Hands reaching and feeling, noses sniffing, eyes scrolling: the magic at book shops and at book fairs is also very much a tactile one.

But what exactly is the tactile, in a world in which a rising technocracy exploits the designed environment we feel? Who authorizes and who writes, what tradition do we stand in and how can we touch base?
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This reader explores how our interaction with printed matter affects us through theory, thoughts, and practices in the field of graphic design, materiality, philosophy, science and art.

Although the core of this book rests upon theory and thoughts, with eight writings from scientists and philosophers to a paper-specialist and art writers, this book also compiles practice-based experiments by six international artists and includes animated introductions of printing techniques in the form of fictionalized characters.

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Signed copy

Published in 1979-1980
Hand bound, untrimmed edition 2022 from the original print run

Japanese writing and translation by Yoshio Shirakawa

Swiss-American graphic designer, musician, photographer and performance artist Mike Hentz ranks among the pioneers of new media art. He co-founded the legendary performance group Minus Delta t and the artist groups Frigo, Radio Bellevue and the European Media Art Lab. In the 1990s he realized the project Piazza Virtuale with Van Gogh TV and a great many interactive cable and satellite television shows with University TV. Hentz also taught at art schools in Germany, Switzerland and various Eastern European countries.

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Coll.#01 is the first comprehensive catalogue of Displaay’s current typeface collection. It is a guide to twenty typeface families as well as an insight into upcoming typefaces and custom projects. For bookworms, it can serve as a tour guide through the labyrinth of wikipedia topics that occupy our minds. Available with three different coloured edges, red, green and blue.

Displaay is an independent type foundry established in 2014 and based in Prague, Czech Republic.

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Set of five Perform Back Score books:

1. PERFORM BACK SCORE
2. WRITING SCORES
3. WRITING SCORES – 1000 LITERS OF FUEL
4. MEDIUM SCORES – TECTONIC FRIENDSHIP
5. BUBBLE SCORE

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First published in 1961, Lorenza Mazzetti’s The Sky is Falling (Il cielo cade) is an impressionistic, idiosyncratic, and uniquely funny look at the writer’s childhood after she and her sister are sent to live with their Jewish relatives following the death of their parents. Bright and bucolic, vivid and mournful, and brimming with saints, martyrdom, ideals, wrong-doing and self-imposed torments, the novel describes the loss of innocence and family under the Fascist regime in Italy during World War II through the eyes of Mazzetti’s fictional alter ego, Penny, in sharp, witty (and sometimes petulant) prose.
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First translated into English as The Sky Falls by Marguerite Waldman in 1962, with several pages missing due to censorship, the novel has been out of print in the anglophone world for many years. We are proud to reissue the text in a beautiful new translation by Livia Franchini that carries over the playfulness and perverse naivete of the original Italian.
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Il cielo cade is so much more than just a book about the horrors of the Second World War. It is as much a loving homage to the picture-perfect childhood Mazzetti’s aunt and uncle provided for her and her sister before circumstances beyond their control overwhelmed them, and thus also a moving portrait of the cruel loss of childhood innocence” – Lucy Scholes, The Paris Review

LORENZA MAZZETTI (1928 – 2020) drew, made films, wrote novels and towards the end of her life ran a puppet theatre in Rome.
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Mazzetti first discovered filmmaking in the U.K.. Upon arriving in London in the late 1940s, Mazzetti was admitted in unconventional style to the Slade (the day before term began and having not enrolled, she went to the director and told him she was a genius) and swapped her sketchbook for celluloid after finding some film equipment in the school’s store cupboard. She was the first woman to receive public funding in the UK for her film Together (1956), which was presented as part of the first Free Cinema programme at the National Film Theatre in 1956 alongside films by Lindsay Anderson, Tony Richardson and Karel Reisz.
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When Mazzetti returned to Italy in the late 1950s, she gave up filmmaking and turned to writing. Her first novel, Il cielo cade (1961) was awarded the prestigious Premio Viareggio prize, and still appears on the Italian school curriculum.

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Donghoon Gang, a Frankfurt-based South Korean artist and composer, has released a new album titled 4.6m/s. This album is inspired by Yeondeunggut–an annual ritual summoned to the God of wind that takes place in early February in Gangʼs hometown, Jeju Island, in South Korea. In the spirit of the God believed to protect the wellness of the island and sow seeds for a fruitful spring, islanders pray, hoping for the peacefully calm sea surrounding the island during the two-week duration of the ceremony.

The title of the album, 4.6m/s, is the average wind speed on the day the God of wind arrives on the island for over the past thirty years. Each track was written and presented in the order of the traditional ceremony procedures: Calling, Telling, Seeding and Playing – all of which are symbolic gestures of welcoming the wind deity and sending her back to her origin. Every component in the album is created in mixtures of field recordings and collaborative fulfillment with traditional instrumentalists and shamans based on the island. All the tracks are also incorporated with ambient sounds, spoken words and musique concrète, generating a variety of aural and texture affections at different parts of each sequence.

Released on December 10, 2022

Edition of 200

One side (22ʼ16”)
1. Calling (06ʼ50”)
2. Telling (09ʼ38”)
3. Seeding (03ʼ26”)
4. Playing (02ʼ22”)

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50-year-olds: they’re hung up in streets, stuck in dull, damp plastic sleeves; they are taped to lampposts, to electricity substations or traffic signs, or they’re attached to trees with drawing pins.

This publication and exhibition explore the typically Dutch tradition of publicly displaying home made photo collages throughout streets and neighborhoods in celebration of a person’s 50th birthday.

Almost reminiscent of missing pet posters, amateur portrait photographs are distributed and displayed by being taped onto lamp posts and stapled to trees by friends or relatives, at the mercy of public opinion. Exposed to judgment and ridicule by friends, family and strangers, due to the usually demeaning nature of the photographs through unflattering holiday photos and the likes, individuals are exposed, raised out of anonymity and placed in the public eye.

To an extent the street becomes an exhibition space for the non art-oriented person. It’s a document of the democratisation of the public domain, through a tradition which allows artistic expression and experimentation for anyone, under the gaze of a watchful even if disengaged audience.

The presented collection of posters, possibly a study of non-intentional art under the scrutiny of the public eye, constitutes an archive and an ode to amateur, home made graphic design, made possible through the democratisation of artistic means and software such as word art, paint and clip art. A non-hierarchical demonstration of taste and aesthetic is catapulted into the streets and now gathered in the exhibition space. Perhaps involuntarily, the posters bear a sense of humour and irony to the rest of the on-looking public.

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PART 01 SONG MOUNTAIN AREA THE CENTRE DIRECTION (book and DVD) presents a portrait of a mountain. The mountain is situated in the Chinese district Dengfeng in the center of Henan province. The mountain is holy and the area “energetic” and famous for its martial arts tradition.
The mountain base is inhabited and the surrounding area is mainly a mining district. This combination of activities, this coalition of dust and bodies, is it coincidental, collateral or merely a minor detail in the eternal realms of Chinese cosmology? THE CENTRE DIRECTION is a critical portrait of a mountain at the crossroad of rumors, facts and choreography.

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This publication is the first monograph by Ali Cherri. Through an introduction by the artist, four essays and an interview, this book reveals the political, aesthetic and dreamlike dimensions of a work that the artist has been developing for over fifteen years.

Born in Beirut, Ali Cherri lives and works between Beirut and Paris. He belongs to this generation of Lebanese artists born during the civil war whose work has been strongly affected by this context of instability.

Texts by Ali Cherri, Aaron Cezar, Tarek El-Ariss, Nicole Brenez, Hannah Feldman, Roxana Azimi.

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Gazeta 01, 09/22

“Potpuri” is a collaborative publication of Termokiss Community Center (Prishtina, Kosovo) and the Master in Transdisciplinarity of the Zurich University of the Arts (Switzerland) which is published as a printed magazine and a website (www.termokissresearch.club).

Project Team: Argnes Ahmeti, Thassiannira Araujo Sousa, Bujar Aruqaj, Ardita Avdija, Rozafa Basha, Caroline Baur, Anna Bertram, Frederic Bron, Lea Burkhalter, Mara Djukaric, Njomza Dragusha, Fisnik Eger, Niştiman Erdede, Hannah Essler, Nicole Frei, Christian Gieben, Sofia Hachemi, Ervina Halili, Etrit Hasler, Valentin Hehl, Adelina Ismaili, Tinka Kelmendi, Diona Kusari, Ludwig Lederer, Nora Longatti, Roxani Marty Pavlaki, Kushtrim Memeti, Elisa Pezza, Merlin Pohl, Era Qena, Jan Reimann, Marcel Rickli , Basil Rogger, Tosca Salihu, Jehisson Santacruz Giraldo, Shpat Shkodra, Tobias Stumpp, Endrit Tasholli, Paula Thomaka, Arian Vula, Judith Weidmann, Wiebke Wiesner.

Contributors: Thassiannira Araujo Sousa, Ardita Avdija, Frederick Bron, Njomza Dragusha, Fisnik Eger, Niştiman Erdede, Hannah Essler, Fabian Gutscher, Emanuel Haab, Adelina Ismaili, Tinka Kelmendi, Nikola Koruga, Diona Kusari, Nora Longatti, Roxani Marty Pavlaki, Elisa Pezza, Era Qena, Marcel Rickli, Shpat Shkodra, Endrit Tasholli, Arian Vula, Judith Weidmann.

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