Showroom (Punk/Sex/Bodies). Toby Mott. Dashwood Books.

Posted in history, photography, poster on January 2nd, 2018
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showroom back cover

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Showboat: Punk/Sex/Bodies explores sex in punk and punk in sex. Punk is often thought of as an almost asexual movement, in part because of its charged aversion to romance (see Johnny Rotten’s notorious description of love as “2 minutes and 52 seconds of squelching noises”). Yet, its raw street sound triggered an exuberant, primal physical release among its youthful followers.

For many punks, sex was used as a necessary shock tactic against the orthodoxies that held sway in conservative 1970s Britain. The status of punk as a radical subculture meant that it could freely explore sex without mainstream censorship; and this ability to openly express sex and sexuality provided punk with so much of its essential rawness and immediacy.

Beginning in 1972 and spanning right up to the present day, Showboat provides a chronological survey of the relationship between punk and sex as seen through original posters, flyers, record covers, photographs and ephemera drawn from the editor’s punk archive, The Mott Collection. Alongside written contributions from Julie Burchill, Paul Cook, Vivien Goldman, Eve Libertine, Bruce LaBruce, Amos Poe, Richard Prince and Will Self among many others. Designed by Jamie Andrew Reid.

 

Blue Period / Last Summer (US Cover Edition). Nobuyoshi Araki. Session Press & Dashwood Books.

Posted in Japan, photography on December 30th, 2017
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Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_1Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_2Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_3Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_4Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_5Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_6Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_7Blue Period : Last Summer (US Cover Edition), Nobuyoshi Araki, Session Press & Dashwood Books, 9780996657419_Motto Books_8

 

One of the most influential photographers of our time, Nobuyoshi Araki is known for his diaristic style or “shi-shashin” (I-photographs) through the publication of over 500 books throughout his career. His work has become practically synonymous with Japanese photography; closely associated with his work on bondage, his late wife, Yoko, as well as still lifes and nudes.

In 1986 at Cinema Rise in Tokyo, Araki staged a live performance entitled Tokyo Monogatari (Tokyo Story). Using two projectors, Araki and his assistants, Nobuhiko Tokyo Monogatari became the first in a series of live performances entitled Arakinema, which he staged until the mid-2000s in The majority of the work is derived from Shashin Jidai, the important underground sub culture magazine of the 1980s museums and art institutions around the world. in Japan.

As a special case excited about our film work. As Araki also explained at our initial meeting in Shinjuku last year, “The two films should be seen as a set, since Blue Period is about the past and This project is just (a future). It is an act of subtraction (past), whereas adding color to the images in the images in Last Summer is about an act of addition (future). like life itself. ”

Working directly from the 140 original slides used for both projections, the book successfully offers a fresh review of the photographer’s hidden oeuvre and regains the true spirit and atmosphere of the original Arakinema performances

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PUD III. Jason Nocito. Dashwood Books

Posted in photography on January 16th, 2016
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PUD III is the last book in a trilogy conceived and photographed by Jason Nocito, designed by Camilla Venturini of Ordinary Books and published by Dashwood.   Originally released at the LAABF in January 2014 PUD(I) consisted of a series of sixteen photographs of New York City street debris and puddles interspersed with images from a road trip across the US all shot on an 8×10 view camera recording extremely high detail.    The final book produced in an identical trim size and cover design, in alternate colors, uses the debris and puddles as its’ main subject once again but this time juxtaposed with studio and darkroom images. Asking more questions than are being resolved; the PUD series has evolved as an exercise in conceptualizing, editing and design – the practice of bookmaking itself. – See more at: http://www.dashwoodbooks.com/pages/books/15498/jason-nocito/pud-iii#sthash.SRogeVRp.dpuf

€45.00

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Jay Z (poster). Ari Marcopoulos. Dashwood Books

Posted in music, photography on October 1st, 2013
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Jay Z (poster)

Jay Z (poster). Ari Marcopoulos. Dashwood Books
Edition of 150

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Economy Class (poster). Stefan Marx. Dashwood Books

Posted in poster on October 1st, 2013
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Economy Class (poster). Stefan Marx. Dashwood Books
Edition of 150
25€
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The Powder. Jocko Weyland. Dashwood Books.

Posted in graphic design, photography on November 26th, 2011
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The Powder. Jocko Weyland.

D 36.80€

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I Heart Transylvania. Jason Nocito. Dashwood Books.

Posted in photography on November 25th, 2011
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I Heart Transylvania. Jason Nocito.

Jason Nocito’s second monograph is an intimate love story shot in Vancouver, B.C. over four years where his wife Megan lived until 2010. Set amongst the city, its environment and their group of friends. Designed by Michael Schmelling.

co-published by the artist and Dashwood Books, 2011

D 63€

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