LE PASSÉ SOUS NOS PIEDS. Jérémie Gindre. Editions Bibracte & Parc Saint Léger.
Dessins, photos & texte (français)
32 pages couleurs
18×26cm – 2014
4€
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San Rocco #8: What’s wrong with the primitive hut?
SAN ROCCO • WHAT’S WRONG WITH THE PRIMITIVE HUT? 2A+P/A talks about Zeno * Pedro Ignacio Alonso on Charles Eisen * Tanguy Auffret-Postel and Tiago Borges on Jacques Hondelatte’s Artiguebieille House * Pep Avilés on the Caribbean hut * Ido Avissar’s degré zéro * Marc Brabant on individualism and architecture * Marc Britz on the Panthéon français * Ivica Brnic on huts and temples * Ludovico Centis on space oddities * Steven Chodoriwsky on the duck * Carly Dean explores the desert on Google Earth * gall on a November weekend in 2011 at Slievemore, Dooagh, Keel East, Achill Co., Mayo * Giovanni Galli on primaeval architecture in an edenic context * Giorgio Grassi refuses to answer baukuh’s questions * Stefano Graziani goes to Devils Tower * Nils Havelka and Sarah Nichols on the Malm whale * Wonne Ickx on the well-tempered hut * David Kohn on the return of the Roi des Belges * Anders Krüger and Regin Schwaen on leftovers * Eric Lapierre on primaeval building substance * Annamaaria Prandi and Andrea Vescovini tells a straight story * Isobel Lutz Smith on the demolition of Glasgow * Nikos Magouliotis on the Three Little Pigs * Daniel Martinez on wilderness * Gabriele Mastrigli on Delirious New York * Ariadna Perich Capdeferro on Toyo Ito’s Sendai Mediatheque * Philippe Rahm on the Olduvai Gorge * Pier Paolo Tamburelli reads the Entwurff einer historischen Architektur * Neyran Turan on primitive flatness * With photos by Stefano Graziani
15€
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Born in 1928, Swiss artist Pierrette Bloch has been active in the field of postwar abstraction and contemporary drawing since the 1950s. A student of Henri Goetz and André Lhote, she developed a corpus of drawings, collages, and three-dimensional pieces whose key principles are an economy of means (ink, paper, mesh, and horsehair), the use of primary forms (dots, curls, and lines) and seriality, and the reduction to black and white.
For this first complete monograph dedicated to Pierrette Bloch’s practice from the 1950s to the 1980s, the editor of the book and Musée Jenisch diretor Julie Enckell Julliard has invited contributions from an international panel of authors and art critics including Catherine de Zegher, Pamela M. Lee, and Philippe Piguet. Their essays address the different components of the artist’s work, from a very attentive approach to her drawing practice to a reflection on her position within art history. A complete biographical essay by Laurence Schmidlin concludes the book.
Edited by Julie Enckell Julliard. Author(s): Julie Enckell Julliard, Pamela M. Lee, Nicolas Muller, Philippe Piguet, Laurence Schmidlin, Catherine de Zegher
English / French
November 2013
ISBN: 978-3-03764-329-7
Hardcover, 280 x 270 mm
180 pages
Images 80 color / 36 b/w
Published with Musée Jenisch, Vevey (Switzerland).
60€
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Issue #6: Luce
By tuning the direction and intensity of the light, a variety of stage effects is produced: the Diorama, compartment within which, through a window, the viewer can discover and observe from inexhaustible perspectives. Diorama Magazine wants to recreate the nineteenth-century mechanism in a printed editorial product, outcome of a constant research, marked in monothematic seasons. It collects entries in a multifaceted amateur dictionary, in order to share its study and suggest a further development. Independent and self-published, each issue deals with the chosen theme oscillating between the myth and the unusual; an eye dedicated in recording the potential of the research.
Accordando la direzione e l’intensità della luce viene prodotta una molteplicità di effetti scenici: il Diorama, vano all’interno del quale, attraverso uno spiraglio, lo spettatore può scoprire ed osservare da inesauribili prospettive. Diorama Magazine vuole ricreare il meccanismo ottocentesco in un prodotto editoriale stampato, frutto di una ricerca costante, scandita in stagioni tematiche. Raccoglie voci in un poliedrico dizionario amatoriale, al fine di condividere il suo studio e di suggerirne un ulteriore sviluppo. Indipendente ed autoprodotto, ogni numero affronta l’oggetto scelto oscillando tra il mito e l’inedito; un occhio intento a registrare le potenzialità dell’indagine.
Language: Italian, English
Size: 23 x 16 cm
Binding: Softcover
Price: €8.00
Boglancering / Book Launch. Joachim Koester
Samtale / Conversation. Joachim Koester & Stine Hebert
19. februar / 19 February, 17 – 18.30
Motto @ Charlottenborg. København / Copenhagen
Take as long as you might take, you might take long. Ryan Gander. Daiwa Press Co., Ltd & Dent-de-Leone.
Photographs by Takashi Homma & Ryan Gander
Take as long as you might take, you might take long documents an installation by Ryan Gander, commissioned by and first exhibited at Daiwa Viewing Room, Hiroshima, Japan. A standard ceiling mounted sprinkler system in the otherwise empty gallery space is switched on for the duration of the show, the water being invisibly drained from the space and recycled back into the sprinkler system. During the exhibition Ryan Gander instigates and directs a photoshoot of three Japanese females modelling oversized Thom Browne men’s suits within the space. The images of the photoshoot are printed on the interior of the traditional Japanese binding method, meaning the reader must cut the publication to discover the hidden half of the book.
37€
how a mosquito operates. Mahony. Broken Dimanche Press.
With texts by John Holten and Sophie Kaplan
Design: Dorothea Brunialti
Mahony was founded 2001 in Vienna, Austria Stephan Kobatsch, *1975 Vienna, Austria Clemens Leuschner, *1976 Göttingen, Germany Jenny Wolka, *1978 Cologne, Germany
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Much of Mahony´s artistic production derives from well known and unknown historical facts. This kind of appropriation in Mahonyterms always means questioning, transforming, translating, re-associating and reactivating the chosen topic. With this process they form new rhizomatic nets making connections from past to present, paths that go across geographical and historical zones, social and political contexts. They alienate the viewer by translating found material from ancient times into ours or from one culture into another. At the beginning of a project oftentimes stands a journey to places like Yucatan (2011), Ushuaia (2009) and Brasil (by cargoship, 2009). Therefore works that emerge in public space or in the countryside are later continued in the studio and vice versa. The media and material that
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Mahony works with video, photo, print, collage, sculpture, performance, urban intervention and installation. (Victoria Dejaco, 2012 /Deutsche Übersetzung folgt) Most recently they have exhibited in Art Basel, Künstlerhaus Bethanien, La Criée, centre d’art contemporain, Rennes and in spring 2014 they have a solo show at Galerie Emanuel Layr, Vienna
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The Irish writer, artist and publisher, John Holten (b.1984) studied at University College Dublin and the Sorbonne-Paris IV before obtaining an MPhil from Trinity College Dublin. His novel The Readymades was published in 2011, and most recently he has written fictional or immersive texts for the artists Mahony, Natalie Czech, Darri Lorenzen, Jani Ruscica, Lorenzo Sandoval and The LGB Group. His work has been included at Center, Berlin, Malmö Konsthall, The White Building London, David Zwirner Gallery New York (with Aengus Woods) and NGBK Berlin, amongst other places. In 2011 he received a Literature Bursary from the Irish Arts Council. His video commercials for his next novel Oslo, Norway have been exhibited in Plan B Gallery and Team Titanic, Berlin and an extract appeared in the first issue of the journal Gorse in spring 2014. www.johnholten.com
Author: Mahony
Publisher: Broken Dimanche Press
Language: english
Binding: Softcover
ISBN: 978-3-943196-24-5
15€
The Fox #4. Mathew Whittington (Ed.) Werkplaats Typografie.
A Fox in a Trap: Charles Nodier
Animals Again: Esther Leslie & Ben Watson
Oliver Twist and the Werewolf of London: Bill Sikes, Bull’s Eye, and Biopolitics: Bill Hutchison
The Fox Helps: Kristen Gallerneaux Brooks
Heidegger the Fox: Hannah Arendt
Tame Beasts: on obedience: Federico Campagna
The Burrow: Franz Kafka
Foxface: Mabli Elliman
Monsters & Messiahs: Mike Davis
The Rustle of Language: Roland Barthes
A New Experimental Method for an Anthropology of Things (or, An Agony in Five Fits): Hermione Spriggs
The Last Chapter: P.-J. Stahl
And including contributions from Valentijn Goethals, Daniel Arsham, Melissa Pilon, Leonard van Munster, Tetsuo Mukai, and Paul Elliman.
Edited and Designed by Mathew Whittington
Contributing Editors: Paul Elliman, Hermione Spriggs
Publisher: Werkplaats Typografie
Language: English
Pages: 144
Price: €10.00
Edit #63. Jörn Dege, Mathias Zeiske (Eds.). Edit Literaturzeitschrift.
Edit Papier für neue Texte: Winter 2013/14
Editorial
Janko Marklein – Wir machen das
Andre Rudolph – erythema migrans
Kathrin Röggla – Der Lärmkrieg (Auszug)
Pascal Richmann – A Boy named Roy
Edit Essaypreis 2013
Noemi Schneider – Oh Boy, ich hasse Rot!
Sebastian Koth – Du berührst die Erde, dass sie deine Zeugin werde.
Lina Morawetz – Motten
Dossier Konzeptuelles Schreiben
Kenneth Goldsmith – Paragraphen zum Konzeptuellen Schreiben
Christian Bök – Eunoia
Robert Fitterman – Metropolis
Vanessa Place – Was ist Konzeptualismus?
Ara Shirinyan – Your Country is Great
Elisabeth Clark – Between Words
Swantje Lichtenstein – Vom Lesen, Schreiben und den Konzepten
Anne Waak – Wie ich einmal Ferien mit Claude Lanzmann machte
Danilo Scholz – Gläserne Jugend, gläserne Kämpfe:
Edward Snowden als militanter Bürokrat
Katharina Stooß – Kein einfacher Mensch
Bildteil: Edgar Leciejewski
Price: €5.00
