5 PTOHOGRAHPIES — 40 × 28 CM, Paspier

Posted in art, exhibition catalogue, food, photography on February 16th, 2015

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«5 PTOHOGRAHPIES — 40 × 28 CM» by Paspier

Consisting of five pictures, this big format portfolio presents the Ptohograhpies series Roches Mammifères — Dissimulaits, a naturalistic study of cheese in
the process of molding. In June 2014, the series got awarded the Berlin Art Prize for Best Concept.

The Ptohograhpies are origianlly from France and Englnad. They have been epxosed to the lihgt for the vrey frist time in 1812. Since then wtih a very sepcific tcehnique, they recorded in piostiv and nagetiv ways, imegas of objcets, persons, aminals, ladnscapes,
and ohter scenes…

Edition of 350

Price 45€

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Ricarda Roggan. Apokryphen. Spector Books

Posted in Artist Book, distribution, exhibition catalogue, photography on January 30th, 2015
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Over the past two years Ricarda Roggan collected and loaned from various museums and institutions objects which originally belonged to a key figure in the German cultural canon. She photographed them like the ceramic fish once owned by Ricarda Huch or Martin Heidegger’s pocket watch. These objects remain as artefacts in collections and have no intrinsic value. They only take on historical significance when they are shown in public, suffused with an awareness of the identity of their former owners. But what will remain of an object once it has been taken down from its pedestal only to disappear again in the archives? The artist locates her photography in the gap that is created between the knowing viewer and the photographed object and asks the question: Can photography preserve and convey the original auras of these everyday objects? Apocrypha was shown in 2014 in the Echo exhibition at the Kunstverein Hannover and at the Wilhelm Hack Museum in Ludwigshafen.

28 x 21 cm + 15 x 9,7 cm
€28.00

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Space for Visual Research. Spector Books

Posted in art, distribution, photography on January 30th, 2015
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Space for Visual Research. Spector Books
edited by Markus Weisbeck, Mathias Schmitt, Michael Ott

The Space for Visual Research was established at the Bauhaus-University Weimar in 2013 as a workshop and laboratory for experimental research into new graphic, abstract and visual worlds. The Space’s mission is to support the exploratory urge for new aesthetics, in particular by empowering design students to create their own individual imagery. The resulting Space for Visual Research publication is a lab book, a log of visual experiments conducted using physics, chemistry, optics and reproduction technology as starting points for image production. Technical explanations open up possibilities for customized reproductions of each visual experiment presented here, while commissioned interviews and essays as well as a hand-picked bibliography render Space for Visual Research a useful reference tool for visual research generally today.

With texts by Alex Marashian, Liam Gillick, Karl Schawelka and Sophia Gräfe.

26€
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Erik van der Weijde – Gebilde. Camera Austria

Posted in distribution, photography, writing on January 20th, 2015
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Erik van der Weijde – Gebilde

Texts by Pierre Dourthe, Frits Gierstberg, Maren Lübbke-Tidow, Dan Rule, Erik van der Weijde, Jan Wenzel

Edition Camera Austria
96 pages
11,3 x 17 cm
€9.00

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Alexandra Leykauf – Posterbook

Posted in Artist Book, photography on January 19th, 2015
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Alexandra Leykauf – Posterbook
36 pages
40 x 55 cm
€35.00

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Provence Issue E FOUR SEASONS 2015

Posted in art, magazines, photography, poster on December 27th, 2014

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ISSUE E FOUR SEASONS 2015 incl. The PROVENCE Summer Reader: After Dark

ISSUE E FOUR SEASONS 2015
Photo:
Josephine Pryde, Bra III (ISOSCELES at Ahlbeck) from Knickers, Berlin, 2014.
Courtesy Temnikova & Kasela, Tallinn

Poster size: 93 cm x 69 cm

The PROVENCE Summer Reader: After Dark is the second publication of a series of books co-published by Paraguay Press and PROVENCE.

The PROVENCE Summer Reader: After Dark takes it starting point—its body—from the kind of supplementary pocket books that are attached to the summer issues of various empire lifestyle magazines. As the title suggests, this book is a reader that gathers different—not to say heterogenous—material, by authors from diverse—though mainly art-connected— backgrounds, taking over a format known for its slippery, shallow, and entertaining content. Writings, fictions, documents, and poems come along with a suite of illustrations by Siw Umsonst. For a brief moment, this book was going to be a part of PROVENCE’s (pen)ultimate Issue C dedi- cated to Criticism Now. And then … in or out. We recalled the moment in history (was it the mid or the late 90s?), when art magazines not only featured sec- tions with the best of the year, but also with the worst shows and artists of the year. It was Richard Pryor, according to Lane Relyea, who stated: “I never met any- body who said when they were a kid, I wanna grow up and be a critic.” Soon the title shifted to Dark Matter, which turned criticism to social relations, but it echoed other engagements and expectations. As writing eludes the purposes of criticism, and comes to favor stories, emotions, and open air over judg- ment and in-depth studies, it was eventually replaced by After Dark. After Dark is also a series of computer screensaver software introduced in 1989 by Berkeley Systems for the Apple Macintosh, and for Microsoft Windows in 1991. It is—or was—a means to avoid switching your computer off and to maintain its functionality while not at work, keeping the system running. With the invention of laptops sleep mode in the late 90s, which made turning devices off unnecessary, the then famous Aquatic Realm, Flying Toasters, and Slide Show screensavers vanished. Many of the contributions to this Summer Reader attempt to engage a problem of their own or perform their authors’ participation in the networked, social, and communicational spaces that are shared with cul- tural production at large. They bear witness to nights of labor turned into proletarian days—even though they were written for a book supposed to be read un- der the sun. Or (maybe) exactly because of that: who would dare to take a tablet or a laptop to the beach?

The PROVENCE
ISSUE E FOUR SEASONS 2015
15€

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Robert Overby: Works 1969-1987. Alessandro Rabottini, Andrea Bellini, Martin Clark (Eds.). Mousse Publishing.

Posted in art, books, distribution, painting, photography, sculpture on November 29th, 2014
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Despite a prolific and diverse practice, Robert Overby (1935–93) remains one of the best-kept secrets in post-war American art. While rarely exhibiting during his lifetime, he nonetheless built up an extraordinary, multifaceted body of work encompassing sculpture, installation, painting, photography, print and collage.

This monograph is published on the occasion of “Robert Overby: Works 1969-1987”, the first survey exhibition of the artist’s work to be organized in Europe. Edited by Alessandro Rabottini —in collaboration with Andrea Bellini and Martin Clark—it has been conceived, from the outset, as a joint project of four partner institutions: Centre d’Art Contemporain, Genève; GAMeC – Galleria d’Arte Moderna e Contemporanea, Bergamo; Bergen Kunsthall, and Le Consortium, Dijon.

Texts by Andrea Bellini, Martin Clark, Robin Clark, Alison M. Gingeras, Terry R. Myers, Alessandro Rabottini

Language: English
Pages: 294
Size: 24 x 31,7 cm
Binding: Softcover
ISBN: 9788867491223

37€
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Petunia #6

Posted in art, distribution, photography, writing on November 15th, 2014
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Petunia #6

 

(Known as the “perversion vs resistance issue”)

with contributions by Marie Angeletti, Tenzing Barshee, Anna-Sophie Berger, Buenos Tiempos International, Jana Euler, Jeanne Graff, Adriana Lara, Kate Newby, Linda Nochlin & Julia Trotta, Emilie Pitoiset, Myles Starr, Susana Vargas-Cervantes and Alexandra Zuckermann.

Design : Ramaya Tegegne

Language: English, French
Pages: 79
Size: 20 X 30 cm

Price: 5.00

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PIN-UP 17. Felix Burrichter (Ed.)

Posted in architecture, distribution, magazines, photography on November 10th, 2014
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PIN–UP 17 Fall Winter 2014/15 The Post-Normal Issue

Featuring: Mario Botta Sou Fujimoto Kelly Wearstler Kulapat Yantrasast Carla Juaçaba Wolfgang Tillmans + a 50-Page Norway Special and a Mies Crown Hall Prize supplement with projects by Herzog & de Meuron, Steven Holl, Rafael Iglesia, OMA, Smiljan Radic, Alvaro Siza, and Cristian Undurraga.

€20.00
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The Reminder. Behnam Sadighi. Motto Books

Posted in art, distribution, exhibitions, Motto Books, photography, writing on November 7th, 2014
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The Reminder. Behnam Sadighi. Motto Books

This publication is part of the project The Reminder by Behnam Sadighi, conceived in the frame of the fellowship programme MOP CAP 2013 with an exhibition at The Showroom from September 8 – 13, 2014 and the residency programme Delfina Foundation in London.

From December 2013 to October 2014 Behnam Sadighi worked closely with curator and theorist Doreen Mende to develop his The Reminder project for the MOP CAP 2013 Winner’s Exhibition. Prior to the exhibition Behnam undertook a three-month residency at the Delfina Foundation. As part of the Prize a series of events including an exhibition, a panel discussion and a book launch formed Behnam Saidghi’s fellowship during his stay in London.

Sadighi’s work is founded in documentary photography. He develops his ideas through the phenomena of his surroundings caused by socio-political and cultural issues. The experiences that have the most powerful effects on Iranian lifestyle and relationships,  particularly in urban environments. These changes in phenomena and self, play an integral role in reflecting his personal interpretation of life and living.

The Reminder is an attempt towards an-other look at the Facebook profile pictures of Iran’s youth. Through a reconstruction of the portraits their authorship is lost in the midst of their innumerability. These pictures, usually taken as snapshots, seem to conceal the represented person as well as all of the elements that characterise them. Does such loss of the authorship and privation of representation occur because of the countlessness of the photographs, or is it because their viewers are skimming through them so quickly? Is it caused by a desire in making and/or representing a different sort of being in a matter of seconds? Or, it is such way of doing, a remembrance of an existence that shares the untold and the hidden in a corner of time?

(Each publication includes one poster from a series of eight.)

Language: English / Farsi

Size: 20 x 27.5 cm

ISBN: 9782940524297

€10.00

 

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