In a city where advertising plays the leading role, how long can a style resonate? Dentsu2060 is an intricate work, a true to life representation of the city in its drifting vanity. By weaving seamlessly field recordings and melodic light points, Tasho composes an unexpected reflection to the upcoming 2020 Tokyo Olympic ceremony or the illuminated soundtrack of a trendy drama. His 9 compositions channel the voice of his city, offering a new, spectacular world view – overexposed under the artificial lights.

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The book includes the first publication of Gidal’s text from 1978, with a new introduction. Gidal in this dense theoretical essay deals with the limits of language and representation in the practice of experimental filmmaking and writing. Considered as one of the most influential experimental filmmakers, Gidal’s lost text “The Author as Producer of Nothing”, will give a new insight into the theoretical and political context to the artistic film practices. Afterword by Sezgin Boynik. Design by Ott Kagovere.

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Beton Insel, Inventory, 2004, Courtesy of the artists

Giselle’s Books and Motto invite you to the screening of Inventory’s film. For the occasion, we will be showing the following videos: Ostalgia (2004), Beton Insel (2004), Sleepwalkers (2003) and Flesh and Stone, a geology of an Urban Existence (2003).
Friday, 12 November 2021 at 7pm

First Screening at 7:15
Second Screening at 8:15

Motto Berlin
Skalitzer Str. 68, im Hinterhof
10997 Berlin

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British art collective Inventory was founded in London in 1995 by Damian Abbott, Paul Claydon and Adam Scrivener. Since 2004, they are based in Kent (UK) and Toulouse (France).
Inventory’s previous solo exhibitions were at the Rob Tufnell gallery, London (2014 and 2016) White Columns, New York (2005); The Approach, London (2004, 2002 and 1999) and at The Modern Institute, Glasgow (1999). Recent collective exhibitions include: Condo London, Rob Tufnell (2018); The Revolutionary Suicide Mechanised Regiment Band, Rob Tufnell, Cologne (2016); Corruption Feeds, Bergen Kunsthall (2014); Make the Living Look Dead, 2nd Cannons Project Space, Los Angeles (2014); Ruin Lust, Tate Britain (2014); Keywords, INIVA (2013); A journey through London’s subculture, the ICA at Old Selfridges Hotel, London (2013), De Appel, Amsterdam (2008); Kunstverein Hamburg (2007); Museum of Contemporary Art, Belgrade (2007); Kunsthaus Dresden (2006); Aspen Art Museum (2006); Portikus, Frankfurt (2004); ICA, London (2003); Whitechapel Gallery, London (2003); Lenbachhaus, Munich (2002); the Courtauld Institute of Art, London (2001); their work is held in the collections of the Centre Pompidou, Paris and the Tate Gallery, London. Their work is represented by Rob Tufnell.

Giselle is conceived as a system for enabling interactions that focuses on the dissemination and gathering of artistic practices. It was conceived by Lucas Jacques-Witz and Ryder Morey-Weale as an experimental exhibition space and currently operates as Giselle’s Books, an independent Archive Library of foreign Artist’s Books, editions, and printed material in Marseille. The space is dedicated to researchers and amateurs with an interest in contemporary art books.

Double 42 – Breaking Point | “If you study the root causes of business disasters, over and over you’ll find this predisposition toward endeavors that offer immediate gratification.”
– Clayton M. Christensen, The Innovator’s Dilemma: When New Technologies Cause Great Firms to Fail.

Four covers:
Cover 1: Photography by Brianna Capozzi, Styling by Marie Chaix. Sunglasses by Balenciaga.
Cover 2: Photography by Johnny Dufort, Styling by Akeem Smith. Saint Laurent and Anthony Vaccarello.
Cover 3: Photography by Liv Liberg, Styling by Lotta Volkova. Chanel, D’heygere and Falke.
Cover 4: Photography by Tim Elkaïm, Styling by Charlotte Collet. Givenchy, Lemaire, Miu Miu and bag by Celine by Hedi Slimane.

Double is a fashion magazine offering an original and transversal point of view on the spirit of our times.

Double has an already established format: a portfolio – the most important rendezvous of the magazine with an the artist-photographer as a guest of honour; an ABC with texts written by famous journalists from the arts and cinema; a fashion section created by internationally respected photographers and renowned stylists.

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Dear friends,

We are pleased to invite you to the book launch of
Pope.L, My Kingdom for a Title in presence of the artist.

7–9 pm Wednesday 3 November 2021

Motto Berlin
Skalitzer Str. 68, im Hinterhof
10997 Berlin
U1 Schlesisches Tor

My Kingdom for a Title is a collection of writing by Chicago–based artist Pope.L documenting his use of language as a mode of visual, narrative, and performative story telling.

The act of writing has been integral to how Pope.L works and is arguably the most consistent element in his practice. These works take various forms: scripts, short stories, scribbled notes, large scale installation, and painting—many never before released. Assembled here for the first time, My Kingdom for a Title allows the breadth of the artist’s engagement with language to be fully assessed. Within the book, Pope.L’s work is supplemented with extensive endnotes sourced by artist Kandis Williams.

Pope.L is a visual artist and edu­cator whose multidisciplinary practice uses binaries, contraries, and preconceived notions embedded within contemporary culture to create artworks in various formats including writing, painting, performance, installation, video, and sculpture. Building upon his long history of enacting arduous, provocative, absurdist performances and interventions in public spaces, Pope.L applies some of the same social, formal, and performative strategies to his interests in language, system, gender, race, and community. The goals for his work are several: joy, money, and uncertainty—not necessarily in that order.

Edited by Courtney Willis Blair
Endnotes by Kandis Williams
Published by New Documents in collaboration with Mitchell-Innes & Nash
First Edition (2021)

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