The images in this book are preparative studies for large paintings. The 220 x 220 cm enameled aluminum frames are fixed on motorised axes, which allow the paintings to turn at 90 or 180 degrees. When it flips, the figure reveals its duplicity; elusive lines on a twisted path, bouncing back and forth from an illusion to another… “A duck with a fish in its beak” becomes “a rabbit with a carrot in between the ears”. “Nothing special” becomes “Something special”. “A saw in a log” becomes “a crocodile love”, etc.

First edition, 2023

About the author:
Under various pseudonyms Cornelius de Bill Baboul has received the Berlin Art Prize (DE), was nominated for the Aperture PhotoBook Award (US), has entered private and public collections such as MACBA (Barcelona), has been published by Nieves (CH) and exhibited at Paris-Photo (FR), MoMA PS1 (US), Swiss Institute (US), Huis Marseille (NL), Bank Gallery (JP). His work appears in the international press like the British Journal of Photography (UK), Purple (FR), CURA. (IT), Aperture (US), Elephant (UK), Zeit Magazin (DE), The New York Times (US), The Paris Review (US), Luncheon (UK), It’s Nice That (UK).

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In this issue, we want to take you on a journey from the innerworld to the outerdepths. A journey that begins with the shallows of human fears, needs and expressions, and ends with a view of dystopian (or maybe utopian?) future scenarios. Divided into two episodes, we invite you to explore the shadowy vastness of your imagination. In “modes of expression,” you’ll find content on issues of inequality, identity and nostalgia: in “imagined futures,“ we offer you a glimpse into absurdity.

Subworlds exist parallel to the now. They remain underground and are subconscious. Beginning at the point of discomfort for the mainstream, subworlds are deliberately – or inherently – disturbing, different and provocative. In this issue, use this exclusive subworld as a learning platform. A variety of modalities and disciplines await. From art painting and photography, sculpturalism and 3D art, to clay and handwork, the thoughts and feelings of nine contributors are into these 138 pages of subworld episodes.

Featured artists: Tyler Cala Willams, Ingrato, Siilk Gallery feat. Jonny Kaye, Rick Castro, Moyosore Briggs, Xena Magali, Kseniya Vaschenko, Saint Profanus, Lazygawd, Bodysnatchers, Malte Bartsch, Solo Show, Guerrilla Bizarre feat. Isabella

Contributors: Jacopo Borrini, Marius Thielmann, Rebecca Took, Illaria Sacchi, Miriam Partington, Marie-Christine Lümen, Smilla Marcussen, Meret Scheppach, Hyesoo Chung

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ca. 100 Hundetüten gesammelt von Simon Freund, kuratiert von Leonie Herweg, gesetzt von Paul Jürgens, mit Texten von Sophia Eisenhut und Olga Hohmann. Jedes Buch ist ein Unikat, die Anordnung der Bilder variiert.

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This edition of ZIGG is interested in exploring sex as an evolutionary psychology. It brings together contributions from a network of friends, peers, colleagues who have engaged or encountered the makers of ZIGG through intellectual, psychosexual vibrations. It includes text messages, illustrations, drawings, poetry, code, conversation, rants, and essays. 

Contributors: Hala Bint, Alex Cecchetti, Common Accounts, Kelly Fliedner, Chitra Ganesh, Drew Gordon, Margaret Haines, Raja’a Khalid and Ahmad Makia, Amanda Lee Koe, and Deepak Unnikrishnan.

ZIGG is a publishing association engaged in critical thinking from Dubai. It circulates amorphous aesthetics, printed matters, and promotes the disciplinary blurring between sex, media, earth matter, magic, and politics.

Edition of 300

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Amistad
Volumen 666
Lima 2022
Re-edition
Lima Perú 2018
Diosito-jpg

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The 2023 edition of the Vilaine Fermière calendars have the theme of ‘death gods’, with references to antique, medieval and modern representations of different demons throughout the world.

Each copy is riso printed and bound by hand. Each page has 2 colors and the cover has 3.

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In her exhibition ‘The Playground Talk’, closing her residency at Officina Neukölln, Romana Ruban creates the echo of a dialogue between kids that she overheard during a trip to Odesa. The playground chitchat consists of dreams about the neighbor’s car and is carved into a zine with simple but lighthearted illustrations. The linocut prints appeal to both the inner child and the responsible adult. With these kids’ quotes, the artist wishes to show not only a playful childhood and the joy of simple things, but she also wants to bring up a few questions. Are we dreaming in the right direction? What do we stand for in the end?

The idea for a zine came up in 2021, right after the trip, but was on hold. Officina’s residency for artists in exile gave new layers and meanings to the imprint of the peaceful past, as Romana fled Ukraine to Germany after the full-scale invasion of Russia.

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A unique fusion of comics culture and philosophical cogitation takes readers on a ride through time, space, and thought.

Approaching the comic medium as a supercollider for achieving maximum abstraction, in Chronosis artist Keith Tilford and philosopher Reza Negarestani create a graphically stunning and conceptually explosive universe in which the worlds of pop culture, modern art, philosophy, science fiction, and theoretical physics crash into one another.

Taking place after the catastrophic advent of the birth of time, Chronosis narrates the story of a sprawling multiverse at the center of which monazzeins, the monks of an esoteric time-cult, attempt to build bridges between the many fragmented tribes and histories of multiple possible worlds. Across a series of dizzying overlapping stories we glimpse worlds where time flows backward, where the universe can be recreated every five minutes, or where rigid facts are washed away by the tides of an infinite ocean of possibility.

A unique fusion of comics culture and philosophical cogitation, this conceptually and visually mind-expanding tale takes the reader on a dizzying rollercoaster ride through time, space, and thought.

This volume contains the entire Chronosis series in full color, along with additional background materials including early sketches, script notes, and alternative covers.

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In July 2019 Pablo Allison was detained and imprisoned in an ICE (Immigration and Customs Enforcement) detention centre in the USA where he spent almost 1 month. During his time in prison, he was able to document the lives of migrants in detention through observational sketches made by him, alongside, texts and interviews from other fellow detainees.

The Detainee Handbook aims to offer a small view into the lives of people stuck and locked into the detention/prison system of the United States of America, an industry that has profited vastly from this human tragedy, off the backs of millions of people trying to find better life expectations in the USA.

Signed and stamped.

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