PROVENCE AW 21/22: The Poster Issue. Olamiju Fajemisin, Philip Pilekjær, Tobias Kaspar (Eds.). Provence; Motto Books

Posted in art, magazines, Motto Books on October 13th, 2021
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This limited edition of PROVENCE includes posters by:

Marc Asekhame, Brigade, Merlin Carpenter, CFGNY, Contemporary Art Writing Daily, Rhea Dahl, Damien & The Love Guru, DAY6, Simon Denny, galeriepcp, Gessnerallee, Edgars Gluhovs, Samuel Haitz & Leda Bourgogne & Anne Fellner, Gloria Hasnay & Moritz NebenfuÌuehr, Calla Henkel & Max Pitegoff, Valeria Herklotz, Nina Hollensteiner & Albrecht Pischel, Karma International, Vera Kaspar, Kunst Halle Sankt Gallen, Marie Karlberg, Milena Langer, Lulli 2020 — Jim C. Nedd — Nina Hollensteiner, Midway Contemporary Art, Olaf Nicolai, D’Ette Nogle, O-Town House, Walter Pfeiffer, Plymouth Rock, Sam Pulitzer, Ottolinger, Marine Serre, Chen Shen featuring Gao Han, Wei Longwen & XYZ Lab, Kathrin Sonntag, suns.works, Swiss Art Awards, Una Szeemann, Galerie Tschudi, Hamish Fulton, Ilaria Vinci, Edition VFO, Nina Zimmer — Meret Oppenheim.

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Breathing Out of School—RAW Académie / Respirer hors école—RAW Académie. Koyo Kouoh (Ed.). RAW Material Company; Motto Books

Posted in art, Motto Books, politics, writing on October 7th, 2021
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Authors: Amina Lawal Agoro, Dulcie Abrahams Altass, Yemisi Aribisala, Eva Barois De Caevel, Mamadou Diallo, Carine Doumit, Ayesha Hameed, Ava Hess, Sandrine Honliasso, Marinette Jeannerod, Koyo Kouoh, Ariane Leblanc, Dominique Malaquais, Lionel Manga, Zen Marie, Jenny Mbaye, Thierno Niang, Julie Peghini, Marie Helene Pereira, Esther Poppe, farid rakun, Frida Robles Ponce, Sumesh Manoj Sharma, Marion Louisgrand Sylla, Maya Tounta, Margrethe Troensegaard, Ibrahima Wane, Peter Webb, Syham Weigant

RAW Académie was developed in Dakar to create a space of experimental teaching and collaboration, of deconstruction and exposure, of knowledge and nourishment. Koyo Kouoh, founder of RAW Material Company, wished for curatorial inquiry and critical writing to join artistic thinking at this site of international encounters. During these two-month long sessions that take place twice a year, young artists and curators—the Académie fellows—come from all over the world to be accompanied by faculty members with whom they exchange and experiment around particular discursive practices or thematic foci. The commitment to create a community that did not previously exist has led to an ever expanding RAW Académie family of Pan-African and global orientation. This thriving and stimulating meeting ground of pedagogy and art has cultivated the emergence of many provocations, reflections and new possibilities, some of which are shared in Breathing Out of School—a volume of diverse texts that slowly constructs an invitation to ruminate upon what it means to share the table of curiosity and creativity with others, as well as think about what feeds our own earnest dreams.

La RAW Académie a été créée à Dakar afin de proposer un espace d’enseignement expérimental et de collaboration ; de déconstruction et d’exposition ; de connaissance et de substance. Koyo Kouoh, fondatrice de RAW Material Company, a souhaité que la recherche curatoriale et l’écriture critique se joignent à la pensée artistique sur ce lieu de rencontres internationales. Lors de ces sessions d’une durée de deux mois qui ont lieu deux fois par an, de jeunes artistes et curateur·rice·s — les fellows de l’Académie — arrivent du monde entier pour y être accompagné·e·s par le corps professoral avec lequel elles·ils échangent et expérimentent autour de pratiques discursives ou de thématiques particulières. La volonté de constituer une communauté qui n’existait pas auparavant a permis à la RAW Académie d’élargir sans cesse sa famille panafricaine et mondiale. Ce lieu de rencontre florissant et stimulant de la pédagogie et de l’art a cultivé l’emergence de nombreuses provocations, réflexions et possibilités nouvelles, dont certaines sont partagées dans Respirer hors école — un volume de textes diversifiés qui forme peu à peu une invitation à méditer sur ce que signifie de partager la table de la curiosité et de la créativité avec d’autres, ainsi qu’à réfléchir à ce qui nourrit nos rêves ardents.

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Psicoenciclopedia possibile: Une exposition de Gianfranco Baruchello au Centre d’Art Contemporain Genève. Gianfranco Baruchello. Motto Books

Posted in art, Artist Book, exhibition catalogue, exhibitions, Motto Books on September 27th, 2021
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Gianfranco Baruchello (1924, Italy) is an artist, filmmaker and writer who has experimented with the transversality of artistic languages since the late 1950s. He has in particular created short-circuits between apparently irreconcilable domains and fields like art and agriculture, or the regulations of governance of a fictitious company and economics. His painting contends with uncertainty and uses white as a field of the possible. In these spaces, he imagines the coexistence of essences of images and words, which he organises in all directions. Thus, writing is present in one way or another in all his practice and constitutes the very essence of the work presented at the Project Space (4th floor).The Psicoenciclopedia possibile is an impressive and complex project that Baruchello began in 2017 and finished in 2020. It is a sort of deconstruction of the encyclopaedia system presented in the form of an imposing book of 816 pages. Commissioned and published by the Istituto dell’Enciclopedia Italiana, founded by Giovanni Treccani, the book in fact subverts the structure used by an encyclopaedia and creates a complex system that links, through unexpected convergences, 1200 entries (in the first section) and 200 plates (in the second). The entries are taken from texts (some published, some not), notes and transcriptions of Baruchello’s dreams, while the images are the result of a long process of selection and editing from various sources.

Baruchello thus puts to the test, this time in a book, the systems of organization (causes, effects, narrative sequences, links) of seeing and knowing. Like in all his other works, from painting to objects and even installations, the encyclopedia also dismantles the most solid and anchored links to venture into the uncertain and the possible, into the “pleasure of thinking”, by means of an ars combinatoria that does not exclude the different or insignificant. Overall, the artist analyses the 21st century, entering into the multiplicity of possible viewpoints and pointing up the fact that, in the end, knowledge is something subjective and always open to interpretation.

In parallel, the Cinema Dynamo is showing a series of films made by Baruchello between 1968 and 2008 on the subject of processes of classification, archiving and inventory, the editing of which has similarities with the procedure used in the Psicoenciclopedia.

Lastly, as an adjunct to the exhibition, the Genevan artist Ambroise Tièche — who is also the author of an encyclopaedic work, to which he has devoted more than ten years: the Dictionnaire encyclopédique lacunaire — has organised a programme of performances and readings that “will give a voice” to the Psicoenciclopedia, with the participation of Cléa Chopard, Alix Debraine, Gilles Furtwängler, Federico Nicolao and Leonardo Pellicanò.

The exhibition project has been conceived as an organic whole, embracing a catalogue, the exhibition at Project Space, the Cinema Dynamo film programme, and the readings and performances aimed at celebrating, in spite of its obvious and — perhaps — necessary incompleteness, this umpteenth colossal effort by this legendary Italian artist.

This exhibition is part of a cycle of presentations of the Psicoenciclopedia possible undertaken by the Fondazione Baruchello, which benefits from the support of the Italian Council (7th Edition, 2019), program to promote Italian contemporary art in the world by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. After Geneva, Baruchello’s Encyclopaedia will be presented at the Bibliothèque Kandinsky – Centre Georges Pompidou in Paris (25 September–24 October) and at CIMA in New York (6–12 December).

The first edition of the Psiconeciclopedia possibile is being published in French by Motto Books for the occasion of the show. It includes an extract translated from the entries as well as essays that offer a French-speaking public a fundamental introduction to Gianfranco Baruchello’s colossal project.

The exhibition, on view from 14 September until 17 October 2021, is curated by Andrea Bellini and Carla Subrizi, with the collaboration of Ambroise Tièche.

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‘DON’T JUDGE A BOOK BY ITS LOVER’ (tote bag). Olaf Nicolai. Olaf Nicolai & Motto Books

Posted in art, editions, Motto Books on September 18th, 2021
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‘DON’T JUDGE A BOOK BY ITS LOVER’
© Olaf Nicolai

Special Edition for Motto Books, 2021
Edition: 100

37 x 39 cm

Black bag with red text
Inside printed label

80% Recycled cotton, 20% Recycled polyester

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Vrach. Renaud Regnery. Motto Books

Posted in art, Artist Book, Motto Books on September 11th, 2021
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Vrach is Renaud Regnery’s collection of all the sketches made for the painting of the same name: Vrach, 2019, plaster, acrylic paint and alkyd lacquer on wallpaper on canvas, 200 x 135 cm.
The painting is photographed at various stages of its completion and these printed images are used as the basis for further Studies. The artist reuses the loose sheets he finds in his studio: fragments of theoretical texts printed for the preparation of exhibitions, essays on the work by other artists, extracts of bank statements, failed copy of car documents etc.

Published by Motto Books

Edition of 150

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Subject to. Kristin Loschert. edition048; Motto Books

Posted in art, Artist Book, photography on September 8th, 2021
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edition048; Motto Books

edition of 200
2021

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Lemaniana: Reflections on Other Scenes. Andrea Bellini (Ed.). Motto Books

Posted in art, books, exhibition catalogue, Motto Books on August 13th, 2021
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Lemaniana: Reflections on Other Scenes is the catalogue of a collective exhibition at the Centre d’Art Contemporain Genève celebrating the diversity of the contemporary artistic production in the Léman region.
The exhibition is the result of a call for projects, launched in autumn 2020, based on an open conception of the territory, with the aim of bringing together artists of different background who are either temporarily or permanently linked to the cross-border region of the Lake Léman basin, irrespective of training or education.
Rich in illustrations and texts, the catalogue allows us to navigate through the universe of nearly 60 artists, including artist duo and collectives, bringing to light new connections and opening our gaze to fresh interpretations of the world – a world deeply shaken by recent events. Current news – whether we are talking about racism, divergent political powers, gender identity or the pandemic and its confinements – give the project a truly contemporary nature.

Edited by Andrea Bellini.
With essays by Mohamed Almusibli, Andrea Bellini, Roxane Bovet, Patrick de Rham, Jill Gasparina and Stéphanie Moisdon.
Artists: Sonja Aboussouan, Mathilde Agius, Jérôme Baccaglio, Lucas Ballester & Oélia Gouret, James Bantone, Jacopo Belloni, Mabe Bethônico, Yann Stéphane Biscaut, Aurélie Blanchette Dubois, Vivia Braitano, Francesco Cagnin & Lorenza Longhi, Loucia Carlier, Stefania Carlotti, Salomé Chatriot, Adrien Chevalley, Alfredo Coloma, Jeremy Dafflon, Francesco De Bernardi, Caterina De Nicola, Azize Ferizi, Félix Gagliardi, Louisa Gagliardi, Annabelle Galland, Gabriele Garavaglia & Miriam Laura Leonardi, Virginia Garra, Elisa Gleize, Deborah Joyce Holman, Lauren Huret, Inner Light, Luc Joly, Kayije Kagame, Monika Emmanuelle Kazi, Shiva Khosravi, Quentin Lannes, Shuang Li, Hunter Longe,  Soraya Lutangu & Ali-Eddine Abdelkhalek, Evariste Maïga, Lucia Martinez Garcia, Lou Masduraud, Lamya Moussa, Johanna Odersky, Valentina Parati, Leonardo Pellicanò, Jessy Razafimandimby, Real Madrid, Anouk Reichenbach, Delphine Reist, Diane Rivoire, Christian Schulz, Rose Siebke Winckler, Terat Thanaworrawatniti, Ambroise Tièche, Remy Ugarte Vallejos, Marco Walpen, Sarah Watson and Mayara Yamada.

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Terra Remota. Julien Carreyn, Amélie Lucas-Gary. 048; Motto Books

Posted in Artist Book, Motto Books, photography on August 12th, 2021
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Terra Remota

Polaroïds by Julien Carreyn, 2021.

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Ibis, Mimosa, Tchéring (…). Julien Carreyn. Motto Books; Crèvecœur; Anywave

Posted in art, editions, Motto Books, photography on May 10th, 2021
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Box with six new A5 publications including: Ibis, Tchéring, Les Pharmacies du Sacré Cœur I, Blin, Mimosa, Les Pharmacies du Sacré Cœur II with three 10×15 photos.

Edition of 20 copies.

Numbered and signed by the artist.

Published by Motto Books; Crèvecœur; Anywave.

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PROVENCE SS 2021: SCANDAL ISSUE. Olamiju Fajemisin, Philip Pilekjær, Tobias Kaspar (Eds.). Provence; Motto Books

Posted in art, magazines, Motto Books on April 12th, 2021
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We are excited to present the PROVENCE SPRING / SUMMER 2021. It’s filled with portfolios, essays, fashion editorials, and scandalous conversations between artists, curators, gallerists, and writers. Also included: a 150-page-long stream of installation views collected during the past twelve years of Contemporary Art Daily (CAD). Selected exclusively for PROVENCE by CAD founder, Forrest Nash.

It’s your screen detox.

PROVENCE. SPRING / SUMMER 21. CONTINUOUS CRISIS.

with contributions by Mitchell Anderson, Francis Bacon, Darren Bader, Emmanuel Balogun, Juliette Blightman, HSH Princess Rita Boncompagni-Ludovisi, Franco Bonera, Fabian Bremer, Claude Cahun, Giovanna Calvenzi, Corrado Calvo, Lou Cantor, Mateo Chacon-Pino, Talia Chetrit, Contemporary Art Daily, Contemporary Art Writing Daily, Caspar Coppetti, Dom Cum, Peter Cybulski, Veronika Dorosheva, Jimmie Durham, Elise Duryée-Browner, Buck Ellison, Olamiju Fajemisin, Gina Folly, FRZNTE, Bill Gates, Edgars Gluhovs, Raphael Gygax, Samuel Haitz, Unn Aurell Hansson, Roswitha Hecke, Swetlana Heger, Nelly Hoffmann, Nina Hollensteiner, Julian Irlinger, Astrit Ismaili, Tom Oliver Jacobson, Marc Jauss, Mirabelle Jones, Jone Kvie, Richard Lichtenber, Armin Linke, Alma Manssur, Mickael Marman, Michael Meier, Valentina Minnig, Ebecho Muslimova, Forrest Nash, Paola Paleari, The Performance Agency, Dushan Petrovich, Inigo Philbrick, Albrecht Pischel, Kemara Pol, Eva Presenhuber, Leif Randt, Federico Reyes, Rico & Michael, Carter Rinehart, Jimmy Robert, Jeffrey Rosen, Sarah Rosengarten, Yael Salomonowitz, Satan, Kenny Schachter, Allan Sekula, Colin Self, Shadow Brand®, Mariano Sulmoni, Claudia Valeriani, Steven Warwick, Jan Wenzel, Andrew Norman Wilson, Alexis Zavialoff, Zürich Art Memes.
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