frieze d/e #8
Mythos Rheinland
Cologne & Düsseldorf: where are they now?
Michael Krebber
Thomas Schütte
Alexandra Bircken
Februar-März 2013
German / English
136 Pages
D 8.50€
Most Beautiful Books Australia & New Zealand. Call for entries 2013!
The Most Beautiful Books Australia & New Zealand (‘MBBANZ’) award program has been established to recognise innovation and excellence in book design and publishing in Australia and New Zealand. This biennial award program welcomes entries of all types, but the program seeks to emphasise the most innovative contemporary book design and publishing activity in Australia and New Zealand, including titles from independent and small press publishers. Importantly, the program seeks to minimise barriers to entry: there are no entry fees, and books may be nominated for consideration not only by designers and publishers, but also by readers and collectors.
MBBANZ2013 invites entries that have been published in the calendar years of 2011 and 2012, for review by an independent jury of local and international experts in the field –
Peter Corrigan
James Langdon
Warren Taylor
Layla Tweedie-Cullen
Denise Whitehouse
The awards program will be accompanied by talks and lectures by jury members at the State Library of Victoria, with the shortlisted publications announced and exhibited at MADA Gallery, a part of Monash Art Design and Architecture, Melbourne.
Download the entry form and guidelines here.
Entries close Friday 1 March, 2013.
Reading Ed Ruscha focuses on the painter Ed Ruscha’s artistic interest in books, writing, and the act of reading as pursued by him over a period of five decades. Text and the written word appear in his works as motifs and symbols, or as actual objects in the form of books. A range of artistic means are used to explore and manipulate reading as a meaning-generative process. The essays written for this catalog book by Douglas Coupland and W. S. Di Piero approach these issues through literary and poetic forms. Beatrice von Bismarck examines the book as work, medium of publication, and exhibition format, while Yilmaz Dziewior presents an overview of Ed Ruscha’s engagement with the book as a medium and his relation to the written word. Large-format illustrations of exhibits, installation views, and an extensive appendix supplement this book.
Author: Yilmaz Dziewior (Ed.)
Language: English / German
Pages: 256
Size: 30 x 24 cm
Binding: Hardcover
Spike Art Quarterly , No. 34
Spike #34 takes on the concepts of collaboration, participation and collectivity and the way in which these concepts relate to their historical counterparts.
Contemporary life is largely shaped by capitalism, technological progress and a growing irritation with consciousness – what historically is conceived as ‘to be oneself’. We no longer invent, but we sample and catalogue; we no longer pursue utopian ideals but rather are bounded by existential necessities; today, we are keen of been reactionary much rather than critical.
How do contemporary forms of collaboration express, and respond to, the contemporary non-antagonism and political indifference? What is the shape and potential of the contemporary collectives who are ever more fluid and anti-utopian?
Including
Articles by Joanna Fiduccia and Carson Chan;,a potrait by Pablo Larios; an interview with the artist collective Am Nuden Da by Gil Leung; reviews, a 6-page image featuring classic artist collaborations, and columns by the Pfaff Brothers.
Language: German / English
Pages: 138
Size: 28 x 23 cm
Binding: Softcover
D 9,50€
Print Response is a series of prints that were altered by various artists whom Burnoski had approached by mail or in person.
In his request to the artists, Burnoski left it open to what could be done in response to the print, saying only that it could be as simple as they wished.
The artists include:
John Baldessari, Pierre Bismuth, Martin Boyce, Herbert Brandl, Angela Bulloch, Martin Creed, Richard Deacon, Jimmie Durham, Michael Elmgreen & Ingar Dragset, Valie Export, Peter Fischli, Ryan Gander, Joe Goode, Rodney Graham, Wade Guyton, Mary Heilmann, Isabell Heimerdinger, Carmen Herrera, Susan Hiller, Thomas Hirschhorn, Jenny Holzer, Joan Jonas, Jannis Kounellis, Louise Lawler, Paul McCarthy, Jonathan Monk, François Morellet, Olivier Mosset, Marcel Odenbach, Albert Oehlen, Roman Ondák, Tobias Rehberger, Allen Ruppersberg, Ed Ruscha, Anri Sala, Roman Signer, Nedko Solakov, Stephanie Taylor, Jeffrey Vallance, Kelley Walker, Lawrence Weiner, Christopher Williams & Johannes Bendzulla, Jack Youngerman, Heimo Zobernig
Print Response, 2012
by Christian Burnoski
Designed by Daria Holme
Special Edition of 50 + 10 AP includes a DVD titled “Put It Back Together – Tape It Together” 49 mins (A film of Paul McCarthy’s response being taped back together.)
Buy it
Limited Edition of 200 + 50 AP
Buy it
The electromagnetic installation HOMELAND SECURITY (It’s hard to find a good lamp) is the latest fieldwork and publication by artist Charles Stankievech. The project emerges from his time spent as a researcher-in-residence at the Fieldwork: Marfa residency in the southwest border town of Marfa, Texas.
This small book presents the artist’s typical associative matrix through his selection of images and texts from the related cultural field, ranging from archival letters to country music lyrics, from historic patents drawings to recent scientific studies.
Dealing With – Some Texts, Images And Thoughts Related To American Fine Arts, Co. by Valérie Knoll, Hannes Loichinger, Magnus Schäfer (Eds.)
The New York gallery American Fine Arts, Co. – whose name today is largely synonymous with that of its gallerist, Colin de Land (1955–2003) – represents a gallery practice in which a decided deviation from conventional models overlaps with successful activities within the framework of the art market. Today, American Fine Arts, Co. and de Land figure as uncontested projection screens for the desire for independence from or bohemian resistance against the dictate of the market. Particularly in retrospect, a consistent image of the gallery is not discernible. Faced with the obvious risk of romanticization, it appears all the more important to pursue an understanding of how American Fine Arts, Co. functioned as a gallery.
This book was published on the occasion of the exhibition “Dealing with—Some Books, Visuals, and Works Related to American Fine Arts, Co.” at Halle für Kunst Lüneburg and Kunstraum of Leuphana University of Lüneburg (May 28–July 7, 2011), which was developed by Valérie Knoll, Hannes Loichinger, Julia Moritz, and Magnus Schäfer.
With contributions by Andrea Fraser, Manfred Hermes, Karl Holmqvist and Tobias Kaspar, Isla Leaver-Yap, Jackie McAllister, James Meyer and Christian Philipp Müller, Magnus Schäfer, Axel John Wieder, Phillip Zach; a conversation between Colin de Land, Josef Strau, and Stephan Dillemuth; and an introduction by Hannes Loichinger and Magnus Schäfer.
D 16 €
Lexicon by Joëlle Tuerlinck
A comprehensive lexicon, written by the artist Joëlle Tuerlinckx, accompanies the exhibition WOR(LD)K IN PROGRESS? in Wiels Brussels (22.09.2012 – 06.01.2013). Accompanied by an illustrated folder containing 3 extracts from the ‘Cahiers du Progrès?’, material for conference and publication.
D 10 €
Also available in French: Buy it
The Object Lessons – Nina Beier & Marie Lund by Francesco Pedraglio, published by Mousse Publishing.
The Object Lessons is an exhibition.
The Object Lessons is a story inspired by an exhibition, considered through three parallel accounts told in the first, second and third person.
The Object Lessons is an exhibition inspired by the narratives, characters and artworks features in a short story.
D 12 €
One Day Diary. Produced by Sara MacKillop in conjunction with her White Room exhibition, May 29 – July 16, 2011. New York.
D 8 €