Delirious Cartographies (LP). Richard Scott. arbitrary

Posted in music, Vinyl, vinyl on February 2nd, 2023
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arbitrary presents Delirious Cartographies (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12” vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

“These compositions capture aspects of my personal sonic experience of specific times and places. Extending beyond my usual work with analogue synthesizer, these pieces open the doors and windows to the outside world, incorporating field and live recordings made in various locations and situations. Rather than intending any clear sense of narrative, these are molecular dialogues between elements and geographies which do not necessarily share organic points of connection, other than my own incomplete experience and memory of them.”

The final piece 6 Graphic Etudes (included as digital prints) is intended as a set of visual / sonic sketches, each of which describes a discrete kind of movement or texture. These may have a variety of uses; as musical exercises, as scores, combined as parts of scores, or simply as stand-alone visual propositions / artworks.

The pieces were composed between 2017 and 2021 at Sound Anatomy, Berlin, Spektrum Berlin, EMS Stockholm, NOVARS, University of Manchester, the Electronic Music Studios, University of Huddersfield and in Boliqueime, Portugal.

As well as various microphones, hydrophones and recorders, the instruments used on this recording are mostly analogue and modular synthesizers: Hordijk Modular, Serge Modular, EMS Synthi A, various Eurorack modules, Buchla Thunder midi controller, Oberheim Xpander, Clavia Nord Micro Modular, CataRT and maxMSP, Rob Hordijk Blippoo box. On Thunder, actually bicycles… Axel Dörner plays a Holton Firebird trumpet with additional live-sampling via maxMSP and a controller interface developed by Sukandar Kartadinata.

Written & produced by Richard Scott. Drawings by Richard Scott. Graphic design by Mads Emil Nielsen. Mastered & cut by Kassian Troyer at D&M, Berlin. Thanks to Axel Dörner, Rob Hordijk, Beatriz Ferreyra, Ricardo Climent, David Berezan, Joseph Hyde, Richard Whalley, Pierre Alexandre Tremblay, Tim Scott, Andy Adkins, Electric Spring Festival, Sines & Squares Festival, Basic Electricity and Sound Anatomy.

Released 2 September 2022

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January 2023 Music Mix

Posted in cassette, Motto Berlin store, music, vinyl on January 21st, 2023
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6 Graphic Etudes, Richard Scott, arbitrary, 2022


Dear friends and colleagues, 

We hope you had a great start to 2023!

After a very brief hiatus we are back on deck and ready to share with you our newest musical arrivals. Make sure to check Motto’s full catalogue for an immersive experience and our Motto Disco page, revived and refreshed especially for your ears.

To hear a selection of sounds from these albums, follow this link to our new mix created by Max Parnell.

The mix features sounds from:

King Gong
Accou
Richard Scott
Kristen Oppenheim
YL Hsueh
Vladislav Delay & Eivind Aarset
Sonic Boom / Papiro
DJ Fusiller x Fusiller

We hope you enjoy!

Anciente (LP). XYR

Posted in music, vinyl on January 1st, 2023
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The Russian producer Vladimir Karpov is well on his way towards a lasting legacy as a modern synthesizer wizard in the grandiose vein of Vangelis and Jarre. With a propensity for concept albums he has built a sturdy discography during this past decade that echoes the progressive ideas of the psychedelic generation as it moved into adulthood with Moog in hand.

While equally a part of the postmodern generation; Karpov’s ouvre also embraces the utopian daydreaming of the new age, the environmental concerns embodied in field recording, and the holistic approach of Jon Hassels 4th world concept.

While the esoteric fantasies of previous works linger on, the conceptual aspect of “Anciente” is rendered more abstract. And instead of dividing ideas into tracks that form an album, here Karpov is pushing the boundaries of his compositions further into longer forms. Like trails into humid forest landscapes, they run deep enough for one to get lost along the way.

Clocking in at a neat 20 minutes per side, the two tracks that make up “Anciente” weaves soft brushes of undefinable sounds and tropical field recordings that almost create ASMR-inducing vibrations in the minds of the listener. Eventually they might open a doorway to a twilight-lit wilderness and the possible secrets of the first civilised men. As Carlos Castaneda once wrote, relaying the wisdom of the Yaqui; “twilight is the crack between worlds. It is the door to the unknown.” Or, as in this case, the door to the ancient.

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Lucky Mulberry Tree (LP) – Green Edition. Kink Gong. Sorcerer Productions

Posted in field recordings, music, Vinyl on December 19th, 2022
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Special Green Edition LP

Kink Gong (aka Laurent Jeanneau) was born in France in 1965. 

He started making electronic music around 1995 in NYC, and in 1999 went to live with the Hadzas in Tanzania to record their music, since then he started to record the music of mostly endangered minorities in many different places, mostly in Southeast Asia. He lived in Indonesia, Laos, Vietnam, Cambodia, China, and many other places. He also composes electronic music that includes and transforms those recordings. With a huge catalog of his work, he released music from the label such as Sublime Frequencies, Akuphone, Discrepant, and more. 

This album is to celebrate the music I was involved in while living in Dali, Yunnan, China between 2006 and 2012. As usual with Kink Gong compositions, they contain all kinds of field recordings, mostly in Southern China, Laos, and Cambodia; local instruments that I play and electronic to melt them together, resulting in experimental soundscapes. Each element of the composition relates to this period with people (the dramatic voices of Hani or Yao singers) and spaces (park, jungle) and the long hours of creative enjoyment in our house by the Ear lake (Erhai) to put those elements together, using my neighbour (Li Daiguo)’s skill on pipa or new electronic toys I got around that time. 

Our son was born in Dali in 2008 and this LP is called Ji Sang (literally translated as Lucky Mulberry Tree) after his name. 

Side A 
– Fishermen Boats of Erhai Lake 
Electronic, Dali China 2010 + Punoy Mouthorgan, Laos 2010 + Khmu Man Voice, Phongsaly Laos 2010 + Metallic Boats on Erhai Lake, Dali China 2010 + Electronic, Dali China 2012 + Dong Niutuiqin + Woman’s Voice, Guizhou China 2012 + Electronic, Dali China 2011 + Hani Vocal Polyphony, Yunnan China 2011 + Chinese Pop Singer, Shanghai 2001 + 2 Yao Women’s Voices, + Frogs, Yunnan China 2011 

Side B 
– Morsing Bimo 
Morsing Indian Mouthharp, Chennai India 1997 + Nuosu Yi Bimo, Sichuan China 2010 + Electronic, Paris 2000 + Santur Persian Dulcimer, Berlin 2017 + Nuosu Koxian Multiblades Mouthharp, Sichuan China 2010 

– Pon Dao 
Flute Siem Reap, Cambodia 2003 + Electronic, Dali China 2008 + Mum 1 Stringed Bowed Instrument, Krung Ratanakiri Cambodia 2004 

– Chengdu Park 
Electronic, Dali China 2008 + Park in Chengdu, Sichuan China 2008 + Pipa by Li Daiguo, Dali China 2011 + Nyaheun Mouthorgan + Voice, Champasak Laos 2006 + Lisu Chibeu Guitar, Yunnan China 2012 

released December 2, 2022 

All music recorded & recomposed by Kink Gong 1997 – 2012 
Kink Gong plays Mouthharp, Mouthorgan, and Lisu Chibeu 
Mastered by Thomas Stadnicki 
Layout by 若潭 Ruò Tán

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exotic baryon (LP). exotic baryon

Posted in music, vinyl on November 8th, 2022
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An antidecuplet with positive strangeness.

Debut album in a limited edition of 157 copies with handmade textile sleeve and screen printed insert, labels.

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arbitrary newest releases in Motto

Posted in music, vinyl on November 3rd, 2022
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Constellation (10″)
by Mads Emil Nielsen + Chromacolor

arbitrary presents the first in a series of remix collaborations and releases by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

Mads Emil Nielsen’s “Constellation (side A)” was created by combining several granulations and textures based on a single short recording, extracted from improvisations made with the Buchla synthesizer at EMS, Stockholm – combined with randomly looping orchestral samples, edited and produced in his studio in Copenhagen.

After having heard Nielsen’s live performance in Berlin in 2017, Hanno Leichtmann suggested remixing various of his tracks including “Constellation (Remix – side B)”. For this rework, Leichtmann provides an ambient feel by working with various sources, all of which generate sound using vibrating metal plates in different sizes – including a Premier Vibraphone, a Fender Rhodes and a Hohner Guitaret.

Constellation written & produced by Mads Emil Nielsen at EMS Elektronmusikstudion, Stockholm and in Copenhagen. Constellation Chromacolor Remix written & produced by Hanno Leichtmann at Static Music, Berlin. Mastered and cut by Kassian Troyer at D&M, Berlin. Artwork by Karel Martens.

arbitrary12, released 29 April 2022
10” vinyl (transparent, 45 rpm) + DL
Edition of 500, CYK + Pantone print, inside-out sleeve, incl. download code

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//

Delirious Cartographies (CD + 6 prints)
by Richard Scott

arbitrary presents “Delirious Cartographies” (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12” vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

“These compositions capture aspects of my personal sonic experience of specific times and places. Extending beyond my usual work with analogue synthesizer, these pieces open the doors and windows to the outside world, incorporating field and live recordings made in various locations and situations. Rather than intending any clear sense of narrative, these are molecular dialogues between elements and geographies which do not necessarily share organic points of connection, other than my own incomplete experience and memory of them.”

The final piece “6 Graphic Etudes” (included as digital prints) is intended as a set of visual / sonic sketches, each of which describes a discrete kind of movement or texture. These may have a variety of uses; as musical exercises, as scores, combined as parts of scores, or simply as stand-alone visual propositions / artworks.

The pieces were composed between 2017 and 2021 at Sound Anatomy, Berlin, Spektrum Berlin, EMS Stockholm, NOVARS, University of Manchester, the Electronic Music Studios, University of Huddersfield and in Boliqueime, Portugal.

As well as various microphones, hydrophones and recorders, the instruments used on this recording are mostly analogue and modular synthesisers: Hordijk Modular, Serge Modular, EMS Synthi A, various Eurorack modules, Buchla Thunder midi controller, Oberheim Xpander, Clavia Nord Micro Modular, CataRT and maxMSP, Rob Hordijk Blippoo box. On “Thunder, actually bicycles…” Axel Dörner plays a Holton Firebird trumpet with additional live-sampling via maxMSP and a controller interface developed by Sukandar Kartadinata.

Written & produced by Richard Scott. Drawings by Richard Scott. Graphic design by Mads Emil Nielsen. Mastered & cut by Kassian Troyer at D&M, Berlin. Thanks to Axel Dörner, Rob Hordijk, Beatriz Ferreyra, Ricardo Climent, David Berezan, Joseph Hyde, Richard Whalley, Pierre Alexandre Tremblay, Tim Scott, Andy Adkins, Electric Spring Festival, Sines & Squares Festival, Basic Electricity and Sound Anatomy.

arbitrary13, released 2 September 2022
CD version: Digipak incl. 6 prints, 300g paper, text (fold-out, riso)

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Muhammadunize (2LP). Muslimgauze. Staalplaat

Posted in music, vinyl on October 16th, 2022
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Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It’s a formula used many times in the past by Jones, yet somehow he still manages to keep things just fresh enough, investing songs like the first and second “Khalifate” and especially both slamming versions of “Imad Akel” with enough unexpected touches. He incorporates the basic power of his work in the tracks as well, with both beauty and a nervy, hard-to-define tension as the songs progress.

The sound palette of Muhammadunize is very similar to his ambient-techno albums such as Mullah Said and Gun Aramaic, down to the rhythms and the trademark tanpura drones and keys in C minor. The difference is that it’s a bit more aggressive and faster-paced than the aforementioned albums, thus utilising a similar dark atmosphere to a more immediate and in-your-face effect, especially as noted by the drum-kit urban-sounding pulse of Imad Akel, one of the high points on this album. However, my favorite track here is the closer Fatah Guerrilla (also title track of the whole triple album), featuring a rapid echoed rhythm along with a barrage of percussion popping up and echoing every so often, sounding like they’re flying through the room at a quick pace; the piece also features a beautiful flute melody which combines with the busy rhythm section in an interesting way.

Recorded and mixed at Abraham Mosque, Manchester 1996.
Dedicated to a Palestinian State. Free from Zionist abuse of human rights.

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Ricshari (LP). MAI MAO. An’archives

Posted in music, vinyl on September 29th, 2022
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Silkscreened jacket & obi (textured tan or black) by Alan Sherry, inserts and a postcard. Lliner notes by Jon Dale, ltd to 285.

An’archives are thrilled to announce the release of Ricshari, the first LP from Japanese free improvising duo MAI MAO. Consisting of Shizuo Uchida of Hasegawa-Shizuo, Albedo Gravitas, archeus, Kito Muzukumi Rouber, TERROR SHIT, UH, etc. on bass, and Kyosuke Terada, of HUH (who have their own release due on An’archives soon), TERROR SHIT, Bay City Rolaz, Praymate, The Obey Unit, etc. on guitar, they’ve previously released two wild cassettes, Curvature Improvement Plan (Haang niap, 2020) and Folk Dope Rally (2021), both documenting one-take improvisations from live gigs. Ricshari was recorded by Nobuki Nishiyama in January 2021, and is proof, if any was needed, that this duo is one of the most fiercely unique, out-there units currently extant – in Japan, or anywhere, for that matter.

The music of MAI MAO seems to proceed by opposites and juxtaposition, shifting from frantic, hectic runs of splattering note spray to moments of granular stasis, where Uchida and Terada coax their instruments into and out of deep wells of silence, or rest, temporarily, in a lagoon of fermenting fuzz. Spiraling kinetics are largely the order of the day, though – the opener, “Chew a flying flash prayer”, skitters here and there, guitar and bass jumping over one another in games of leapfrog and Twister, finding new ways to perplex and puzzle the listener, and perhaps each other in the process, Uchida and Terada fully committed to the short-circuiting spirit of the moment.

The energy here is hyperactive, but it also speaks of a curious and committed attention to improvisatory responsiveness, one that’s just as likely to fork off into different directions in a split second – it’s real edge-of-the-seat stuff, as though the hands are moving too fast for the mind to follow. That’s all the better, then, to let the gush of genuinely free-thinking, devoted duo improvisation to fly at its most playful and intelligent. File next to the likes of Davey Williams & LaDonna Smith and their TransMuseq companions, or the wickedly perplexing bass-synth/trombone duets of Dave Dove Paul Duo, and you’ve some idea of what’s going on here, provisionally at least, ‘cos this one’s an enthralling, yet welcoming, head-scratcher of the highest calibre.

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Remain Calm (vinyl). Nile Koetting. INFO

Posted in art, music, Vinyl, vinyl on September 16th, 2022
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INFO is pleased to announce Remain Calm, an LP and booklet cataloguing Nile Koetting’s performative installation and its immersive soundtrack produced in collaboration with Nozomu Matsumoto and Miriam Stoney. In Remain Calm, Koetting draws inspiration from the earthquake and tsunami drills he experienced as a young student growing up in Japan. Through blending sci-fi narratives with ready-made technologies, Koetting creates scenographic performance environments where an omniscient technocratic authority softly mediates between performer, audience, and natural disaster. Matsumoto’s sound design and Stoney’s texts read by computer speech synthesizers are a fundamental facet of the work, and in this LP version, they culminate into a compelling and singular listening experience.

Edition of 400 copies, includes a full sized booklet of text and images, with words by Miriam Stoney.

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Italian Dancefloor Outsiders 1987-1994 (2LP). Various Artists. Thank You

Posted in music, vinyl on August 17th, 2022
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Double LP compilation featuring Italian dancefloor music from the end of the Afro/Cosmic scene to the beginning of the Italian Rave era, between 1987 and 1994.

Stunning bit of research by Andrea Dallera (Dualismo Sound) and Gabriele Casiraghi who’ve been meticulously digging Italian bins. After endless sifting through this crucial time in Italian dance floor music, we are presented with their final distillation of this transitory period between 80’s afro cosmic and Italo’s peak into early 90’s rave and Italo house era. In their words: “The whole concept was born as we started to find records that were into a kind of hybrid zone that was clearly pre-announcing some of the huge musical changes brought by the 90’s. The sound at play can be understood as looking closely to Belgian New Beat, Uk’s Acid House and German early Techno but still connected with some dynamics of the ‘80s sounds: lashing snares and catchy melodic phrases joined by filthy acid bass lines, highly compressed kicks and ‘World music’ samples are just some of the most recurring elements.” Hands down mandatory for any dance floor oriented record collection.

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