This collection of incomplete essays is what we call the ecology of everything. We think of complexity like an astrayed arrow hitting no target. Line and dots. A dashing constellation of things. Everything is not directly related to everything, but everything is related to something.

These ideas are a vestige of a fragmented ecosystem. A marginal third nature that manages to live in the interstices of capitalism. They are a recollection of brief awe, not able to finish their growth and already being torn into pieces by social media, memes, podcasts, YouTube videos, video games, and a constant urge for disaster. A little codex sent from planet Earth in times of destruction. And so, we find them. Sporulating at the End of the World is Holobiont; me, you, and everything in between.

Numbered edition of 50.

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Discrepant: inconsistent; conflicting; at variance [from Latin discrepāns, from discrepāre to differ in sound, from dis-1 + crepāre to be noisy]

Discrepant is a record label, founded in London in 2011. Our aim is to deconstruct, distort and re-assemble the lore of (un)popular music around the world.

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Texts by: Emi Fontana, Pier Luigi Tazzi, Angelika Stepken and Ketty La Rocca.

This book is the first international monograph on Ketty La Rocca’s works and writings.

Initially, inspired by the experimental visual poetry of the mid-sixties, Ketty La Rocca critically investigated questions of communication in the age of mass media. She soon began addressing herself in her work as both an artist and a woman in a desire to find “another” language to express difference and the non-identical. She worked with collage, photography, video, text, drawing, and performance to develop a language of gestures and appropriated imagery of disempowerment. But her work was only granted the short time span of a decade’s production, during which she underwent a rapid artistic development with enormous energy and intelligence.

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Edition of 20 signed and numbered lathe cut 7” featuring two works from Kristin Oppenheim’s show “She Had A Heavy Day” at greengrassi, London (from 9 June to 30 July 2022).

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02.07.2022 – 02.08.2022 @ Motto Berlin

Retro

Robert Brambora

Cut a Door in the Wolf, published on the occasion of the exhibition by Jason Dodge at MACRO Museum for Contemporary Art of Rome.
Photography Adrianna Glaviano.
Book design Julie Peeters.

Japanese binding, wrapped in a printed sheet.
This is the first in a series of monographs by BILL.

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A tool for students and professional designers.

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Published in 1962, the third novel by Pati Hill was written in the purest tradition of the American coming-of-age stories. It follows a sixteen-year-old girl, Francesca Hollins, while she discovers an unexpected taste for autonomy. The bravado of her affirmation cannot mask the seriousness of her conviction: “One thing I know, I will never be in love again.”

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Contributors: Ramon Amaro, Calum Bowden, Jaya Klara Brekke, Mitchell F. Chan, Cade Diehm, eeefff, Carina Erdmann, Primavera De Filippi, Charlotte Frost, Max Hampshire, Lucile Olympe Haute, Sara Heitlinger, Lara Houston, Cadence Kinsey, Nick Koppenhagen, Kei Kreutler, Laura Lotti, Jonas Lund, Massimiliano Mollona, MetaObjects, Rhea Myers, Omsk Social Club, Bhavisha Panchia, Legacy Russell, Tina Rivers Ryan, Nathan Schneider, Sam Skinner, Sam Spike, Hito Steyerl, Alex S. Taylor, Cassie Thornton, Suzanne Treister, Stacco Troncoso, Ann Marie Utratel, Samson Young

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations.

Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology. This new book, edited by Ruth Catlow and Penny Rafferty, who have been at the forefront of investigations into the relationship between DAOs and the arts, constitutes over 5 years of research with essays, interviews, exercises and prototypes from leading thinkers, artists and technologists across this emerging field.

Radical Friends is an urgent book for the 21st Century and beyond. It shows us, in the spirit of the legendary poet and artist Etel Adnan, that the technology of the future needs to be about “togetherness, not separation. Love, not suspicion. A common future, not isolation.”
–Hans Ulrich Obrist

How things are run is often more important than what is done. It may not be easy to establish alternative formats and infrastructures, but it’s certainly necessary… This collection shows that it is possible too.
–Sadie Plant

This book is about friendship, despair and hope — a beautiful, must-read for all people who are asking unanswerable questions about life, love and the end of the world.
–Franco “Bifo” Beradi

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