Villa, How to Use

With essays by Maria Berman, Nuria Enguita Mayo, Ricardo Nicolau, Dieter Roelstraete, Doris von Drathen English Designed by Purtill Family Business 207 × 254 mm, 128 pages, 55 color and 8 b/w, illustrations, softcover
The first monograph to be published on the work of Leonor Antunes, villa, how to use is released in association with the exhibition Antunes conceived for the Serralves Villa in 2011. The result of a close collaboration between the artist and graphic designer Conny Purtill, this fully-illustrated publication includes installation views of Antunes’ exhibition (which featured works produced by the artist over the past decade alongside pieces specifically created for the Villa spaces), as well as five essays that offer an in-depth survey on Antunes’ art.

Dieter Roelstraete highlights the speculative concerns that, under the blanket term architecture, Antunes shares with the three most important German-speaking philosophers of the twentieth century (Wittgenstein, Heidegger, and Adorno): identity and belonging, homeliness and uprootedness, measures and proportion, space and balance. Taking the case study of Manhattan’s Park Avenue after WWII, Maria Berman examines the theme of duplication in architecture. Doris van Drathen finds in Leonor Antunes’ work the use of “measurement” as a tool of grasping the world. Nuria Enguita Mayo addresses the problems of duplication, faktura and restriction, while Ricardo Nicolau reflects on the dialogue of the artist with the architecture of the Serralves Villa and the memory of other buildings from the history of modernism.

Author: Leonor Antunes
Publisher: BOM DIA BOA TARDE BOA NOITE
Language: English
Binding: Softcover
ISBN: 978-3-943514-19-3
€24.00

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ACID #24

Featuring: Kerstin Cmelka, Megan Francis Sullivan & Sabine Reitmaier, Gavin Morrison & Scott Myles, William Morris, Jan Tschichold, Herbert Beyer, Quinn Latimer, Jennifer West, Brian Holmes and Magda Tothova and many more.

Plus, free Flexi Disc: Eva-Tone Soundsheet Modulator 2013, by Florian Hecker.

Price: €4.00

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08.08.2013 – 31.08.2013 @ Motto Berlin

KesselsKramer

Modern Matter’s fourth issue, Made In USA, is a collaboration with London’s ICA gallery, created on the eve of a major retrospective by the New York-based art collective, the Bernadette Corporation (making it the first independent magazine to act as an ICA partner). Its cover star is the iconic American actress, Chloë Sevigny; the issue’s content is themed, in part, around the dual ideals of Art and America, and includes an exploration of the New York art scene.

Editor: Olu Michael Odukoya
Language: English
Pages: 189
Size: 27.5 x 21 cm
Binding: Softcover

Price: €10.00
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04.2013 @ Motto Berlin

Capecete Entretenimentos and Panaview

Invited by Devonian Press

AZURAZIA, «Lowering the Mediterranean, irrigating the Sahara»: the first volume of “original soundtracks produced for film which doesn’t exist yet”. Produced in Morocco during the summer of 2011, this record contains tracks made out of local music in North Africa and field recordings, transformed and remixed. Welcome to the Azurazian world, along the lowered Mediterranea by the Gibraltar dam, and follow the adventures of Ghazi Van Keering, searching to learn the new Daseinphilosophy in wasted landscapes. A print art work is included with the record.

Pressed by: Grautag Records

D 20 €

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Discipline is a Melbourne-based contemporary art journal. It has a focus on longer, research-based essays, interviews and artist pages.

While based and published in Melbourne, the writers and artists who have contributed to Discipline are both local and international. In presenting longer-form essays, the journal aims to ground a new body of sustained intellectual writing about contemporary art that does not merely fall back on the crutch of ʻpluralityʼ as a means for theorising art after postmodernism and globalisation.

Edited by Nicholas Croggon and Helen Hughes, Guest edited by Maria Fusco
Design by Annie Wu and Ziga Testen
Language: English
Pages: 176
Size: 30 x 23 cm

Price: €20.00
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Artist Book

Kim Seob Boninsegni: Mining For Pearls

With Texts by:
Liam Gillick
Sarina Basta
Daniel Baunmann
Giovanni Carmine
Piero Golia
Dominique Gonzalez-Foerster
Pierre Joseph
Justin Liberman
Tobias Madison
Elli Medeiros
Damián Navarro
Mai-Thu Perret
Guillaume Pilet
Emmanuel Rossetti
Wolf Günter Theil

Published by Atelier Schönhauser Berlin

D 10€

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Matter Magazine #1. A Modern Journal For Men That Matter. Digital Good Times.

Matter is a new biannual publication that records the ways in which new and developing technology affects culture, lifestyle, fashion, and the arts.

Created by the studio behind the acclaimed arts and culture magazine Kilimanjaro, Matter shares the former’s curatorial approach to design and content. Designed to appeal to a consumer eager to tap into an ever-changing and increasingly sophisticated world, with particular regard to the twin disciplines of high-end design and culture, its inaugural issue is covered by the iconic trip-hop artist Tricky, who talks exclusively to Matter about music, imperfection, and reinvention.

Matter’s unique selling point is the fact that it is the first art and style publication to examine these subjects through the lens of modern technology; in doing so, it brings together the creative and the rational in a way which is rarely seen in the realms of printed matter.

First issue includes: Dieter Rams, Ole Scheeren, Matthew Collings, Pierre Huyghe & William Gibson. / Google’s Creative Director of Data Arts, Aaron Koblin, on digital art. / Iconic fashion designer Rick Owens presents an Anthology Of Colour. / Editor Jennifer Higgie on twenty years of Frieze magazine. / Art & The Automobile, featuring the American artists Richard Prince and Erwin Wurm. / Tate Exhibitions Curator Tanya Barson on the Lyon Biennale. / Celebrated conceptual artist Lawrence Weiner, shot by NY underground photographer Ari Marcopolous. / Photographer – and former director of Dior Homme – Hedi Slimane’s best images of women.

D € 10

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Philippe Decrauzat. Trois Films Photographiés.

Trois films photographiés – A Change of Speed, a Change of Style, a Change of Scene – After Birds – Screen O Scope, Philippe DECRAUZAT.
Published by Centre d’édition contemporaine, Geneva.

This artist’s book is an edition of 400. Each copy is composed of 18 quires, bound together following a random repartition system. Each book is unique and numbered with an adjustable rubber stamp.

D € 57

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