works from the many artists, writers, musicians and photographers featured in this special issue. His untimely death, in the midst of production several months later, threw the magazine into grief, shock and disarray. After much dedicated effort by long-time editors Brian Boigon, Judith Doyle and Carolyn White, the issue was recovered, bit by bit.

I accepted the Executive Editorship late last Fall. There was no question that Impulse would resume its publication with Peter’s One Word Works. It is presented not only with some pride, as a testimony to his vision and talent, but also as a reminder of the magazine’s resilience and collaborative nature.

During its 20 years of publication, Impulse has always stood for creativity and change – and this commitment will continue. To mark this new phase of revitalization and renewal, Associate Editor Gordon Lebredt and I have decided to rename the magazine. Beginning with our next issue, Impulse becomes M5V Magazine. Look for it in September.

–David Clarkson

Condition note: the cover might be in worn conditions due to its long-term storage

Order here

Not Human, Not Fly. Mao. Massacre

Posted in Artist Book, graphic design, politics, science on September 11th, 2021
Tags: , , , , , , ,

not_human_not_fly_an_essay_on_monstrous_posthumanism_mao.jpg_1not-human-not-fly-mao-massacre-9789893301593-2not-human-not-fly-mao-massacre-9789893301593-3not-human-not-fly-mao-massacre-9789893301593-5not-human-not-fly-mao-massacre-9789893301593-6not-human-not-fly-mao-massacre-9789893301593-8not-human-not-fly-mao-massacre-9789893301593-9not-human-not-fly-mao-massacre-9789893301593-10not-human-not-fly-mao-massacre-9789893301593-12not-human-not-fly-mao-massacre-9789893301593-12anot-human-not-fly-mao-massacre-9789893301593-13not-human-not-fly-mao-massacre-9789893301593-14not-human-not-fly-mao-massacre-9789893301593-15not-human-not-fly-mao-massacre-9789893301593-16not-human-not-fly-mao-massacre-9789893301593-17not-human-not-fly-mao-massacre-9789893301593-18

Not-human, Not-fly is a publication made of two books. One contains a study on the concept of the posthuman using David Cronenberg’s film The Fly as a starting point. It argues that the human-fly mutant in the film, Brundlefly, is not just another cautionary tale that invalidates deviations from conventional expressions of humankind. The creature is worthy of consideration both as an organism that functions on their own terms, beyond the features of humans and houseflies, and as a picture of Dorian Gray that reveals not some underlying immorality, but the terms for living in an age of systematic environmental destruction that has been called the Anthropocene. The second book is a work of fan fiction: it presents a series of fictional DNA sequence constructs belonging to Brundlefly, which create a narrative based on the genetic transformations that Brundlefly was subjected to, revealing the not wholly linear relations that connect humans, posthumans and houseflies.

Hugo Almeida is an artist (who goes by the name Mao) and postdoc researcher at the Interuniversity Center for the History of Science and Technology (CIUHCT), Faculty of Science and Technology, NOVA University of Lisbon, Portugal. He is an alumni of the Art & Science residency program of the IMéRA Foundation, Marseille (2016-2017), France and of the Saari Residence, KONE Foundation, Mynämäki, Finland (2016). He has been a postdoc at CIEBA, Faculty of Fine Arts of Lisbon University (2013-2016) and holds a PhD in Molecular Biology (2013, NOVA University of Lisbon), from his research at the Telomere and Genome Stability Laboratory, Instituto Gulbenkian de Ciência (IGC), Oeiras, Portugal. Mao normally exhibits and publishes with the art research collective and publishing label Massacre. His work has also been published by Chili Com Carne and Komikaze. He was a founding member of zine label Clube do Inferno (2012-2019).

Order here

Dear world you have made the persons slow. Elena Kaufmann. COISAS QUE MATAM

Posted in Artist Book, books, graphic design, politics on September 10th, 2021
Tags: , , , ,

dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-1 dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-2 dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-3 dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-4 dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-5 dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-6 dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-7 dear-world-you-have-made-the-persons-slow-elena-kaufmann-coisas-que-matam-8

Dear world you have made the persons slow uses the World Health Organization’s collected 2020 press statements about COVID-19 as its source material. Composed using blackout poetry, the project casts light on the ongoing and mostly unconscious consumption of online information. In reproducing the affect of online communication, these poems are both violently abridged and easy to consume.
In a world filled with transnational commercial chains, empathy and solidarity tend to stay local; the sudden violence of a worldwide pandemic paired with personal crises raises long overdue awareness for a more global concern for other subjects as well. Dear world you have made the persons slow contains potential further worldwide statements and there, they just need to be dis-covered.

Elena Kaufmann, born in 1992, is a contemporary artist based in Berlin, working primarily with poetry and language.

COISAS QUE MATAM (THINGS THAT KILL) is a label of the present, unleashed to publish sound and visual works afflicted by the now. If there are things that kill, there are also those that ignite and exhort. Since 2017, Stefanie Egedy and Simon Fernandes have been creating this circumstance between São Paulo and Berlin.

Order here

3 days in Belgrade. Cloé Barbier. Self published

Posted in Artist Book, graphic design, zines on August 20th, 2021
Tags: ,

3-days-in-belgrade-cloe-barbier_motto_1 3-days-in-belgrade-cloe-barbier_motto_2 3-days-in-belgrade-cloe-barbier_motto_3 3-days-in-belgrade-cloe-barbier_motto_4 3-days-in-belgrade-cloe-barbier_motto_5

3 days in Belgrade

Papers from a three days trip in Belgrade in June 2021.

Order here

Image Generation. Michel Egger. Edition Ventile

Posted in art, Artist Book, books, graphic design on August 14th, 2021
Tags: , , ,
image-generation-michel-egger-edition-ventile-9783952533208-1 image-generation-michel-egger-edition-ventile-9783952533208-2 image-generation-michel-egger-edition-ventile-9783952533208-3 image-generation-michel-egger-edition-ventile-9783952533208-4 image-generation-michel-egger-edition-ventile-9783952533208-5 image-generation-michel-egger-edition-ventile-9783952533208-6 image-generation-michel-egger-edition-ventile-9783952533208-7 image-generation-michel-egger-edition-ventile-9783952533208-8 image-generation-michel-egger-edition-ventile-9783952533208-9

Image Generation, a work of research by Michel Egger, makes use of visual material found on the World Wide Web. Generated using Pinterest’s algorithm-driven search function, single images, ones that otherwise would never have come together, are put into a relationship. Formal associations and technological errors collide, allowing these duos to emerge. In parallel to this, words are used to translate the imagery into unsystematic, yet constantly internet-based information.

Order here

Type Life Issue #2. Swiss Typefaces. SWTY Publishing.

Posted in graphic design, magazines, Motto Berlin store, newsprint, printmaking, typography on February 2nd, 2018
Tags: , , ,

Type_Life_2_Swiss_Typefaces_Motto_1Type_Life_2_Swiss_Typefaces_Motto_2.2Type_Life_2_Swiss_Typefaces_Motto_4Type_Life_2_Swiss_Typefaces_Motto_5Type_Life_2_Swiss_Typefaces_Motto_6Type_Life_2_Swiss_Typefaces_Motto_7Type_Life_2_Swiss_Typefaces_Motto_8Type_Life_2_Swiss_Typefaces_Motto_9

The second issue of Type Life brings a cornucopia of visual inspiration. Swiss Typefaces presents insights into their cosmos of style, fonts, and fashion. This is the only place where you’ll find both Rihanna and Rudolf Koch, and where photos of contemporary art and streetwear are framed by engravings from the Caslon foundry. Type Life doesn’t make many words, and instead shows plenty of letterforms. Printed in six Pantone colors, it features mirrored words, slanted letters, gradients and all the other things your design prof wouldn’t approve of.

At the heart of this issue is Sang Bleu – the name both of a typeface and of a creative agency. Over the past decade, the two have built a legacy together. Shown are fonts that debuted in the Sang Bleu magazine, some of which later were released by Swiss Typefaces, and others that remained private. Custom typefaces designed for Vogue appear next to the experimental script variant SangBleu Snakes, followed by a stunning guest contribution from the Paris-based Studio Jimbo. Type Life #2 is made perfect by an introduction to the all-new SangBleu typeface and the accompanying printed book that showcases its 5 collections and 45 styles, released in October 2017.

 

 

Publisher: SWTY Publishing, 2017
Language: English
Pages: 36
Size: 23.5 x 32 cm
Binding: Softcover, loop staples
Printing: Offset, 6 Pantone colors
Printed in Switzerland

 

 

Buy it

SangBleu Typeface. SWTY Publishing

Posted in graphic design, Motto Berlin store, typography on November 22nd, 2017
Tags: ,

sangbleu_motto_1sangbleu_motto_2sangbleu_motto_3sangbleu_motto_4sangbleu_motto_5sangbleu_motto_6sangbleu_motto_8sangbleu_motto_7

 

On the occasion of the launch of the SangBleu typeface, Swiss Typefaces issues a book for lovers of the printed letterform. On 128 pages, “SangBleu Typeface: The King, His Court, The Explorer & The Gift” celebrates cutting­edge typography in general and the SangBleu fonts in particular. Devised as a collector’s item, it provides a unique combination of design and content: at the heart of the publication is a novella by Daniela Party, specifically written for this purpose. The book starts off with illustrations of a skull and a beheaded female warrior, followed by serpents and an Aztec ghost figure. This dark and savage imagery sets the atmosphere. Giant initials, printed in loud pink, lead into the book like drumbeats in the jungle – S – B – G – U… The title page presents the names of the five collections that form the SangBleu typeface: Empire, Kingdom, Republic, Versailles, Sunrise. Each family is displayed on a spread of 20 pages, in a layout that was freely inspired by a type specimen for Caslon Old Face from 1924. The sample pages emulate all kinds of text types, from novels and magazines to drama and poetry, in sizes big and small. Some pages feature large headlines or block quotes in italics. Others show off spectacular drop caps and strongly contrasting sizes or weights. Designers interested in seeing the Cyrillics do not miss out either. The scope and versatility of the SangBleu collection is exhibited in its entirety. All text is taken from Daniela Party’s novella. Set in the late 17th century, an era of absolutism, superstition, and colonialism, it narrates the story of Meztli, an indigenous Mexican woman with extrasensory powers. Captured by French explorer La Salle, she is sent as a gift to Louis XIV, the Sun King – a gift that would set off a series of macabre events involving witchcraft, lust, envy, and death. Designed by Swiss Typefaces, the SangBleu Typeface book was printed in five colors, four of them Pantone spot colors including metallic and neon inks, and is further enriched by a special binding with several fold­out pages – all made in Switzerland.

 

Buy it