Print Response is a series of prints that were altered by various artists whom Burnoski had approached by mail or in person.
In his request to the artists, Burnoski left it open to what could be done in response to the print, saying only that it could be as simple as they wished.

The artists include:
John Baldessari, Pierre Bismuth, Martin Boyce, Herbert Brandl, Angela Bulloch, Martin Creed, Richard Deacon, Jimmie Durham, Michael Elmgreen & Ingar Dragset, Valie Export, Peter Fischli, Ryan Gander, Joe Goode, Rodney Graham, Wade Guyton, Mary Heilmann, Isabell Heimerdinger, Carmen Herrera, Susan Hiller, Thomas Hirschhorn, Jenny Holzer, Joan Jonas, Jannis Kounellis, Louise Lawler, Paul McCarthy, Jonathan Monk, François Morellet, Olivier Mosset, Marcel Odenbach, Albert Oehlen, Roman Ondák, Tobias Rehberger, Allen Ruppersberg, Ed Ruscha, Anri Sala, Roman Signer, Nedko Solakov, Stephanie Taylor, Jeffrey Vallance, Kelley Walker, Lawrence Weiner, Christopher Williams & Johannes Bendzulla, Jack Youngerman, Heimo Zobernig

Print Response, 2012
by Christian Burnoski
Designed by Daria Holme

Special Edition of 50 + 10 AP includes a DVD titled “Put It Back Together – Tape It Together” 49 mins (A film of Paul McCarthy’s response being taped back together.)
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Limited Edition of 200 + 50 AP
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“With our eyes firmly set on the future rather than the past, it’s sometimes surprising to stop and catch our breath for a moment only to realise, ‘Blimey! We’ve passed issue #30 already!’ Meaning: High time for our second collector’s box set mono.archiv #02, gathering mono.kultur issues #16 to 30 in one pretty and screenprinted box, in that strange grey/blue/green hue which tends to lean towards one or the other depending on the time of day. Once again including a sweet little wrap-around (water!), and once again your very last chance to get your hands on beloved issues such as Miranda July or Ai Weiwei, which have been well and truly sold out for what feels like years. Strictly limited to 150 copies, and 150 only.”

mono.archiv #02:
Miranda July
Paweł Althamer
MVRDV
Michael Ballhaus
Dries van Noten
Tilda Swinton
Ai Weiwei
Sissel Tolaas
Cyprien Gaillard
Dave Eggers
Manfred Eicher / ECM
Ryan McGinley
Bless
Chris Taylor / Grizzly Bear
Chris Ware

Size: 21 x 16 x 6 cm
Weight: 1.2830 kg
Price: €95.00

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Mousse is a bimonthly magazine published in Italian and English . Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism and curation, alternated with a series of distinctive columns in a unique tabloid format.

Mousse magazine number 36 including texts by Jens Hoffmann, Boris Groys, Anthony Huberman, Jessica Morgan, Alexander Nagel, Anna Colin amongst others.

Editor In Chief: Edoardo Bonaspetti
Art Director: Francesco Valtolina

D 9€

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Reportagen #8.

Including:

8.1 Im Camp der Gerechten: In Guantánamo richten die USA über die Nummer zwei der al-Kaida. Der Augenzeugenbericht eines zensierten Prozesses. Von Mattathias Schwartz

8.2 High Heels am Hindukusch: Weniger Burkas, freiere Rede: Afghanistans Gratwanderung zwischen Taliban und Mädchenschulen. Von Roger Willemsen

8.3 Gefängnis der Liebe: Im kolumbianischen Gefängnis Casa Blanca sitzen Männer neben Frauen ein: Von der Liebe unter Verbrechern. Von José Alejandro Castaño

8.4 Team Ruanda:Hutu und Tutsi treten in der ruandischen Fahrradmannschaft gemeinsam gegen das Trauma des Genozids an. Von Philip Gourevitch

8.5 Anleitung für Fälscher: Wenn Händler, Sammler und Kunstfälscher zusammenarbeiten, gelingt der Coup: Ein Kurs in sechs Lektionen. Von Linus Reichlin

8.6 Schwerelos: Mit dem Wiener Literaten erleben wir die Aufhebung der Schwerkraft im Parabelflug: 23 Sekunden schweben! Von Clemens Berger.

+ more

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The electromagnetic installation HOMELAND SECURITY (It’s hard to find a good lamp) is the latest fieldwork and publication by artist Charles Stankievech. The project emerges from his time spent as a researcher-in-residence at the Fieldwork: Marfa residency in the southwest border town of Marfa, Texas.

This small book presents the artist’s typical associative matrix through his selection of images and texts from the related cultural field, ranging from archival letters to country music lyrics, from historic patents drawings to recent scientific studies.

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A Circular 2 is edited by Pedro Cid Proença and features David Antin on Real Estate; a trio of short loops on song and sound by David Morris; Richard Hollis on Flags, Stars and Signs; Pedro Neves Marques on 1972; Dieter Roth’s Trophies Rotated by James Langdon; Patrick Coyle fake fancying, feigning, forging; an extract of Fugue by Roger Laporte; Wayne Daly and Sean Lynch in conversation; Adrian Piper’s To Art (Reg. Intrans. V.) and another instalment of Will Holder’s Middle of Nowhere.

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Texte Zur Kunst stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 by Stefan Germer (†) and Isabelle Graw and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as on art history, theory and cultural politics. Since 2006 the comprehensive main section section, each time devoted to a different topic, and selected reviews are published in both German and English. With every issue internationally renowned artists support the magazine with exclusive artists’ editions.

€15.00

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Sounds Like Silence. John Cage – 4’33” – Silence Today. Spector Books

The title of this book and the exhibition it documents—Sounds Like Silence—is ambiguous. On the one hand, silence effectively “sounds”—or as Cage put it, “There is no such thing as silence.” On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issues at stake in this project: what do we hear when there is nothing to hear; to what extent do we long for silence; and how much silence can we cope with—provided it even exists?

John Cage’s 4’33” (four minutes, thirty-three seconds) premiered on August 29, 1952. This book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer’s own variations, derivatives, and sequels of the “silent piece” in the years from 1962 to 1992.

ISBN: 978-3-940064-41-7

28 €

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Yesterday’s Sun. Uri Gershuni. Sternthal Books.

Yesterday’s Sun is a book by photographer Uri Gershuni that returns to the origins of photography in order to meditate upon its future. Gershuni traveled to the home of photography’s inventor, William Henri Fox Talbot, in Lacock, England, where he photographed Talbot’s home and its environs. Gershuni used a digital pin-hole camera that he made by replacing the lens with a tiny hole. The long exposures that resulted re-capture a materiality eluded by the ‘reproducibility’ of digital photography. Gershuni’s frames capture elements of surprise – stains of light – amongst other motifs, that resemble the remains of some invisible ghost. Interspersed amongst these grainy epitaphs are a series of nude photographs featuring a young man posing in a stark room.

ISBN: 978-0-9864835-8-5

40€

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Still Damp

Silkscreen book, 24 pages incl. cover, 22 x 28,8 cm, edition of 130 ex, hand-bound, numbered and signed.

39€

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