Mono.Kultur #31. Michaël Borremans: Shades of Doubt.

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Fillip #16

D 12 €

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2HB vol.13

2HB is a journal published four times a year by the Centre for Contemporary Arts, Glasgow. Experimental and creative writing in contemporary art practice are central to the concerns of 2HB.

D 3€

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FOOD ARCHIVE
BRUNCH
SALT: WATER 117.6

A collaboration between Asako Iwama and HOST

Saturday 24 March, 12.30 – 14.30
MOTTO @ MarkthalleIX Kreuzberg
Eisenbahnstrasse 42/43, Pücklerstrasse 34
10997 Berlin

Vegetable Consommé Soup, Pomegranate and Almond Milk Granité.
with Sourdough Grape Seed Flour Bread.
35 portions

FOOD ARCHIVE:  The last installment of a series about recognition and incorporation of others.  Memory is re-internalized and transformed into the eaters’ bodies.
http://www.gfzk-leipzig.de/gfzkhome/?p=13213
Scissors

HOST:  Explores different modes of negotiation in a series of orchestrated events happening in different locations – taking and giving place.
http://hosthosthosthosthost.tumblr.com/

An exhibition catalogue produced on the occasion of the exhibition Dagmar Heppner Hannah James Charlotte Moth at Cole Gallery London  2012. This publication archives a conversation that took place over a period of one month between Dagmar Heppner, Hannah James, Charlotte Moth and Allia Ali, as a response to the to the exhibition.

D 6.50€

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Higher Atlas/Au-delà de l’Atlas
The Marrakech Biennale [4] in Context

Edited by Carson Chan and Nadim Samman

With texts by Carson Chan, Anthony Gardner, Kerryn Greenberg, Gideon Lewis-Kraus, Beral Madra, Simon Njami, Katarzyna Pieprzak, Alice Planel, Holiday Powers, Véronique Rieffel, Nadim Samman, and Jessica Winegar

Higher Atlas: The Marrakech Biennale in Context [4] brings together a collection of texts that dilates on the social and historical context, history, and contemporary reality of exhibition making in North Africa and in particular, Morocco. For Chan and Samman, the exhibition is the primary locus of artistic information; firsthand experience of the work is the best way to understand it. The catalogue, published in English and French, with an Arabic online edition to follow, is intended to provide a context for the exhibition within preexisting and future frameworks for understanding some of the considerations that went into this edition of the Marrakech Biennale.

Further contributions by Aleksandra Domanović, Alex Schweder La & Khadija Carroll La, Alexander Ponomarev, Andrew Ranville, Anri Sala, Barkow Liebinger Architects, Centre des Arts Contemporains Marrakech, Le Cube and Collectif Island 6, Christopher Mayo, CocoRosie, Elín Hansdóttir, Ethan Hayes-Chute, Eva Grubinger, Faouzi Laatiris, Felix Kiessling, Finnbogi Pétursson, Florian & Michael Quistrebert, Hadley & Maxwell, Hassan Darsi, Joe Clark, Jon Nash, Juliana Cerqueira Leite, Jürgen Mayer H., Karthik Pandian, Katarzyna Przezwańska, Katia Kameli, Leung Chi Wo, Luca Pozzi, Matthew Stone & Phoebe Collings-James, Megumi Matsubara, Pascale Marthine Tayou, Roger Hiorns, Sinta Werner, Sophie Erlund, Tue Greenfort, Younes Baba-Ali, and Jamaa.

Design by John McCusker and Sara Hartman

D 20€

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Text by Carson Chan; introduction by Martin Hochleitner

Over the past few years, Eva Grubinger’s work has investigated the definition of public, institutional, and museum spaces through installations and objects. In these works, ruptures or breaks in the assumed function of space or site-specific installations, as well as those involving the allocation of content to employed forms, play a significant role.

Decoy documents the eponymous exhibition at Landesgalerie Linz in 2011 in which Grubinger presented large-scale sculptural works, all of which referenced the fishing—lures, mooring rings, a dock—and both subtly and explicitly engaged a vocabulary of the alluring. The catalogue includes an introduction by Martin Hochleitner and an essay by Carson Chan.

Design by Manuel Raeder

D 22€

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Produced in conjunction with Geneva – Berlin residency, Atelier Schönhauser Berlin, battlefield presents a selection of living sculptures made by the artist Jérôme Leuba between 2008-2010.

Jérôme Leuba (*1970, Geneva Switzerland) works with photography, video and installation. Since 2004, most of his pieces are gathered under the title “battlefield”.

D 19.50€

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Artist Book

Kim Seob Boninsegni: Mining For Pearls

With Texts by:
Liam Gillick
Sarina Basta
Daniel Baunmann
Giovanni Carmine
Piero Golia
Dominique Gonzalez-Foerster
Pierre Joseph
Justin Liberman
Tobias Madison
Elli Medeiros
Damián Navarro
Mai-Thu Perret
Guillaume Pilet
Emmanuel Rossetti
Wolf Günter Theil

Published by Atelier Schönhauser Berlin

D 10€

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