Harun Farocki: What Ought to be Done / Was getan werden soll. Harun Farocki Institut & Motto Books.

Posted in film, Motto Books, writing on August 16th, 2016
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In the mid-1970s, Harun Farocki wrote a two-page call programmatically entitled What Ought to Be Done, followed by a survey addressed to potential collaborators and supporters. He envisioned an institution to “organize a coalition of working people, not from an abstract understanding but from the contact points of their work.” The purpose of this institution, devoted to documentary practices, was twofold. It was “intended to collect, i.e. secure what is there,” but also “to produce, i.e. initiate what is not yet there.” In doing so, it was meant to facilitate social and collaborative processes, comprehensive and interdisciplinary studies without time pressure.

At the occasion of Farocki’s working paper, the Harun Farocki Institut, founded in 2015, historically situates Farocki’s initiative and reflects upon the proximities and differences between creating an institution in 1976 and forty years later.

The publication includes Farocki’s text, a commentary by Tom Holert, Doreen Mende and Volker Pantenburg, as well as a letter written in 1975 by documentary filmmaker Peter Nestler in response to Farocki’s circular.

Editorial responsibility: Elsa de Seynes.

€5.00

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,you asshole. Alina Lupu.

Posted in art, Artist Book, Theory, Wholesale, writing on August 1st, 2016
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“An intelligent and literarily written account of ‘the art of assholedom’, shining light on all-encompassing and ruthless art as/is life as represented in the acts of Kippenberger, Lee Lozano, Andy Warhol.”
- the northern committee

“Truly unapologetic assholery of which (and because) the ‘what’ and the ‘how’ and the ‘why’ remain hard to grasp – leaving those who try with nothing but a blank stare: why accelerate on a dead end street? Is there a way out – a secret, or a lie? But told by the beholder it still remains a bitter fairytale.”
- substantial times

“So there is a moral after all, despite the critique of art world mechanism that is convoluted and captivating with a discernible joy for provocation.”
- amsterdam tribune

“A voice that we can’t help but think is yet too cautious to actually touch upon the unknown knowns.”
- the moral observer book review

 

€13.00

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Petunia #7. Dorothée Dupuis. Valérie Chartrain, Lili Reynaud Dewar, Victoria Dejaco (eds.)

Posted in art, Artist magazine, magazines, writing on June 1st, 2016
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THE ONLY AND FINEST ART AND ENTERTAINMENT FEMINIST MAGAZINE
WITH Caroline Mesquita, Grégoire Blunt & Emmy Skensved, Maité Garbayo, Marlie Mul, Temra Pavlovic, Amy Sillman, Dorothy Howard, Ramaya Tegegne, Philipp Timischl, Daniel Berndt, Deniz Unal, Geraldine Beck & Miriam Leonardi Frances Stark, Dorota Gawęda & Eglė Kulbokaitė Gill Karjevsky & Tali Keren, Deanna Havas & Haydée Marin-Lopez, Chanel Von Habsburg-Lothringen, Heather Guertin & Verena Dengler

5€
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mono.kultur #40 : EDMUND DE WAAL : W IS FOR WHITE. mono.kultur.

Posted in art, Artist magazine, magazines, Motto Berlin store, writing on June 1st, 2016
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Edmund de Waal is a potter. His pots, plates, and vessels are the result of craft and mastership, but they are also so much more than that: they are experiments in form and function, abstractions of thoughts on silence and space, on repetition and failure, on substance and fragility, on memory contained.

Edmund de Waal is an artist. He arranges his objects in complex choreographies that are as mysterious as they are mesmerizing. Displayed in galleries and institutions worldwide, his considered installations play with architectural concerns, integrating ideas of space, light and obscurity.

Edmund de Waal is a writer. In 2010, his intimate memoir of a kind, ‘The Hare With Amber Eyes,’ intertwined the biography of a collection of netsuke figures with the biography of his family and became a surprise bestseller, winning several awards. His latest book, ‘The White Road,’ presents a highly personal and engaging research into the history of porcelain.

Whether he sculpts with words or with clay, what Edmund de Waal works with are concepts, ideas, and desires. In a body of work that is at odds with our times and yet oddly successful, his writings and objects overlap and integrate each other in an attempt to understand and transcend our complex relationship with objects and our surroundings.

In an interview with mono.kultur structured like an A-Z of notes and ideas, Edmund de Waal talked about his rules of attachment, the impossibility of repetition, and why ‘doubt’ is the most beautiful word.

Visually, the issue takes inspiration from that most perfect of materials: porcelain. Printed entirely in double-sided splendour, the two finishings of the paper – shiny gloss and smooth matt – evoke the texture of ceramics before and after glazing.

Interview by Mareike Dittmer / Artwork by Edmund de Waal / Design by Designbolaget

5€
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45 Last Words. Uta Pütz. art3.

Posted in Artist Book, books, writing on May 11th, 2016
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45 Last Words
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Ikebana I-II
Close-Up Magic I-II
Weltraumfahrt I-IV
Arrangiert in schönen Gefäßen I

Concept: Uta Pütz
Graphic Design: Lisa Pommerenke
General editor: Sylvie Vojik

10€
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Tomb of Love, Grabkammer der Liebe. Claudia Reinhardt. Verbrecher Verlag

Posted in Artist Book, photography, writing on May 7th, 2016
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In my series Killing Me Softly (2004), I recreated the suicides of famous woman artists, placing myself as the model. Back then, fifteen years ago, it was the suicide of Sarah Kane which induced me to deal with the theme of suicide. In the most recent photographic work Dospar, Liebespaare (book title Tomb Of Love), i shift the attention to couples who committed suicide together. This time I solely have the position behind the camera and I work with non-professional actors, who were instructed by me, staging the death of ten couples and families.

2016

 

Price: €30.00

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Reasons to Be Cheerful. Chloë Delanghe. WIELS & Motto Books

Posted in 2016, Artist Book, distribution, photography, writing on April 2nd, 2016
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Reasons to Be Cheerful by Chloë Delanghe deals with the problematic of portraiture and the supposed weight of image making. The book is a fragmented portrait of the artist’s mother Sally Kovacsik. The first chapter, composed of portraits made by Sally’s husband Geert Delanghe, shows her just before and after childbirth. The second chapter, on the contrary, juxtaposes family portraits with objects, rooms, letters and notes. Each image of the book functions as contained gestures, seeking both remoteness and closeness. Moreover, photographs of Welsh castles repeat this conflicting movement. Reasons to be Cheerful is a disorientation of images, a fragmented portrait.

Editor: Chloë Delanghe
Graphic Designer: Dylan Van Elewyck
Photography: Chloë Delanghe and Geert Delanghe
Text: Sally Gabrielle Kovacsik
Published by WIELS, Brussels and Motto Books, Lausanne/Berlin

€20.00

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One Helluva Hole (English). Jérémie Gindre. Motto Books

Posted in Artist Book, Chert, Motto Books, writing on February 23rd, 2016
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The novella “One Helluva Hole” by Jérémie Gindre is one of the outcomes of a residency that artist Jérémie Gindre undertook in 2011, at the Swiss Center for Affective Sciences, University of Geneva, where he studied the effects of brain damage in Neuroscience. Focusing on the emotional side of experiences and how this affects human behaviour and society, this short fictional writing describes the vicissitudes of Bill Ronson, whose life changed dramatically after a terrible accident that perforated his brain

It is this inexplicable mix of feelings, together with the occasion of an extra day – extra chance – in the year, that gave motion to the exhibition, where different artists present works somehow connected with the idea of emotions, experiences, sensitivity and personal perceptions.

€6.00

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Mousse #52. Edoardo Bonaspetti (ed.)

Posted in art, distribution, magazines, writing on February 15th, 2016
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IN THE AVANT-FOYER: ON DECADENCE AND DE-FACEMENT
by Sabrina Tarasoff
MARC CAMILLE CHAIMOWICZ
At the Tip of my Fingers
by Eva Fabbris
THE RECOGNITIONS
by Than Hussein Clark and Charlie Billingham
THE IMPERMANENT COLLECTION
by Jennifer Allen and Giaco Schiesser
THE IMPORTANCE OF BEING AN INFLUENCE
by Jens Hoffmann, Sanya Kantarovsky, Ryan Gander, Jac Leirner, Camille Henrot, Cheyney Thompson, Rayyane Tabet, Liz Magor
SUNSET DÉCOR
by Magalí Arriola
LOTHAR BAUMGARTEN
The Political Discourse of the Time
by Jesús Fuenmayor
THE PUBLIC LIFE OF THE IMAGINATION
by João Ribas
ROBERT GROSVENOR
Hypervolume in Hyperspace
by Hans Ulrich Obrist
FORGET ABOUT THE MIDDLE CLASS
by Chus Martínez
CEAL FLOYER
The Pros and the Cons
by Christian Jankowski
NEVINE MAHMOUD
Playtime
by Andrew Berardini
HENNING FEHR AND PHILIPP RÜHR
No Script
by Niels Olsen and Fredi Fischli
[A TAXONOMY OF NON-SENSE]
by Domenick Ammirati
JESSI REAVES
An Ideological Revision of Furniture Design
by Josephine Graf
LUCAS ARRUDA
A Utopian Balance between Light and Shadow
by Kiki Mazzucchelli
ANA VAZ
Discovering the World
by Filipa Ramos
LIS RHODDES AND AURA SATZ
Seeing is Never Believing
by Agniesszka Gratza
A STUDY IN PETULANCE
by Michael Turner

€10.00

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Alienation. Ana Gzirishvili. გაუცხოება. ანა გზირიშვილი

Posted in Artist Book, drawing, writing on February 13th, 2016
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Language: Georgian, English

Artist book
edition of 50

€15.00

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