Ayu Kobayashi. Somewhere.
Posted in Japan, photography on September 27th, 2012Tags: Ayu Kobayashi, Somewhere
Transience – Art Issue #4, published by Lodown Magazine.
Everything is in transience, everything is in flux, it just depends on the scale of time you choose to associate it with. Time, our ultimate and elusive tool to comprehend our being. Is there anything that is not transient? As we dig deeper and deeper into the mathematics of our being, it seems that nothing is stable. Only time makes things solid. The illusion of time, as we know by now. Humans recently discovered particles of matter that can go back and forth in time, which makes a present presence obsolete. As far as we have come, the only constant that remains is energy but it is also transient like anything else. How long can you lift a 30 kg stone, before it will drag down your powerful arms? And how long you could hold something without breathing? Energy is transient and matter is e nergy. When will somebody solve this riddle of time, energy, and flux. Will science have the answer? Will art lead us there? Art is fantasy grounded on energy, elusive and unstable, science is bound to our elusive perception: do you really believe you are made of atoms? Science is fantasy and art is fiction. The only thing that can be grasped is floating away transient in time. Energy shall remain positive.
Transience features Yoshimitsu Umekawa, Jonathan Zawada, Tim Noble & Sue Webster, Charles ‘Chaz’ Bojorquez, Usugrow, Niels ‘Shoe’ Meulman, Mishima Akiyoshi, Trevor Paglen, Maurizio Nannucci, Urs Fischer, Frank Thiel, Paul Fryer, Agnes Meyer-Brandis and Laurie Lipton.
D 9 €
O Perfume Do Boi, André Princípe. Published by Pierre von Kleist Editions.
O Perfume do Boi (The Perfume of the Bull) is Princípe’s latest book, shot during a three-month anticlockwise journey around Portugal’s borders.
We are outside cities, out in the fields and woods, in small town circuses, with the lunatics and acrobats. The very strong narrative feeling comes with an equally strong suspicion that there might be no story. The photos of the animals and people combined with the natural elements, cause a sense of eminent danger and trouble. There is an aura of prophecy and myth, and in the end we are left with the echo of a cry in the night.
About the book, Príncipe has said “The Japanese five elements are, in ascending order of power – Earth, Water, Fire, Wind, and Void”.
D 20 €
Book Cover, a project by Sara MacKillop. Published by Blue feint, 2009.
The material on which this book is based was compiled and edited by Norman Longmate, who before joining the staff of the BBC as a radio producer in school broadcasting was himself a freelance scriptwriter, contributing to both radio and television. He is now a member of the BBC Secretariat.
D 5 €
Leigh Ledare, et al, Elena Filipovic (Ed.), published by WIELS, Mousse Publishing.
Leigh Ledare, et al. is published by WIELS Contemporary Art Centre, Brussels, and Mousse, Milan, in conjunction with the exhibition organized by WIELS (8 September – 25 November 2012), in collaboration with the Kunsthal Charlottenborg, Copenhagen (18 January – 12 May 2013).
With texts by Elena Filipovic and Nicolas Guagnini
Interview with Leigh Ledare by David Joselit
Designed by Garrick Gott, New York
Design assistance by Yoshie Hozumi
Typeset in Larish Neue and Life
Printed and bound in Belgium by Die Keure, Bruges
032c is a contemporary culture magazine that fiercely believes in the intelligence of its readers, and rises to the challenge of surprising them. Published twice a year, it is both timely and timeless—a celebration of and for the most cutting-edge in art, culture, and fashion.
Finding the new in the old and the old in the new, it is considered the “Berlin magazine that propagates an aesthetic of brutal elegance” by the Frankfurter Allgemeine Zeitung, or simply as the “revue ultra-pointue” by Vogue Paris.
D 12 €
O. Niemeyer, Erik van der Weijde, published by Rollo Press and 4478 Zine.
Rollo-Press and 4478ZINE have joined forces again and present ‘O. Niemeyer’, the latest artist book by Erik van der Weijde.
This time Van der Weijde travelled to cities like Brasilia, Sao Paulo, Rio de Janeiro, Paris, Milan, Berlin and many others to photograph the architecture of Oscar Niemeyer. Once more, the obsession with his subject, has led the artist to produce an archive presented in a book that follows the same design and size as This is not my Wife, only now in an oblong format.
D 24€
Hired Hand, Stuart Bailes, Bea Fremderman, Ingo Mittelstaedt and Athena Torri, published by Vandret Publications.
The artist’s elegant landscapes and still lifes are re-appropreated – collaged, juxtaposed and presented alongside internet stock photographs to make up a softspoken picture poem in which brute force and a slight caress suggest an undefined plot.
D 35€
Ein Du ist eine Co-Produktion des Künstlers Béla Pablo Janssen und des Dichters Dennis Freischlad. Gemeinsam suchen sie nach den Orten und Subjekten, die einer Beheimatung gleichkommen (könnten). Prosa, Fotografie, Tagebuchnotizen, Graffiti und Lyrik sind die Mittel, mit denen sie um den Mittelpunkt ihres Gegenwartsgedächtnisses kreisen. Die Themen lesen sich wie eine Bestandsaufnahme, wie ein Festhaltenmüssen des Erlebten: Kunst, Sex, Alltag, Sehnsucht, poetische Momentaufnahmen in Wort und Bild. Im Zwischenraum dieser in die Reflektion integrierten Sujets befindet sich die ständige Frage nach der individuellen und gesellschaftlichen Bewohnbarkeit der Welt.
Béla Pablo Janssen (geb. 1981) lebt und arbeitet in Köln.
Dennis Freischlad (geb. 1979) lebt und arbeitet derzeit in Köln.
Language: German/English
D 16€
The Subjective Object, Anna-Sophie Springer (Ed.), published by K Verlag.
THE SUBJECTIVE OBJECT engages with the controversial site of the ethnographic museum and the role of the archive. In particular, the 1920’s photographic archive of the indigenous people of India by the German physical anthropologist and racist theorist Egon von Eickstedt (1892–1965) serves as a case study for an investigation into the role of historical artifacts in light of contemporary political situations. The nine interviews with curators, artists, anthropologists, and social workers provide the core of the book actively discussing the complicated issues around the archive’s function in producing knowledge. An annotated thread of images serves as a critical apparatus addressing the visual history of ethnographic display and classification practices—both in the scientific field as well as the cultural field at large. Questioning the assumption that the archive presents the “fact” of the “Other,” three literary texts counterpoint the inherent fantasies within scientific research. Just as the book begins with an archive—the Eickstedt photos—the book ends with a new archive—photos of the exhibition “The Subjective Object—(Re)Appropriating Anthropological Images” at the GRASSI Ethnographic Museum of Leipzig—illustrating the project’s desire to not only engage with the history of display but also to propose a future of display strategies and social engagement.
INTERVIEWS WITH: Carola Krebs, Meghnath, Theo Rathgeber, Nora Sternfeld, Alexandra Karentzos, Christopher Pinney, Philip Scheffner, Britta Lange, Jesko Fezer + Raqs Media Collective
LITERARY TEXTS BY: Franz Kafka, Brion Gysin + Suzan-Lori Parks
DESIGN BY: Timm Häneke
LANGUAGE: German and English
D 10 €