Claude Eigan. Alpina Huus @ Motto Berlin – 17.08.2018

Posted in exhibitions, Motto Berlin event on August 16th, 2018
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FEST_05

 

Claude Eigan. Alpina Huus x Motto
17 August, 6-10pm
In collaboration with Alizee Lenox and Jake Kent
A special cocktail will be served

 
Claude Eigan (b. 1983, France) uses sculpture as a primary medium, often extending to installation, sound and print. Recent exhibitions include: Haptic House (Horse & Pony Fine Arts, Berlin, 2018),Everytime you switch me off, I die. A little. (gallery Foothold, Polignano a Mare, 2018), Sun Sipping Some Syrup (gallery Frontviews, Berlin, 2018), Times New Romantic (M.I/mi1glissé, Berlin, 2017), State of the art (gallery Lily Robert, Paris, 2017), Meatspace (The impossible project, Berlin, 2016), Comfort Zone (Kunstfabrik HB55, Berlin, 2016).

 

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Alpina Huus x Motto
10 August—7 September 2018

Adam Fearon, 10 August, 6-10pm
Claude Eigan, 17 August, 6-10pm
Tarik Hayward, 24 August, 6-10pm
Nastasia Meyrat, 31 August, 6-10pm

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This project is curated by Elise Lammer and kindly supported by Pro Helvetia the Swiss Arts Council, Motto and Domus Alpina

Gärten der Kooperation / Gardens of Cooperation. Alexander Kluge. Württembergischer Kunstverein Stuttgart & Motto Books.

Posted in art, books, exhibitions, film, Motto Berlin store, Motto Books, writing on January 16th, 2018
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Die vorliegende Publikation erscheint im Rahmen der Ausstellung “Alexander Kluge. Gärten der Kooperation” im Württembergischen Kunstverein Stuttgart: einer umfassenden Einzelausstellung des Schriftstellers, Filmemachers und Theoretikers Alexander Kluge, die auf der gleichnamigen Schau im Kunstzentrum La Virreina in Barcelona basiert. In enger Zusammenarbeit mit La Virreina sowie Alexander Kluge selbst hat der Kunstverein eine Neufassung und Erweiterung von sieben Eizelaspekten dieses Projektes entwickelt.

Entsprechend der Ausstellung setzt sich auch das Buch aus sieben “Inseln” zusammen, die jeweils mit einem Bild und Text aus Alexander Kluges Büchern eingeführt werden. Darüber hinaus versammelt es eine Auswahl ergänzender Texte von Alexander Kluge, die auch ind er Ausstellung zu finden waren.

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The publication accompanies the exhibition “Alexander Kluge: Gardens of Cooperation” in the Württembergischer Kunstverein Stuttgart: a comprehensive solo exhibition by the writer, filmmaker, and theorist Alexander Kluge, based on the show of the same name at the La Virreina Art Center in Barcelona. In close collaboration with La Virreina and with Alexander Kluge himself, the Kunstverein has developed a new version and expansion of seven individual aspects of this project.
The book, like the exhibition, is composed of seven “islands”, each introduced by a picture and text from Alexander Kluge’s books. In addition, it brings together a selection of complementary texts by Alexander Kluge, also found in the exhibition.

 

German / English

19 x 12.5 cm

ISBN: 9782940524723

199 pages

Co-published by Motto Books & Würtembergischer Kunstverein Stuttgart

 

€ 18.00

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I AINT THE NOING UV IT IM JUS ONLE THE SHOWING UV IT. Martin Clark, Steven Claydon. Bergen Kunsthall.

Posted in art, books, exhibition catalogue, exhibitions, Motto Berlin store, painting, photography, sculpture on December 13th, 2017
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Published by Bergen Kunsthall in 2017 on the occasion of the exhibitions:

The Noing Uv It
Bergen Kunsthall
9 January – 15 February 2015

The Showing Uv It
Simon Ling
Bergen Kunsthall
27 February – 5 April 2015

Curated by
Martin Clark and Steven Claydon

Texts by
Martin Clark, Steven Claydon, Timothy Morton, Martin Herbert, Russell Hoban, Martin Westwood

 

€32.00

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08.11.2017 / Publishing as an Artistic Toolbox: 1989–2017. Kunsthalle Wien.

Posted in events, exhibitions, Motto Books on November 9th, 2017
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Opening November 7th, at Kunsthalle Wien. Starts at 7PM.
Exhibition 
08.11.2017 – 28.01.2018

What is the role of art publishing today? How have artists adapted modes of publishing as a tool for their practice? How has the notion of artists’ publishing activity changed, given the ever-increasing amount of fairs and an ever-evolving number of book-related collections in contemporary art museums? Publishing has developed a favorite site and medium for aesthetic and artistic experimentation. It has also become an alternative space for promoting unrestricted individual or collective discourse. The multi-part exhibition project Publishing as an Artistic Toolbox: 1989–2017 explores the potentials of publishing – in the form of books, magazines, journals, artistic interventions, websites – as a particular medium and context both to circulate information, knowledge – and to produce art.

Instead of looking at the already historicized and analyzed period of the 1960s and 1970s, the exhibition will highlight how a recent generation of artists use publishing as a productive tool for their practice. The focus lies on the period from 1989 until 2017, taking 1989 as symbolic date to underline the shift from analogue to digital. On a political level, 1989 with the fall of the Berlin wall marks a significant date. On a social level, it is an important year as it indicates the invention of the World Wide Web.

THE BOOKSHOP AS MEDIUM

The bookshop curated by Gregorio Magnani and Motto Books presents a selection of artist’s books published between the late 1980’s and the present. Together these publications offer a privileged overview of the unexpected flourishing of the book as artistic and creative medium. At the same time the bookstore highlights the wide international network of artists and small independent publishers whose collaborations and shared interests are the motors for the artist’s book renaissance.

More information here

Browse the selection of 160 publications included in the show here

Brian Kennon at Motto. 06.06 – 31.07.2017

Posted in exhibitions, Motto Berlin store on July 6th, 2017
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‘Dream the Reanimator Flux Acre’. Fritz Welch @ Motto Berlin. 25.04-27.05.2017

Posted in exhibitions, Motto Berlin store on May 2nd, 2017
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http://humansacrifice.net/

Browse Publications and artworks by Fritz Welch Here

YES YES YES Alternative Press Exhibition @ Motto Berlin

Posted in exhibitions, Motto Berlin event on March 22nd, 2017
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YES YES YES Alternative Press @ Motto Berlin

from 04.02 – 31.03.2017

 

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YES YES YES Alternative Press, Exhibition & book display @ Motto Berlin

Viaindustriae & a+m bookstore with COLLI Independent
Exhibition from 4rd February – 11th March, 2017

artists / poster projects:
Dallas, Dexter Sinister, Experimental Jetset, Will Holder, Pauline Kerleroux & Adéla Svobodová, Prill Vieceli Cremers, Studio Hato, Batia Suter.

YES YES YES Alternative Press
’66-’77 from Provo to Punk

Co-published by VIAINDUSTRIAE publishing / A+mbookstore, Milano
in collaboration with COLLI publishing platform

Edited by Emanuele De Donno / Amedeo Martegani
Graphic Design, Dallas (Francesco Valtolina & Kevin Pedron)

Interviews and texts by Melchiorre Gerbino, David Goines, Matteo Guarnaccia, Steven Heller, James Herod, Coupey Pierre, Trina Robbins, Gianni Emilio Simonetti, Coen Tasman, John Wilcock.

Newspapers and Zines
Aloha, Avatar, Bauls, Berkeley Barb, Berkeley Tribe, Big Muddy Gazette, The Black Dwarf, The Black Panther, The East Village Other, Fapto, Fire!, Freedom News, Friends, Gay, Gay Power, Gay Scene, Gay Sunshine, Georgia Straight, Good Times, The Great Speckled Bird, The Haight Ashbury Free Press, Helix, Hitweek, Idiot International, Iets, Insekten Sekte, The International Times, Juche, Kabouterkrant, Kaleidoscope, King Kong International, Kiss, Liberated Guardian, Los Angeles Free Press, Loving Couch Press, Mondo Beat, Muhammad Speaks, The New York Review of Sex, Nola Express, Old Mole, Open City press, Oracle Los Angeles, Oracle San Francisco, Other Scenes, OZ, Peninsula Observer, Pleasure, Provo, Quicksilver Times, Rat (Rat Subterranean News), Real Free Press, Re Nudo, Revo, Rising Up Angry, San Francisco Ball, San Francisco Express Times, Screw, Search & Destroy, The Seed, Sniffin’ Glue, Southern Free Press, Spy-In, Styng, Suck, Virginity, Washington Free Press, Witte Krant

496 pages: illus. BW and colour
second edition: 1000 copies
language: english
size: 23×31 cm
50,00 €
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YES YES YES Alternative Press. Viaindustriae & a+m bookstore with Colli Independent. Exhibition & book display @ Motto Berlin. 03.02.2017

Posted in events, exhibitions, Motto Berlin event on January 27th, 2017
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YES YES YES Alternative Press, Exhibition & book display @ Motto Berlin

Viaindustriae & a+m bookstore with COLLI Independent

Opening Friday 3rd February from 6:30pm
Exhibition from 4rd February – 11th March, 2017

artists / poster projects:
Dallas, Dexter Sinister, Experimental Jetset, Will Holder, Pauline Kerleroux & Adéla Svobodová, Prill Vieceli Cremers, Studio Hato, Batia Suter.

YES YES YES Alternative Press
’66-’77 from Provo to Punk

Co-published by VIAINDUSTRIAE publishing / A+mbookstore, Milano
in collaboration with COLLI publishing platform

Edited by Emanuele De Donno / Amedeo Martegani
Graphic Design, Dallas (Francesco Valtolina & Kevin Pedron)

Interviews and texts by Melchiorre Gerbino, David Goines, Matteo Guarnaccia, Steven Heller, James Herod, Coupey Pierre, Trina Robbins, Gianni Emilio Simonetti, Coen Tasman, John Wilcock.

Newspapers and Zines
Aloha, Avatar, Bauls, Berkeley Barb, Berkeley Tribe, Big Muddy Gazette, The Black Dwarf, The Black Panther, The East Village Other, Fapto, Fire!, Freedom News, Friends, Gay, Gay Power, Gay Scene, Gay Sunshine, Georgia Straight, Good Times, The Great Speckled Bird, The Haight Ashbury Free Press, Helix, Hitweek, Idiot International, Iets, Insekten Sekte, The International Times, Juche, Kabouterkrant, Kaleidoscope, King Kong International, Kiss, Liberated Guardian, Los Angeles Free Press, Loving Couch Press, Mondo Beat, Muhammad Speaks, The New York Review of Sex, Nola Express, Old Mole, Open City press, Oracle Los Angeles, Oracle San Francisco, Other Scenes, OZ, Peninsula Observer, Pleasure, Provo, Quicksilver Times, Rat (Rat Subterranean News), Real Free Press, Re Nudo, Revo, Rising Up Angry, San Francisco Ball, San Francisco Express Times, Screw, Search & Destroy, The Seed, Sniffin’ Glue, Southern Free Press, Spy-In, Styng, Suck, Virginity, Washington Free Press, Witte Krant

496 pages: illus. BW and colour
second edition: 1000 copies
language: english
size: 23×31 cm
50,00 €
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Everything is About to Happen (Porto): artists’ books and editions. Serralves. Porto. 14.10.2016

Posted in events, exhibitions on October 10th, 2016
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Everything is About to Happen (Porto): artists’ books and editions @ Fundação de Serralves, Porto
Opening Friday 14 October
Exhibition from October 15 2016 to February 12 2017.

Works by Patrícia Almeida and David-Alexandre Guéniot, Karl Holmqvist, Janice Kerbel, Sara McKillop, Kristen Mueller, Luís Muñoz-Santini, Preston is My Paris, Simon Popper, Erik Steinbrecher, Fritz Welch, Nicole Wermers.

‘Everything is About to Happen (Porto): Artists’ Books and Editions’ is dedicated to the most recent developments in the field of artists’ books as a medium and context for contemporary art. The exhibition presents more than 200 works ? many of them published in small, hard to find editions ? to give an overview of the most recent developments in the field of artists’ books. Through them it looks at burlesque reversals, authorship fluidity, sub-activism, unproductive labour, nonsensical and non-linear languages as tools to reaffirm and question our collective desire for collectivity. It suggests that artists’ books should be seen both as individual artistic expressions and as participants in a forum whose culture and freedom are essential to our future.

For the duration of the exhibition, the Serralves bookstore will become an integral part of the show and present recent artists’ books that respond to the concerns it articulates. The bookstore selection is curated by Gregorio Magnani in collaboration with Motto, Berlin.

Artists’ books ? works of art that adopt the format and particular modes of distribution of the book ? first came to prominence in the mid-1960s. They offered artists a cheap and easily distributed art form that responded to the widespread desire to bring art out of the gallery context. After almost disappearing from view in the 1980s, artists’ books found new energy as a form of artistic expression in the mid-1990s. Then, the wide availability of increasingly affordable digital editing and printing technologies paired with the ease of communication afforded by the internet made it relatively easy to publish or self-publish a book or fanzine. Artists could adopt the book as their chosen medium and become publishers of themselves or choose to rely on a vast network of artist lead, small, adventurous, and often short lived, publishing houses. It was a media that allowed them to be in full control of their own work ? from the first glimpse of an idea, through its development in editing and publishing, to its final marketing. This was liberating: it allowed free experimentation that bypassed the need for institutional support and validation and relied instead on an alternative peer-to-peer network. It also responded perfectly to the 1990s dream of self-empowerment embodying its promise to make each of us a one-man-act on a constant path of self-reinvention. Today the hope of a non-exploitative relation between capital and independent cultural producers seems as unrealistic as the 1960s notion of liberation through commerce. In the creative arts, self-expression reads more and more as labour performed as entertainment for somebody else’s gain. But the productive power of the shared language that constituted the community around artists’ books remains. It relies on low costs, high affective investments, peer-to-peer exchanges and on the focus on the ability of the book to create social exchanges. Threatened by capital’s capacity to survive its crisis through the consumption and production of social spaces, it reaffirms its communal energy by acknowledging the dangers it faces.

‘Everything is About to Happen (Porto): Artists’ Books and Editions’ is organized by the Serralves Museum of Contemporary Art, Porto, and is curated by Gregorio Magnani.

How to (talk about) things that don’t exist. 31st São Paulo Biennial. Serralves

Posted in art, distribution, exhibitions, painting, performance, politics, writing on October 4th, 2016
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How (…) things that don’t exist
How to (talk about) things that don’t exist focuses on the processes that led to the artworks and arguments in ‘How to (…) things that don’t exist — an exhibition developed out of the 31st São Pau¬lo Biennial’ presented at the Serralves Museum of Contemporary Art in Porto. The publication continues the ide¬as and discussions that generated the exhibition and proposes unexpected synapses between different subject areas: Education; Reverse Colonialism; and Right to the City — Criminalization of the Poor. It includes a wide variety of texts, chronicles, lyrics, historical documents, drawings, collages, paintings, film stills and photographs many of which specifically conceived for this book by artists, curators, art historians, writ-ers, researchers, pedagogues, sociologists, urban planners, journalists, social workers and activists.

Como (falar sobre) coisas que não existem
Como (falar sobre) coisas que não existem centra‑se nos processos que conduziram as obras e discussões presentes na exposição “Como (…) coisas que não existem — uma exposição desenvolvida a partir da 31a Bienal de São Paulo” apresentada no Museu de Arte Contemporânea de Serralves no Porto. A publicação propõe sinapses inesperadas entre os diversos temas tratados: Educação; Colonialismo Invertido; e Direito a Cidade ― Criminalização da Pobreza e inclui uma variedade de textos, cronicas, letras de musicas, documentos históricos, desenhos, colagens, pinturas, fotogramas e fotografias — alguns concebidos especificamente para este livro — da autoria de artistas, curadores, historiadores de arte, escritores, investigadores, pedagogos, sociólogos, urbanistas, jornalistas, assistentes sociais e ativistas.

39.90

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