She (7″). Kristin Oppenheim. INFO

Posted in art, editions, music, vinyl on August 8th, 2022
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Edition of 20 signed and numbered lathe cut 7” featuring two works from Kristin Oppenheim’s show “She Had A Heavy Day” at greengrassi, London (from 9 June to 30 July 2022).

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The Funambulist #41 – Decentering the U.S. Léopold Lambert (Ed.). The Funambulist

Posted in critique, editions, magazines, politic, politics, writing on May 30th, 2022
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The question that motivates this issue is simple: how come so many of us outside the settler colony called the United States of America, are so deeply influenced by and interpret our own contexts through the political ‘software’ created by U.S.-based academics and activists? The goal here is less to disqualify this U.S. political framework, than to demonstrate that the successful ways through which it analyzes its own context may not be as useful when analyzing other situations. Throughout the issue, we aim to reflect on U.S. exceptionalism, including in its own anti-imperialist critique (Zoé Samudzi), on what Blackness misses when it is mostly centered on African American espitemologies (Cases Rebelles), on transfused U.S.-forged concepts of “brownness” or “BIPOC” (Sinthujan Varatharajah), on illusory attempts to translate struggles into (U.S.) English (Bekriah Mawasi), on the complete blind spot casteism constitutes in this U.S. ‘software’ (Shaista Aziz Patel & Vijeta Kumar), on the need for a pluriversal approach of queerness (Rahul Rao)… Even within the U.S., the political framework that categorizes all people (from Indigenous people to white settlers) coming from the south of its border as “Latinx” needs to be problematized as settler colonial creations (Floridalma Boj Lopez). With this issue, we aim at doing just that: not letting go of the precious epistemologies U.S.-based thinkers have brought us, but simply decentering them to favor the pluriversality of our influences.

The cover was created for us by Michael DeForge and the News from the Fronts section brings us reflections on Taiwan (Szu-Han Ho & Meng-Yao Chuang), Cameroon (Ethel-Ruth Tawe), the Ainu (Kanako Uzawa) and Fusako Shigenobu’s political legacy, a few weeks before her release from prison in Japan (May Shigenobu).

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Vrach – special edition. Renaud Regnery. Motto Books

Posted in art, editions, Motto Books on October 30th, 2021
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24 original sketches for “Vrach”, 2019
Mixed techniques on print outs, 29.7 x 21 cm each

Vrach is Renaud Regnery’s collection of all the sketches made for the painting of the same name: Vrach, 2019, plaster, acrylic paint and alkyd lacquer on wallpaper on canvas, 200 x 135 cm.

The painting is photographed at various stages of its completion and these printed images are used as the basis for further Studies. The artist reuses the loose sheets he finds in his studio: fragments of theoretical texts printed for the preparation of exhibitions, essays on the work by other artists, extracts of bank statements, failed copy of car documents etc.

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Bookmark #1. Mario Melis. Giselle’s Books

Posted in art, editions on September 30th, 2021
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First bookmark of an ongoing series published by Giselle’s Books.

Edition of 100. Each order placed will receive a different bookmark. Each piece is unique.

Mario Melis lives and works in Paris. Their practice stems from a mixture of collected images, digital and analog drawings. This expanding archive spans various topics such as feminity, subcultures, and twisted shapes that they transform into tattoos, objects, paintings, clothes, and books. Mario is also publishing and will soon release the collected poems of Matthias Garcia, Anguilles. Their bookmark is inspired by traditional bookmarks composed of materials from Mario’s archive, stickers, flowers, and original drawings.

Giselle’s books is an independent Archive Library of foreign Artist’s Books, editions, and printed material based in Marseille. The space is dedicated to researchers and amateurs with an interest in contemporary art books.

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‘DON’T JUDGE A BOOK BY ITS LOVER’ (tote bag). Olaf Nicolai. Olaf Nicolai & Motto Books

Posted in art, editions, Motto Books on September 18th, 2021
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‘DON’T JUDGE A BOOK BY ITS LOVER’
© Olaf Nicolai

Special Edition for Motto Books, 2021
Edition: 100

37 x 39 cm

Black bag with red text
Inside printed label

80% Recycled cotton, 20% Recycled polyester

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Ibis, Mimosa, Tchéring (…). Julien Carreyn. Motto Books; Crèvecœur; Anywave

Posted in art, editions, Motto Books, photography on May 10th, 2021
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Box with six new A5 publications including: Ibis, Tchéring, Les Pharmacies du Sacré Cœur I, Blin, Mimosa, Les Pharmacies du Sacré Cœur II with three 10×15 photos.

Edition of 20 copies.

Numbered and signed by the artist.

Published by Motto Books; Crèvecœur; Anywave.

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PROVENCE x Longtan Capsule Collection in Motto Berlin

Posted in art, editions, exhibitions on May 10th, 2021
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PROVENCE x Longtan Capsule Collection, 2021

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Cristian Forte & Hybriden-Verlag. Piktogramme Book Launch @ Motto 4.10.2018

Posted in art, Artist Book, books, editions, events, Motto Berlin store, Motto Books on October 1st, 2018
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Cristian Forte & Hybriden-Verlag @ Motto Berlin
Piktogramme Book Launch
Thursday, October 4th. 6PM

Piktogramme is an artist book of original drawings and miniatures by Cristian Forte. These delicate diagrams are visual poems, singularly drawn onto each copy. Piktogramme was published in 2018 by Hybriden-Verlag in a limited edition of 10 copies.

Cristian Forte was born in 1977 in Buenos Aires. Between 1999 and 2006, Forte was a member of the interdisciplinary political group Etcétera, a collective influenced by Surrealism in Buenos Aires, Argentina. He lives in Berlin since 2009, where he runs Nicht-Verlag Milena.

A Letter to My Father and My Unborn Son. Aram Saroyan and Gailyn Saroyan. Rakish Light Press.

Posted in art, Artist Book, drawing, editions, illustration, Motto Berlin store, writing on May 22nd, 2018
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Edition of 125
numbered

What did the generation that came of age during the sixties do for an encore? Many of the answers seemed to have slipped below the media’s plumb line. A Letter to My Father and My Unborn Son, a journal by Aram Saroyan with art by Gailyn Saroyan, takes us to the American bicentennial year, 1976, as the young poet and artist await the arrival of their third child in Bolinas, a small coastal village in rural Northern California. Here is the day-to-day journey of a young family–at once intimate, surprising, and funny.

Printed in Los Angeles, California
2018

 

Language: English
Pages: 92
Size: 21.5 x 13.5 cm
Weight: 250 g
Binding: Softcover
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Steppe by steppe romantics. Slavs and Tatars.

Posted in art, Artist Book, books, editions, Motto Berlin store, politics, writing on April 18th, 2018
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“By their very nature secret practices, being secret, are generally hard to comment on. Still, we can imagine that the institution of secret marriage must be at least as old as that of the public one, possibly older, in fact, if one is to imagine the birth of ‘coupledom’ as taking place between two people alone under the cover of night. Secret marriage today remains an incalculable part of the institution – and perhaps one of its most romantic forms. […]

As though to compensate, we celebrate the secret ceremony – gay, straight or non-binary – not with equal but greater fervour. Just as a stolen glance is more arousing, a forbidden tryst more urgent, so too is the secret marriage more alive, more keen. Marry in secret in solidarity, in lust, out of an exhaustive need. Marry in secret and do with the heart what the gun cannot: melt the frozen conflicts, be they in Abkhazia or in Glendale.”

Excerpt from the publication

Offset print, 26 × 20 cm, 16 pages, stitched binding, mimeograph print
Edition of 35

 

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