MICHELLE GRABNER: I WORK FROM HOME

The reference monograph on the American artist Michelle Grabner, this volume offers an expansive look at an artist whose body of work and sphere of influence continue to gain recognition. Published on the occasion of the the artist’s retrospective at the MOCA Cleveland, the book documents works from the last 20 years, positioning the studio as core to a remarkably diverse output—paintings, drawings, prints, videos, and sculptures. Considering Grabner’s pursuit of art making, criticism, and curating as inextricably linked, this publication seeks to highlight the distinctive values and ideas that drive Grabner’s practice: woking outside of dominant systems, working tirelessly, and working across platforms.

Author: David Norr (Ed.)
Publisher: Mousse Publishing
Language: English
Pages: 200
Binding: Softcover
ISBN: 9788867490950
Availability: In stock

€32.00

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An Artist With Six Legs

An artist with six legs, 253 works, 20 years, 8 curators, 1 exhibition is the catalogue of the exhibition «Working Title: “A Retrospective Curated by XXXXXXXXX”» held at Kunsthal Charlottenborg from 13 December 2013 to the 2nd of February 2014.

Describing their projects and works as tools, to be activated and often even changed, by the viewers, the users, XXXXXXXXX’ versatile artistic practice is distinguished by a continued interest in exploring social, political and cultural conditions. XXXXXXXXX makes up their own rules, humorously and intelligently challenging conventions about things like copyright, power structures, design and economy. Throughout their career a distinguishing trait of their modus operandi has been to collaborate with other artists and experts.

Author: Pernille Abrethesen (Ed.)
Publisher: Kunsthal Charlottenborg
Language: danish/english
Pages: 335
Binding: Softcover
ISBN: 8798788944976

€39.00

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The Body Decides

A pop up book for adults, this catalogue on the work of Franz Erhard Walther sought its inspiration in the artist’s work in order to determine the publication-form that might most appropriately convey the centrality of action to the artist’s oeuvre. The performativity at the heart of Walther’s more than a half century long practice is underscored through the appearance of six brightly coloured elementary pop up forms spread throughout the book.

Author: Franz Erhard Walther
Publisher: WIELS-CAPC
Language: English
Pages: 116
Binding: Hardcover
ISBN: 9783863355135

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A Scent Of Danger

An essay about ritual with texts by Jon P. Mitchell, Richard Schechner, Tracey Warr, Dawn Perlmutter. Concept and design by Kahil Janssens.

Author: Kahil Janssens
Publisher: Möbius Publications
Language: English
Pages: 188
Binding: Softcover

35 €

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Bookstores from Tokyo

Motto Berlin presents the small fair ‘BOOKSTORES from TOKYO’ for two weeks; a project which introduces new & old Japanese books selected by five independent bookstores in Tokyo:

Archipelago Books
http://archipelago.co.jp/

Book Apart
https://www.facebook.com/mybookapart

Book Storage
http://bookstrg.net/

Nostos Books
http://nostos.jp/

Snow Shoveling
http://snow-shoveling.jp/

Accompanying the publications is a collection of unique stationery products made in Japan.

The project is conceived and curated by Jun Harada.

http://bookstoresfromtokyo.info/

First published in Polish in 2012 on the occasion of the exhibition Where is PERMAFO? at Wroclaw Contemporary Museum (30 November 2012- 4 February 2013)

Date of publishing: Nov 25, 2013
Language: English
Pages: 456
Size: 30.5 x 22.5 x 3.5
Binding: Hardcover
ISBN: 9788363350093

Price: €29.80
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A School for Design Fiction

A school for design fiction was convened on 8 November, 2013 at Gallery for Contemporary Art, Leipzig. This itinerant school employs the curious genre of ‘design fiction’ to assert storytelling as the primary function of design, assuming that every artefact has the potential to express the character of the culture that produced it. This publication documents and expands on the founding of the school through a series of imagined scenarios. These include a drama at the printer for architect Augustus Pugin in 1836, the history of the universe as observed on an English hillside in 1937, the first human trial of split brain surgery in California in 1961, and a Scottish speech synthesis studio in 2013.

——

Eine „Schule für Design Fiction” wurde am 8. November 2013 in der Galerie für Zeitgenössische Kunst Leipzig gegründet. Diese wandernde Schule beschäftigt sich mit dem obskuren Genre der „Design Fiction”: Geschichtenerzählen wird hier als die Hauptaufgabe von Gestaltung angesehen und zwar unter der Prämisse, dass jeder Artefakt das Potential hat, etwas über die Kultur auszudrücken, in der er produziert wurde. Das Buch dokumentiert und erweitert die Schulgründung durch eine Serie imäginärer Szenarien: ein Drama, das der Architekt Augustus Pugin mit einem Buchdrucker 1836 erlebt, die Geschichte des Universums von einem englischen Berghang aus im Jahr 1937 betrachtet, die erste neuchirurgische Split-Brain-Operation an einem Patienten in Kalifornien

Author: James Langdon
Publisher: Spector Books
Language: English/Deutsch
Pages: 128
Binding: Softcover
ISBN: 9783044669274

€20.00

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Japanese books and stationery fair @ Motto Berlin
Saturday 22 March – Saturday 5 April 2014
Opening on 22 March – from 5 pm

Five independent bookstores from Tokyo are coming to Berlin:

Motto Berlin presents the small fair ‘BOOKSTORES from TOKYO’ for two weeks. A project which introduces new & old Japanese books selected by five independent bookstores in Tokyo, run by young owners in their 20s to 30s, as well as a collection of unique stationery products made in Japan.

http://bookstoresfromtokyo.info/
https://www.facebook.com/bookstoresfromtokyo

KRISIS @ bruno
Esposizione e presentazione di Krisis | Orientation

Mostra
22.03.2014 — 29.03.2014
Tuesday – Friday h 10 — 19
Monday + Saturday h 15 — 19

Inaugurazione
22.03.2014 / h 18 — 20

Chiusura
29.03.2014 / h 18 — 20

C\o bruno
dorsoduro 1621/A,
calle dell’Avogaria
30123 – Venezia

Krisis | Orientation è dedicato alla crisi dei modelli orientativi e al crescente senso di disorientamento. Da sempre l’uomo ha cercato di costruire un proprio orientamento all’interno del mondo che abita. La complessità della realtà e l’immensa quantità di stimoli a cui siamo sottoposti richiede una costante selezione di informazioni ritenute utili: la costruzione dell’orientamento è dunque un’attività principalmente eliminativa. Questa operazione di framing della complessità è stata veicolata nel tempo dal linguaggio lineare (sotto forma di narrazioni e miti), da sistemi di classificazione (prevalentemente di tipo tassonomico), da rappresentazioni grafiche (atlanti, guide e mappe), ecc. Nel corso degli ultimi decenni questi modelli sono entrati in crisi: il crollo delle grandi narrazioni preclude la costruzione di un immaginario collettivo condiviso, i sistemi di classificazione dinamica rendono obsoleti i modelli tassonomici, gli atlanti e le guide stanno lasciando il posto a sistemi di navigazione on demand.
La crisi dell’orientamento nasce dalla complessità delle correlazioni tra numerose emergenze diverse, il cui effetto più visibile è una complessiva tendenza alla frammentazione, alla individualizzazione, alla selezione, alla separazione, alla monetarizzazione del contesto sociale e ambientale. I paradigmi di orientamento diventano circoscritti, limitati, incapaci di costruire visioni ampie e condivise. L’accelerazione progressiva dei fenomeni limita la capacità di produrre orientamento dall’esperienza vissuta e accresce la necessità di informazioni e indicazioni provenienti dall’esterno.
In questo scenario diventa cruciale ripensare al disorientamento come un’esperienza che possa essere una fonte di rinnovamento per nuove pratiche d’orientamento.

What is the future of architecture? Vol.2

After a very successful first edition of the participatory book ‘What is the future of architecture?’ we are very happy to present – ‘What is the future of architecture? Vol. 2’!

Volume 2 continues the same path as last years edition and aims to capture an image. Going through the answers, we can say there are some recurring assumptions, a red line weaving its way through the book. The book, consisting of 53 very different takes on the same question – ‘What is the future of architecture?’ – takes us from essays to short stories, through series of images and photography, practical approaches and active engagement to urban change, to science-fiction and poetry. While leafing through, often a blurry image would come to mind, an imaginative glimpse of the future.

Contributions by:

Senad Alibegović, Michaël Oliveira, Pedro Manuel Araújo, Özgür Atlagan, Onur Gokmen, Ethel Baraona Pohl, Florian Berner, Erik Bernhardsson, Solveig Suess, Tom Baxter, Cécile Bouffard, Benjamin Busch, Ludmilla Cerveny, Nick Chadde, Dominik Mederer, Matthew Clubbs Coldron, Collectif ETC, Donghyun Kim, Michael Fesca, Foxtrot Collective, Orlando Franco, Cristobal Gonzalez, Olaf Grawert, Patrick Grime, Jia Gu, Jason Hilgefort, Stijn Jonckheere, Eli Kerr, Stavros Koumoutsos, Herman Lee, M. Markaki, N.Bathla, Luciana Martinez, Maria Martins, AHAM, AJ Artemel, Lauren McQuistion, Francesco Mele, Photini Mermyga, Maxim Nasab, Pez Estudio, Katerina Kritou, Nikolaos Platsas, Polyanina, Greg Ponchak, Joanne Pouzenc, ReFunk, Alan Powell, S / C, Lorenzo Sandoval, George Sinclair, Michalis Softas, Jaime Solares, Something Fantastic, Spectacularch!, Ida Tam, Kia Tasbihgou, Tiago Torres-Campos, Bart van Haren, Sophia Vysoviti, Tsang Aron Wai Chun

Publisher: Crap = Good
Language: English
Pages: 216
Binding: Softcover
ISBN: 978-3-00-044564-4
€20.00

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