NUMB (pocket edition). Wolfsko.

Posted in Editions, poster on March 15th, 2024
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In Nazi Germany, at least 10,000 physically and mentally disabled children and adolescents, including orphans, misfits and other ethnic groups were murdered as part of an ideology based on Social Darwinism. For the first time in history, physicians, nurses and midwives killed by lethal injection, gas poisoning or starvation. It predated the genocide of European Jewry by approximately two years. A rehearsal for the planners of the ‘Final Solution’. “NUMB” is a study of the forgotten children of WWII.

Hand-made and hand-colored by the artists.

French artist duo, Wolfsko, use mediums of expression such as photography, text, drawing, painting and collage. Their work is a long study in the world of unhappy childhood, exploring themes such as love, fear, and survival. Wolfsko currently live and work in Berlin.

Author: Wolfsko

Publisher: Wolfsko Publications

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Behind Reason

Posted in Editions, poster on January 11th, 2024
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A series of prints on the overlooked story of mysticism within modernity, made to accompany Beyonsense, Slavs and Tatars’ Projects 98 exhibition at the Museum of Modern Art in New York.

2012
mimeograph print,
dimensions variable (if framed 70 x 100 cm)
edition of 30 (+1 AP), numbered

300€ plus tax and shipping

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50 anniversaries. Freek Lomme. Set Margins’

Posted in photography, poster, Zines on December 9th, 2022
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50-year-olds: they’re hung up in streets, stuck in dull, damp plastic sleeves; they are taped to lampposts, to electricity substations or traffic signs, or they’re attached to trees with drawing pins.

This publication and exhibition explore the typically Dutch tradition of publicly displaying home made photo collages throughout streets and neighborhoods in celebration of a person’s 50th birthday.

Almost reminiscent of missing pet posters, amateur portrait photographs are distributed and displayed by being taped onto lamp posts and stapled to trees by friends or relatives, at the mercy of public opinion. Exposed to judgment and ridicule by friends, family and strangers, due to the usually demeaning nature of the photographs through unflattering holiday photos and the likes, individuals are exposed, raised out of anonymity and placed in the public eye.

To an extent the street becomes an exhibition space for the non art-oriented person. It’s a document of the democratisation of the public domain, through a tradition which allows artistic expression and experimentation for anyone, under the gaze of a watchful even if disengaged audience.

The presented collection of posters, possibly a study of non-intentional art under the scrutiny of the public eye, constitutes an archive and an ode to amateur, home made graphic design, made possible through the democratisation of artistic means and software such as word art, paint and clip art. A non-hierarchical demonstration of taste and aesthetic is catapulted into the streets and now gathered in the exhibition space. Perhaps involuntarily, the posters bear a sense of humour and irony to the rest of the on-looking public.

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AGAIN, A TIME MACHINE (poster). Jonathan Monk. Book Works; Motto Books

Posted in Editions, Motto Books, poster on August 22nd, 2022
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A Poster Project

Berlin, 2011

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Vilaine Fermière 2022. Tess Robin. Self published

Posted in poster on January 6th, 2022
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♡RiSOprinted♡ Calendar for 2022!

“I originally used airbrush and collage, then riso printed 2 layers for each page, in total 9 different colors :)”

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Showroom (Punk/Sex/Bodies). Toby Mott. Dashwood Books.

Posted in history, photography, poster on January 2nd, 2018
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showroom back cover

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Showboat: Punk/Sex/Bodies explores sex in punk and punk in sex. Punk is often thought of as an almost asexual movement, in part because of its charged aversion to romance (see Johnny Rotten’s notorious description of love as “2 minutes and 52 seconds of squelching noises”). Yet, its raw street sound triggered an exuberant, primal physical release among its youthful followers.

For many punks, sex was used as a necessary shock tactic against the orthodoxies that held sway in conservative 1970s Britain. The status of punk as a radical subculture meant that it could freely explore sex without mainstream censorship; and this ability to openly express sex and sexuality provided punk with so much of its essential rawness and immediacy.

Beginning in 1972 and spanning right up to the present day, Showboat provides a chronological survey of the relationship between punk and sex as seen through original posters, flyers, record covers, photographs and ephemera drawn from the editor’s punk archive, The Mott Collection. Alongside written contributions from Julie Burchill, Paul Cook, Vivien Goldman, Eve Libertine, Bruce LaBruce, Amos Poe, Richard Prince and Will Self among many others. Designed by Jamie Andrew Reid.

 

CATCHING FIRE POSTER SET. Dan Bodan + Alberto Troia

Posted in poster on February 24th, 2015
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CATCHING FIRE POSTER SET
ALBERTO TROIA (Kyselina) + DAN BODAN (D.F.A.)

This last summer after completing his new album, ‘Soft’, Dan Bodan asked Munich based artist Alberto Troia (Kyselina) to choose a song and interpret it as a series of images. The result is a limited edition collection of 3 wall posters depicting Troia’s unique take on the song ‘Catching Fire’. With the kind participation of DFA Records, the posters will be made available to Europe exclusively through Motto Distribution.

The Posters come packaged with a digital download code for SOFTY SOFT Vols 1,2,3, a series of radical reworkings of tracks from the album by the likes of Lotic, KABLAM, E+E, MCFERRDOG, vetran producer Howie B. and more.

3 posters
edition of 50
Published by DFA Records
20€
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Nobody owns the beach, David Horvitz

Posted in poster on February 16th, 2015
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Poster by David Horvitz
silkscreened
46 x 61 cm

20€

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Martin Kippenberger . »Du kommst auch noch in Mode« – Plakate von Martin Kippenberger . Steidl

Posted in Exhibition catalogue, Exhibitions, Motto Berlin store, poster on January 8th, 2015

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The posters created by Martin Kippenberger (1953-1997) for his own exhibitions represent a core aspect of his multimedia output and artistic vision. The show You too will eventually come into fashion – Posters by Martin Kippenberger therefore reveals an essential slice of Kippenberger’s characteristic, often wildly absurd sense of humor.

The exhibition marks the Museum Folkwang´s acquisition of a comprehensive collection of posters by Martin Kippenberger in 2013 which substantially enhances the existing group of works by the artist held at the museum.

A catalogue is due for release to accompany the show, available from Edition Folkwang/Steidl.

Edited by Museum Folkwang
128 Pages
Paperback / softback
20.5 x 26.5 cm
German
ISBN 978-3-86930-923-1
€ 20.00

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Provence Issue E FOUR SEASONS 2015

Posted in magazines, photography, poster on December 27th, 2014

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ISSUE E FOUR SEASONS 2015 incl. The PROVENCE Summer Reader: After Dark

ISSUE E FOUR SEASONS 2015
Photo:
Josephine Pryde, Bra III (ISOSCELES at Ahlbeck) from Knickers, Berlin, 2014.
Courtesy Temnikova & Kasela, Tallinn

Poster size: 93 cm x 69 cm

The PROVENCE Summer Reader: After Dark is the second publication of a series of books co-published by Paraguay Press and PROVENCE.

The PROVENCE Summer Reader: After Dark takes it starting point—its body—from the kind of supplementary pocket books that are attached to the summer issues of various empire lifestyle magazines. As the title suggests, this book is a reader that gathers different—not to say heterogenous—material, by authors from diverse—though mainly art-connected— backgrounds, taking over a format known for its slippery, shallow, and entertaining content. Writings, fictions, documents, and poems come along with a suite of illustrations by Siw Umsonst. For a brief moment, this book was going to be a part of PROVENCE’s (pen)ultimate Issue C dedi- cated to Criticism Now. And then … in or out. We recalled the moment in history (was it the mid or the late 90s?), when art magazines not only featured sec- tions with the best of the year, but also with the worst shows and artists of the year. It was Richard Pryor, according to Lane Relyea, who stated: “I never met any- body who said when they were a kid, I wanna grow up and be a critic.” Soon the title shifted to Dark Matter, which turned criticism to social relations, but it echoed other engagements and expectations. As writing eludes the purposes of criticism, and comes to favor stories, emotions, and open air over judg- ment and in-depth studies, it was eventually replaced by After Dark. After Dark is also a series of computer screensaver software introduced in 1989 by Berkeley Systems for the Apple Macintosh, and for Microsoft Windows in 1991. It is—or was—a means to avoid switching your computer off and to maintain its functionality while not at work, keeping the system running. With the invention of laptops sleep mode in the late 90s, which made turning devices off unnecessary, the then famous Aquatic Realm, Flying Toasters, and Slide Show screensavers vanished. Many of the contributions to this Summer Reader attempt to engage a problem of their own or perform their authors’ participation in the networked, social, and communicational spaces that are shared with cul- tural production at large. They bear witness to nights of labor turned into proletarian days—even though they were written for a book supposed to be read un- der the sun. Or (maybe) exactly because of that: who would dare to take a tablet or a laptop to the beach?

The PROVENCE
ISSUE E FOUR SEASONS 2015
15€

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