A New Program for Graphic Design

Posted in graphic design, history on April 9th, 2024
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A New Program for Graphic Design is the first communication-design textbook expressly of and for the 21st century. Three courses—Typography, Gestalt and Interface—provide the foundation of this book.

Through a series of in-depth historical case studies (from Benjamin Franklin to the Macintosh computer) and assignments that progressively build in complexity, A New Program for Graphic Design serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines. Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel Cooper and Stewart Brand (among many others), it builds upon mid- to late-20th-century pedagogical models to convey contemporary design principles in an understandable form for students of all levels—treating graphic design as a liberal art that informs the dissemination of knowledge across all disciplines. For those seeking to understand and shape our increasingly networked world of information, this guide to visual literacy is an indispensable tool.

David Reinfurt (born 1971), a graphic designer, writer and educator, reestablished the Typography Studio at Princeton University and introduced the study of graphic design. Previously, he held positions at Columbia University Graduate School of Architecture, Planning and Preservation, Rhode Island School of Design and Yale University School of Art. As a cofounder of O-R-G inc. (2000), Dexter Sinister (2006) and the Serving Library (2012), Reinfurt has been involved in several studios that have reimagined graphic design, publishing and archiving in the 21st century. He was the lead designer for the New York City MTA Metrocard vending machine interface, still in use today. His work is included in the collections of the Walker Art Center, Whitney Museum of American Art, Cooper Hewitt National Design Museum and the Museum of Modern Art. He is the co-author of Muriel Cooper (MIT Press, 2017), a book about the pioneering designer.

Author: David reinfurt (Ed.)

Publisher: Inventory Press

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Il Gambero Cosmografico 1965, Il Granchiolino Immamorato 1967 1968-2018

Posted in poetry, Sound on March 10th, 2024
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Henri Chopin (18 June 1922 – 3 January 2008) was a French avant-garde poet and musician: he is widely considered to be a pioneer in the recognition and distribution of sound-poetry. Besides poetry and music, his practice includes paining, graphic design, typography, independant publishing and filmmaking; Chopin’s work is a barometer of the shifts in European media between the 1950s and the 1970s.
In 1964 he created OU, one of the most notable reviews of the second half of the 20th century, and he ran it until 1974. OU’s contributors included William S. Burroughs, Brion Gysin, Gil J Wolman, François Dufrêne, Bernard Heidsieck, John Furnival, Tom Phillips, and the Austrian sculptor, writer and Dada pioneer Raoul Hausmann.

Chopin spent a lot of time in Naples from the beginning of the 1980s due to his collaborative projects with Peppe Morra, founder of Fondazione Morra, one of the most renowned spaces for contemporary art active within the city. Morra and Chopin worked closely together up until the final years of the French artist’s life. During this time they produced numerous publications, a large number of which were based on his stunning production of “typewriter poems”. Chopin found a new possibility for poetry both within sound and the written form; with a formal approach he constructed a new alphabetical narration that actually had no responsibility for communication.
His personal production — consisting of typewriter-poems and sound performances — is an inspired attempt to open the medium of poetry into a form described by Chopin as ‘a poetry of spaces’: demonstrating ‘the sensory superiority of sound as opposed to normal speech, and […] free man from the straightjacket of words and letters and from his obedience to didactics.’

This book contains a text by Stelio Maria Martini.

Author: Henri Chopin

Publisher: Edizioni Morra

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Capslock #2. Lost in Evolution. Roberto Rigon (Ed.). Capslock Magazine

Posted in graphic design, magazines, typography on May 31st, 2023
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Lost In Evolution can be defined as a linguistic atlas. We collected more than 100 words that are redefining the times we live in, complete with their definition and explanation. These chapters are linked by a sci-fi novel that narrates the events of a post-apocalyp- tic future. This novel was written by us both using our human hands and with an Al-based text creator program. The final output is a cyborg-esque story where identity, language, and technology merge together in a tale that involves all of us, as part of humankind. Every term is associated with its respective Glyph, created from an algorithm-genera- ted graphic program we designed. We used an Al-image generator to create the graphics which introduce every chapter. The glyphs, combined with the Al-generated artworks, create the visual language that got Lost In Evolution.

Capslock Magazine was officially born in 2018 starting from a common vision devel- ped by a creative collective from the Vicenza area. This diverse team brings together graphic and product designers, DJs, and creatives who share a strong passion: the concept of the avant-garde, whether it can be tran- smitted to the context of technology, art, design, video games, and music. The goal of this project is to investigate every creative field from an innovative and te chronological point of view.

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Coll.#01. Martin Vácha, Daniel Quisek, Andrea Vacovská (Eds.). Displaay Type Foundry

Posted in graphic design, typography on December 14th, 2022
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Coll.#01 is the first comprehensive catalogue of Displaay’s current typeface collection. It is a guide to twenty typeface families as well as an insight into upcoming typefaces and custom projects. For bookworms, it can serve as a tour guide through the labyrinth of wikipedia topics that occupy our minds. Available with three different coloured edges, red, green and blue.

Displaay is an independent type foundry established in 2014 and based in Prague, Czech Republic.

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Dear Herb. ECAL.

Posted in history, magazines, photography, typography on November 23rd, 2013
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Dear Herb. ECAL.

In October 2012, a group of 10 students from the Master Art Direction course at ECAL travelled to New York for a one week workshop at the Herb Lubalin Study Center of Design and Typography. This publication is the result of interviews and photographic interpretations of the heritage of Herb Lubalin, with a specific focus on and around Eros Magazine.

Price: €12.00

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