Oh Mighty Gods. Eran Nave. Dfus Golem Publishing

Posted in Artist Book, illustration on October 14th, 2021
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The book comprises 52 imaginary masks made in veneer wood cut technique and was printed from the original plates in 500 numbered copies. It was published by Dfus Golem, a small print shop and bindery that works with letterpress machines and specializes in art books and special-edition prints.

Edition of 500, numbered

Tel Aviv, 2018

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Salsiccette Snack. G. M. Belli, T. Braida, G. A. Cereda, A. Parvanova, C. Pozzi. bruno

Posted in drawing, illustration on October 6th, 2021
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A miniseries on drawing

This enticing series of little books approaches drawing in its most specific acceptation, i.e. as a peremptory gesture that is gradually revealed, a tool at the service of thought and a primary form of representation. The pages feature both real and imaginary objects along with the caprices, secrets and flights of fancy of the artists involved. With all the speed and immediacy of a snack, browsing through this finger-lickin’ collection – jam-packed full of mouth-watering tasty tit bits – will certainly whet your appetite. And once you try one, you will keep coming back for more.

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El Siglo Idiota. Gustavo Abascal. Enero y Abril

Posted in art, Artist Book, illustration on September 30th, 2021
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Illustration: Gustavo Abascal
Text: Helena Lugo

Risograph print
Edition of 100

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edding 780. Félix Gastout. Catalog Prints

Posted in Artist Book, illustration on September 17th, 2021
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The edding 780 book is a collection of 2418 drawings produced in 2020 by Félix Gastout with an edding 780 pen. Each drawing is reproduced at original size in the book.

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The Blow-Up Regime. Marc Bauer, Berlinische Galerie (Eds.). Distanz

Posted in art, Artist Book, illustration on July 21st, 2021
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Drawings as Artistic Research

Marc Bauer (b. Geneva, 1975; lives and works in Berlin) is the winner of the 2020 GASAG Art Prize. Working in the medium of drawing, he grapples with themes such as migration, identity, and gender and articulates a critique of the new media or the nexus between religion and violence. Building on extensive research, the artist develops sprawling installations encompassing intimate works on paper, wall drawings, animations, and sound. A suggestive dramaturgy emerges that intertwines historic events and fictions and remains open to a range of interpretations. For his exhibition at the Berlinische Galerie, Marc Bauer has conceived a broad-based inquiry into the history of the Internet and its impact on society and the individual.

The accompanying catalogue presents the entire installation in detail. With texts by Guido Faßbender, Thomas Köhler, Thomas Kuratli / Pyrit, and a conversation between Sibylle Berg and Marc Bauer as well as interviews with Alan Emtage and Luca Maria Gambardella. A greeting was written by Gerhard Holtmeier.

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Zampa di Leone: Deep Europe. Zampa di Leone, Boris Buden. Motto Books

Posted in art, Artist Book, books, illustration, Motto Books, politics, zines on July 9th, 2021
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For the first time, this publication unites the English language work of Zampa di Leone with two sequences of comic strips and caricatures titled “Deep Europe” and “In the Arse of the Balkans”. Zampa di Leone wanted to offer a radical critique of the colonial tendencies embedded within the discourse of “Balkan” and “Eastern European” contemporary art as it had been articulated during the 1990s and 2000s in global cultural centres, first and foremost in Germany and Austria. The anonymous collective was mostly active in Serbia and Europe between 2001 and 2011, and produced a significant number of comic strips that were circulated at events and through internet forums or mailing lists.

This publication has been printed on the occasion of THE DREAMERS, 58th October Salon, Belgrade Biennale 2021, within the frame of the Reading Room bookshop. The comic strips are accompanied by Boris Buden’s text “The Madman Is Sleeping with the Lunatic”, which was first published in 2003 — a reminder of the historical context and the Balkanist discourse that served as a backdrop to Zampa di Leone’s activities.

Edition: 300

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GIGER SORAYAMA. Various Authors. Kaleidoscope

Posted in art, books, illustration on June 28th, 2021
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This book accompanies a two-artist exhibition co-curated by Alessio Ascari and Shinji Nanzuka, bringing together for the very first time the work of Japanese artist Hajime Sorayama and Swiss artist HR Giger. Touring from PARCO Museum in Tokyo to PARCO Event Hall in Osaka between December 2020 and February 2021, the exhibition coincides with the 80th anniversary of Giger’s birth and features over 50 works ranging from the late 1960s to the present day.

The catalogue, designed by Swiss-based art direction firm Kasper-Florio with Samuel Bänziger, features a foreword by co-curator Alessio Ascari, a critical essay by Venus Lau, an interview with the late HR Giger by Hans Ulrich Obrist and Patrick Frey, and a recent interview with Sorayama by Ascari. It comes with a 50x70cm two-sided poster, and two 20cm die-cut stickers.

Born and trained at opposite ends of the world, Sorayama and Giger are apparently at odds—one’s bright colors are swallowed by the other’s dark chiaroscuro; one’s enthusiastic outlook on technology borders with the other’s nightmarish dystopia; one’s “super-realism” challenges the other’s surrealism—yet they share more than meets the eye. Both emerged in the 1970s and 1980s, becoming acknowledged masters of airbrush painting and influential creators beyond the boundaries of the traditional art world, blurring the relationship between commercial and personal work. But more importantly, at the very core of their practice lies a similar concern: an obsessive investigation of AI, eternal life, and the fusion of organic and apparatus. Gynoids (female androids) are predominant subjects, conjuring the post-human and the apotheosis of the woman to reveal an underlying tension between life, death, power and desire.

Hajime Sorayama (b. 1947 in Imabari, Ehime prefecture) has established his position as a legendary artist, both within Japan and internationally, for his extensive oeuvre that centers upon an ongoing pursuit for beauty in the human body and the machine. Best known for his precisely detailed, hand-painted portrayals of voluptuous women, obtained through an astoundingly artful use of a wide array of realistic expressional techniques, most prominently airbrush painting, the artist’s international recognition is inextricably tied to his signature series titled “Sexy Robot” (1978-) featuring erotic android figures clad in shiny chrome metal, and to AIBO, the award-winning robotic pet he designed for SONY in 1999.

Hans Ruedi Giger (1940–2014) was a Swiss surrealist painter, sculptor, and set designer known for his biomechanical creatures, extraterrestrial landscapes, and disturbing sexual machines. In a career that spanned more than five decades, he employed a staggering variety of media, including furniture, movie props, prints, paintings and sculptures, often creating exhibition displays and total environments with the immersive quality of a wunderkammer—including, most notably, the HR Giger Museum in Gruyères. In 1979, his concept design for Ridley Scott’s Alien (1979) won an Academy Award for Best Achievement in Visual Effects and catapulted to fame his daunting vision of death and futurism.

Designed by Kasper-Florio
With texts by Alessio Ascari, Venus Lau, Hans Ulrich Obrist

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Xanadu vol.3,5. Everest (Metal907). Self published

Posted in Artist Book, books, illustration, zines on June 23rd, 2021
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Xanadu vol.3,5

2021

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Martijn in’t Veld @ Motto Berlin

Posted in art, drawing, illustration on December 20th, 2019
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Martijn in’t Veld
Happy Potatoes and Sad Silkscreens at Motto Books
On display until January 4th, 2020

Browse publications and prints here.

Artistic gestures and practices of thought— writing, drawing, and publishing @ Haus der Kulturen der Welt — 23.08.2018

Posted in events, history, illustration, Journals on August 17th, 2018
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kao_jun_honn_drawingWith KAO Jun-Honn, Pages magazine—Nasrin Tabatabai and Babak Afrassiabi, Walid Sadek and Nida Ghouse, Alexander Schellow, Leah Whitman-Salkin, and Paola Yacoub

An open bookshop and a reading area will be organized by Motto Books consisting of curated
selection of books that are integral to the ideas discussed

 

Thursday, August 23, 2018 / 2pm – 9:15pm, full programme below

Haus der Kulturen der Welt (HKW), John-Foster-Dulles-Allee 10,
10557 Berlin

 

World cultural paradigm shifts not only effect social configurations but also the state of artistic production. One of the main concerns are the changing conditions of hospitality and openness to the vitality of artistic and intellectual life. What are the possibilities to foster an extended intelligibility of artistic engagement and what are the threats for artistic expression in different political contexts?

In experimenting with modes of engagement and cultural translation, multiplying perspectives, and reflecting on forms and acts, this encounter Artistic gestures and practices of thought—writing, drawing, and publishing will endeavor to activate the power of arts and of practices of thought. Doing so, it questions their modes of presentation and public reception in diversified contexts and networks of knowledge, where the conditions for the transmission have changed significantly.

Exploring the construction of symbolic and artistic spaces, necessarily heterogeneous, where experimentations and ideas are shared in direct relation to artists and writers’ practices, researches, and publishing projects, it will be conducive to formats that authorize great complexity, including editorial modalities or discursive configurations.

 

FULL PROGRAM. Free entrance, in English

     14:00  Welcome note by Annette Bhagwati (HKW)

     14:10 KAO Jun-Honn
(in Chinese with simultaneous English translation)

Through walking, filming, drawing and writing, the artistic research and practice of KAO Jun-Honn focuses on issues about economical and territorial transformations in Taiwanese contemporary society, and traces of colonial spatial politics and repression structures. The project A community still unwritten by history deals with inquiring and writing about the Daoboushe (Daobou tribe) indigenous community who once resided in the mountains on the outskirts of present-day Sanxia District in New Taipei City. The community endured the tragedy of the Japanese Governor-General of Taiwan’s “Five Year Plan for Barbarian Management,” where the Japanese government ordered police and military forces to obliterate the community in the Daoboushe Incident. The few surviving community members were relocated to the mountains of present-day Fuxing District in Taoyuan, with their ancestral land taken over by the Japanese Zaibatsu Mitsui Corporation. KAO with a team explored the area in an effort to excavate relics that remain from the Daoboushe Incident of 1906. The project is part of his recent book Notes on Traversing: Mountain Warfare, Empire and Images of Taiwan (after the book, Notes on Traversing Taiwan’s Central Mountain Range, written in 1914 by Japanese officials on the Japanese army’s conquering the indigenous tribes of Eastern Taiwan).

The book will be published in English by Motto Books. KAO Jun-Honn is an artist and researcher living in Taipei who received in 2017 from Tainan National University of the Arts a PhD in Art Creation and Theory.

     15:10 Break

     15:30 Alexander Schellow

Alexander Schellow’s practice has its basis in reconstruction through drawings from memory. Engaging in different situations (the complex urban and social texture of Tirana, Albania, Marseille, France or Taipei, Taiwan, among others), he walks and experiences them, focalizing his gaze on details. The moment of drawing comes later; a few months after the direct experience, back in his studio, Schellow explores his memories, and starts to create complex, spotted drawing-structures – point for point, focusing on actual situations/ visual surfaces he experienced in the past. As in the artist’s words: The practice of reconstruction, sometimes complemented by a set of intentional manipulations (in the form of spatial interventions, for instance), can be used as a means of research, for example in urban environments. Using one’s own perception as a possible point of departure, one can examine and figuratively ‘document’ concrete spatial and temporal references of bodily and perceptive experiences within specific contexts.

Alexander Schellow is an artist living in Brussels and Köln. He is Professor of animation film at erg, Brussels.

    16:20 Leah Whitman-Salkin
in dialogue with Alexis Zavialoff, founder of Motto Books

Leah Whitman-Salkin’s practice as an editor is focused on the collaborative aspects of editing, with her work exploring translation, the space of the visual and the written, and the process of making public through publishing. She is the founder, with Simon Battisti, of 28 November, an experiment in making community space, alternative distribution, and publishing practices through a bookshop and reading room in Tirana, Albania. In 2016 she was the curator, with Simon Battisti and Åbäke, of the Albanian Pavilion at the Venice Architecture Biennale—an editorial project on translation, music, and emotive spaces. She is deputy editor of Harvard Design Magazine, and former editor at Sternberg Press. Her talk will reflect on the economy and ecology of real and imaginary spaces, and the translation, both in thought and language, of desire, place, and making public.

    17:10 Break

    17:30 Paola Yacoub

Paola Yacoub is an artist based in Berlin and the founding director of ARP—Artistic Research Practices at the Lebanese Academy of Fine Arts in Beirut. In promoting the relevancy of the arts, the program ARP proposes an active platform of inquiry of contemporary practices offering the necessary conditions for pushing forward artistic action and new pedagogical perspectives, exchanges among artists, writers, architects, critics and researchers from various fields (arts, sciences, philosophy, politics), as well as the diversity in the performance realm. It is engaged with ethical, social and political questions surrounding artistic and editorial practice.

Artistic works from the 2000s in Lebanon were generally part of the post-conceptual movement. One of the main inquiry conducted at ARP defined it as a field of application of a norm: the permission to remain indifferent to the agents’ intentions. We postulated its dissolution. Editorial practices have a strategic function from this point of view as they engage intentionalist or anti- intentionalist positions. Examples will be presented.

Paola Yacoub graduated from the Architectural Association School of Architecture, London, and worked at the Institut Français d’archéologie du Proche-Orient in charge of the excavation in downtown Beirut from 1995 to 1999. She collaborated with Michel Lasserre on notations of aspect variations of territories in conflict and post-conflict situations. Her monographic exhibitions include among others Paola Yacoub, Drawing with the things themselves (Beirut Art Center, 2011), and Paola Yacoub, kiss the black stones (Haus der Kulturen der Welt, Berlin, 2012).

    18:20 Dinner pause

    19:00 Walid Sadek, with Nida Ghouse

How does the troubled history of civil war continue to impact the conditions of living in postwar Lebanon? In The Ruin to Come, a collection of essays, written in Beirut between 2006 and 2016, Walid Sadek looks at the conditions of living under a temporality theorized as the “protracted now” of a civil war—one structurally capable of perpetuating the conditions of its own dominance—and argues, that although this temporality seems dominant, it nevertheless remains untranquil in the many unfinished strains of a troubled history that resist falling back into a settled and distant past. The book proposes and investigates diverse concepts of labor: the labor of ruin, the labor of the corpse, the labor of near blindness and the labor of missing.

The presentation of The Ruin to Come, Essays from a Protracted War (Motto Books & Taipei Biennial 2016) and reading by the author will be followed by a conversation with Nida Ghouse. Walid Sadek is an artist and writer living in Beirut. He is Professor and currently Chair of the Department of Fine Arts and Art History at the American University of Beirut. His early work investigates the familial legacies of the Lebanese civil war. He later began to posit, mostly in theoretical texts, ways of understanding the complexity of lingering civil strife in times of relative social and economic stability. His later written work proposes a theory for a post-war society disinclined to resume normative living. More recently, his artworks and written texts seek a poetics for a sociality governed by the logic of protracted war and search for eruptive temporalities to challenge that same protractedness.

Nida Ghouse is a writer and curator. Her ongoing writing project «Lotus Notes» has appeared variously in Mada Masr (Cairo 2014), After Year Zero (University of Chicago Press 2015), ARTMargins (MIT Press 2016), and Critical Writing Ensembles (Mousse Publishing 2016). She recently co-curated Parapolitics: Cultural Freedom and the Cold War (2017), and is currently working towards The Matrix of All Possible Narratives (with Anselm Franke and Erhard Schüttpelz, slated 2020), both at Haus der Kulturen der Welt. She was previously director of Mumbai Art Room, where she installed Walid Sadek’s Thoughts on Speaking Dead.

        20:00 Pages, Nasrin Tabatabai and Babak Afrassiabi in Conversation with Corinne Diserens, via Skype

Pages is a bilingual Farsi/English magazine developed and edited by artists Nasrin Tabatabai and Babak Afrassiabi alongside their collaborative projects. Produced both in Iran and the Netherlands, it was initiated in 2004 and until now nine issues have been published. Pages has recently expanded to an online platform which aims at creating a space beyond the predefined economies of accumulation and distribution in archiving and publishing. In their presentation, Nasrin Tabatabai and Babak Afrassiabi will talk about the trajectory of ideas that led to initiating Pages’ new platform (www.pagesmagazine.net) and delve into the relation to archiving and writing pursued in this platform while presenting sections of contributions by invited authors.

Pages: Issue 1, Public & Private, February 2004 / Issue 2, Play & Location, May 2004 / Issue 3, Desire & Change, September 2004 / Issue 4, Voice, June 2005 / Issue 5, On the Verge of Vertigo, August 2006 / Issue 6, Eventual Spaces, September 2007 / Issue 7, In Translation, March 2009 / Issue 8, When Historical, May 2011 / Issue 9, Seep, October 2013.

Artistic gestures and practices of thought—writing, drawing, and publishing is organized in collaboration with curator Corinne Diserens and Motto Books.

With the support of

Motto, Haus der Kulturen der Welt, National Culture and Arts Foundation & Taipeh Vertretung in der Bundesrepublik Deutschland