Please join us for a Book Presentation, Reading & Talk with Renée Thorne and Raimar Stange, at Motto Berlin.
Wednesday 27 July 2022 from 7pm
Motto Berlin Skalitzer Str. 68 (im Hinterhof) 10997 Berlin
*Raimar Stange Born 1960 in Hannover, Raimar Stange studied literature and philosophy. He works and lives in Berlin as a freelance critic and curator. Stange contributes regularly to Kunst-Bulletin, Zurich; Monopol, Berlin; artmagazine.cc, Vienna; Artist, Bremen and has written catalogue texts on, amongst others, Monica Bonvicini, Peter Friedl, Thomas Hirschhorn, Michel Majerus, Rirkrit Tiravanija, Silke Wagner, Johannes Wohnseifer and Stefanie von Schroeter. He curates exhibitions on climate change and post-democracy.
*Renée Thorne Renée Thorne is an author and artist based in Basel, Switzerland. Her work spans from lyric essays and literary journalism to texts rooted in a performative practice. Renée recently finished an M.A. in Transdisciplinary Studies at Zürich University of the Arts (ZHdK) and will begin teaching Creative Writing at Franklin University in the fall.
Fusing essay, poetry and provocative prose, this hybrid work is an emotionally complex portrayal of loss and resurrection. The book ranges from memoir through myth to the overlapping lives of past artists in a fractal narrative traversing interior and exterior landscapes. In a brisk and unflinching account of the death of the narrator’s mother, the reader descends into the subterranean realms of grief as the loss unfurls into interconnected and unexpected stories of the underworld. From Eurydice’s indifferent return to Orpheus to a poet`s regret for the ghost that haunts him, each story is rich with the resonances in-between. Written in simple yet elegant prose, it is a story about emergence and the struggle to come alive. The result is a text as intense and urgent as the heartbeat the author is seeking.
The artist will talk about the book, its ideas, problems and solutions with Jan Ketz (Raum für Zweckfreiheit, Berlin/Münster).
Saturday 9 July 2022 from 7pm
Motto Berlin Skalitzer Str. 68 (im Hinterhof) 10997 Berlin
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Ingo Gerken: OFFENES BUCH Texts by Eva May, Wolfgang Ullrich Published by Hatje Cantz
Brilliant Bibliophilia
Ingo Gerken’s monographic catalogue literally opens a new chapter in his series of works, Bibliosculptures. Images of open exhibition publications or art magazines become the object of investigation here. Seemingly randomly opened book pages create a play of forces or connections between text, object, and image compositions. By depicting these views of books in the book, the medium itself is both the object and subject of analysis – typical of Gerken’s artistic practice.
INGO GERKEN (*1971) completed his studies of Fine Arts at Muthesius University in Kiel and studied Environmental Art at Glasgow School of Art. He lives and works in Berlin.
Please join us to welcome artist duo and cultural association, HAWAPI, for a presentation of their publications and discussion with curator Harm Lux.
Thursday 23rd June, 2022 from 7 to 9pm
Motto Berlin Skalitzer Str. 68 (im Hinterhof) 10997 Berlin
7:00 until 7:45pm > HAWAPI introduce their work (intro by Harm Lux), followed by Audience Talk
7:50pm > Presentation of HAWAPI’s Publications
8:20pm > Open Discussion
*HAWAPI’S WORK PROCESS*
After some preliminary regional research, knowledge exchange and a get together, a concept grows and HAWAPI (Susie Quillinan & Maxim Holland) invite colleagues to participate in order to carry out artistic research and actions on site.
Two examples: In northern Peru, in the mountainous region of Sorochuco, lies the property of the weaver Maxima Acuna (family). The latter is now increasingly surrounded by Conga mining, a mining company that is not afraid to appropriate and privatise public water sources. Thirteen artists worked on site several times, and results were presented to the public.
In the “Pondores” project, 12 artists stayed – for longer periods of time – in the Colombian FARC transitional settlements to develop Empathy-building, playing and acting together with these young ex-combatants.
We will also be presenting new publications from La Monja, books from Arequipa based artist- designer-theoretician, Sebastián Baudrand.
Motto is pleased to invite you to the presentation of Black Med (Humboldt Books), by Invernomuto, with Giovanna Silva, Alexis Zavialoff, moderated by Luca Galofaro.
Dropcity Auditorium tunnel 60 Via Sammartini, 20125 Milano
Motto is pleased to announce its participation to Dropcity, from 7th to 12th of June.
Dropcity is a new centre for Architecture and Design that will be developed along Via Sammartini in Milan.
Over 10,000 square metres, divided across 28 tunnels, hosting: exhibition galleries production workshops, carpentry, robotics and advanced prototyping laboratories. In addition, a large area will be dedicated to research, teaching and office space for industry professionals.
A materials library and a public library, focusing on architecture and design topics, will complete the program.
You’ll find Motto with our books and vinyls selection at tunnel #60, in Via Sammartini, 20125 Milano.
Please join us for a release party, listening session and conversation with Kristin Oppenheim, for her latest LP release, Voices Fill My Head, at Motto Berlin.
Friday 3 June 2022 from 6 to 9pm
Motto Berlin Skalitzer Str. 68 (im Hinterhof) 10997 Berlin
8pm > Listening Session (musical selections from INFO and friends throughout the evening)
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Voices Fill My Head is Kristin Oppenheim’s second double LP release on the INFO label documenting her early sound works from the 1990s. Recorded between 1993 and 1999 in her Brooklyn studio this record features eight pieces composed solely of the artist’s voice. For listeners who were fond of Night Run Run, Oppenheim’s first release on the label, this record reveals yet another important chapter in Oppenheim’s oeuvre.
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Kristin Oppenheim is best known for installation art based in performance, film, and sound. She is represented by greengrassi in London and 303 Gallery in New York.
Oppenheim was born in Honolulu, Hawaii in 1959 and currently lives and works in New York City. Her work is included in public collections of the Art Foundation Mallorca Collection, CCA-Andratx in Mallorca; the Centre Pompidou, Paris; the FNAC Centre National des Arts Plastiques, Paris; the FRAC Des Pays de la Loire, Carquefou; MACBA Museu d’Art Contemporani de Barcelona; MAMCO Museum d’art Moderne et Contemporain, Geneva; the Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, in New York.
MOTTO BERLIN Skalitzer Str. 68, im Hinterhof 10997 Berlin
EVERYTHING LOOKS BETTER WITH LOVE
The protocol for the production of the book EVERYTHING LOOKS BETTER WITH LOVE published at Editions Salon du Salon is simple. There is a certain nonchalance, few gestures. These gestures directly question how a work is produced. The forms produced would have what Tristan Garcia calls an equal ontological dignity.
“We live in this world of things, where a cutting of acacia, a gene, a computer-generated image, a transplantable hand, a musical sample, a trademarked name, or a sexual service are comparable things”. (Tristan Garcia, Form and Object: A Treatise on Things, Edinburgh University Press, 2014, p. 1.)
It is a question of experimenting with a whole system of possible operations carried out with an unfailing form of love for things, gestures and beings.
—Michaël Sellam, Paris
SALON DU SALON is a project dedicated to contemporary art and a publishing house based in Marseille, France. Since December 2013, SALON DU SALON work with artists, authors and curators invited to develop proposals. Forms and development of collaboration are based upon the projects themselves, and have included, residencies, research, performance art, exhibition, publishing, and more.
May 3rd at 7pm @ Motto Berlin Skalitzer Str. 68 10997, Berlin
Stationed around an art freeport megaproject in the Persian Gulf, and hopping across numerous locations real and fabricated, the book spins off into shadow-histories of synthetic colour production, abstruse citizenship schemes, nuclear warning signs, and syndromes leaking back from the future. During their idiosyncratic philosophical debates, the project employees gradually begin to sense a manic sensorium operating beneath their seemingly sterile financial and logistical systems. Troubles erupt while discussing works of art; futurist imaginaries of financialisation stumble upon the deep inertia of historical time preserved in museums and tombs. Monumental works of art pleasantly rotting in history enter into messy partnerships with volcanoes, hadopelagic planktons, and whimsical vibes of rich people. Stakes are endless while smiles are fake, as the debates swerve into the discreet horror of corporate gleefulness.
Mochu works with video and text arranged as installations, lectures, and publications. Techno-scientific fictions feature prominently in his practice, often overlapping with instances or figures drawn from art history and philosophy. Recent projects have explored mad geologies, psychedelic subcultures, and Indian Modernist painting. Mochu is a recipient of the Edith-Russ-Haus grant for Media Art and his practice has previously been supported by Ashkal Alwan, India Foundation for the Arts, and The Sarai Programme. Exhibitions include the 9th Asia-Pacific Triennial, Sharjah Biennial 13, 4th Kochi-Muziris Biennale, and Transmediale BWPWAP. He currently lives in Delhi and Istanbul.
Published by Reliable Copy in collaboration with Kiran Nadar Museum of Art. Order the book here
We are pleased to invite you to “Mind The Gap”, the three-days-opening of the Cazul101 group show featuring works of Dan Perjovschi, Anca Bucur, artistic duo SABA (Silvia Amancei and Bogdan Armanu), Nicoleta Moise, Adriana Preda, Ioana Gheorghiu and Megan Dominescu.
28 April, at 6pm @ Motto Berlin Skalitzer Str. 68 10997, Berlin
Regularly using the subversive and progressive message in their practice, the artists are invited to reflect on the current political situation due to the high rise of extremist regimes in Europe and build a bridge between past and present, personal and political, highlighting the historical events that endangered the freedom of the individual.
The group show “Mind The Gap” is an alarm signal where image and text communicate to question and eradicate the toxic extremist behaviours experienced by the artists in the geographical space they develop their work.
After the three opening days, on 1st of May, from 7pm, the artist Dan Perjovschi will be present for an artist talk about the synthesis of the last years and the current situation in Europe.