Mutující médium/Mutating Medium Exhibition Catalogue

In co-operation with Galerie Rudolfinum and Fotograf magazine

Exhibition catalogue
Czech with English resume
149 pages

Author of the texts / exhibition curator: Pavel Vančát
Graphic design: Markéta Kinterová
Editor: Pavel Baňka

D 28€

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Artist book Oops Wrong Planet by Anouk De Clercq, published by MER, Paper Kunsthalle in 2009.

Edited by Edwin Carels, Anouk De Clercq, Jan Knops, Landschip.
Bookdesign by Boy Vereecken and Kasia Korczak.

In English, French and Dutch.

D 20€
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LITTLE JOE #2
A magazine about queers and cinema, mostly.

This issue’s cover film is Frank Ripploh’s autobiographical Taxi Zum Klo (1980), an extraordinary debut chronicling his dual life as Berlin schoolteacher and sex “hunter” which he discusses in a fascinating, candid interview, translated and published here for the first time.
The issue also features a conversation between director John Waters and Tate Modern’s curator of film Stuart Comer; an interview with artists A.K. Burns and A.L. Steiner about their sociosexual porn video, Community Action Center; an essay on the covertly queer film magazine Films and Filming; an essay on Parker Tyler, Myra Breckinridge and Mae West; John Cameron Mitchell’s Video Library; a specially commissioned short story about Sal Mineo by American poet and author Kevin Killian; and American poet and cultural critic Wayne Koestenbaum’s never-before-published talk on rarely seen Warhol epic Taylor Mead’s Ass.

94 pages, 139 x 210mm, Risograph printing. Edition of 1,000.
D 15€

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BLONDE, Nico Vascellari, Nero

Blonde is an artist’s book by Nico Vascellari, printed in 500 hand numbered copies + 33 multiples including an original work, numbered and signed by the artist. Published by NERO in collaboration with Hospital Productions.
Conceived both as a book and an artwork, Blonde is a collection of images from one of the artist’s personal archives: a selection of 200 press clippings titled “Blonde”. Each press clipping has been reproduced in its own original format on 80 gsm glossy paper, as ripped and collected by the artist over the last ten years. The whole collection, printed on unbound single sheets, is packaged in a black cardboard box, silkscreened and individually numbered.
The pages of this publication derive for the most part from fashion magazines. The iconographic theme of “the blonde” is represented obsessively. The sequence of the images is random, as is the selection of press clippings. This archive reflects the artist’s personal fetish for the image, in this case of blondes and their collective representation.
Nico Vascellari is considered one of the most important Italian artists of his generation. Coming out of the punk-hardcore scene, his work is a mix of visual art, performance and sound exploration.

Published by NERO

D 70€

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A Stack of Books, as well as it is A Book of Stacks, edited and designed by Triin Tamm.
Published by Rollo Press as a contribution to the exhibition “If it’s part broke, half fix it.” at the CAC Vilnius, January 28 – March 13, 2011.

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HORIZONTE #3 – Journal for Architecture

“HORIZONTE – Journal for Architectural Discourse” is an interdisciplinary and collaborative effort of students from Weimar, the School of Architecture, the School of Design and the School of Media Studies and is an independent student organization.

Contributors #3:
Markus Miessen, Sandra Schramke, Something Fantastic, João Azougado, Jesko Fezer, Mirko Krause, Kristian Faschingeder, Ioanna Angelidou and Bernhard König.
Interviews with Geoff Manaugh and Nicola Twilley, David van Severen von OFFICE KGDVS, Luis Callejas von Paisajes Emergentes and Peter Grundmann.
Projects from nonconform, BeL + studio uc, H Arquitectes and Rui Mendes.

D 8.50€
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Waldemar Cordeiro & Franz Mon, Ludlow 38 & Spector Books

The publication presents selected works from two pioneers of Concrete Art and Poetry, Waldemar Cordeiro (1925-1973) from Brazil and Franz Mon (1926) from Germany. The exhibited pieces reach from the mid-1960’s to the present and combine sculpture, collage, and computer printouts with typewriter text and sound work. With a mutual interest in the deconstruction of the photographic image, language and typography, the work of both artists oftentimes follows rigid concepts. Attributes of Concrete Art such as the structural focus on materials and processes, the appropriation of constructivist language, and the search for the general reduction of expressive means emanate from their practice. Logic and rationality became a founding principle of The Ruptura Group, which Cordeiro was involved with in the São Paulo of the 1950’s. Similar characteristics can also be found in the work of Mon who says that “Concrete Poetry for me is poetry of principles, there is a principle you invent and then you carry that through, whatever happens.” Differences and analogies epitomize the engaged and experimental approach to art that reflects the two artists interest in the development of technology, politics and civil society during the second half of the XX and the early XXI century.

Published by Spector Books and MINI / Goethe-Institut Curatorial Residencies Ludlow 38

48 pages
Design by HIT Berlin/ London
Ed. Tobi Maier
Leipzig / New York 2011

D 10€
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Crushed by Jason Fulford

Crushed is Jason Fulford’s second book. This selection of color photographs was inspired by the contrasting simultaneous feelings of sadness and humor. One interpretation being that beauty and humor can be both an antidote and necessary companion to melancholy. The pictures were taken from 1997 to 2001 in the United States, Canada, France, Hungary, India, Iceland, China and Romania.

96 pages, full color, hardcover, 7″ x 9″

D 25€
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Obra de Referencia by Mark Manders

Broad selection of works by Manders, published on the occasion of a solo show in Museo de Arte Carrillo Gil in Mexico City (February-April 2011). Text in Spanish by Mark Manders and Ruth Estéves.
Published by Roma Publications.

Artist: Mark Manders
In collaboration with: Museo de Arte Carrillo Gil
Year: 2011
Number of pages: 96
Size: 14 x 19,6

D 15€

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The Last Newspaper by Latitudes

The Last Newspaper was a hybrid exhibition inspired by the ways artists approach the news and respond to the stories and images that command the headlines. Co-curated by Richard Flood and Benjamin Godsill, the exhibition was held at the New Museum, New York, from 6 October 2010 to 9 January 2011.

Alongside the exhibition, a number of partner organisations, including Latitudes, used on-site offices to present their research and stage public dialogues. ‘THE LAST POST’ / ‘THE LAST GAZETTE’ / ‘THE LAST REGISTER’… was an 12-page free weekly newspaper and an incremental exhibition catalogue edited during a 10 week editorial residency by Latitudes.

This published record, designed by Chad Kloepfer and Joel Stillman, is the surrogate catalogue of The Last Newspaper. Featuring over 100 contributors, including essays and interviews with participating artists, the compilation also brings together articles and special features around an expanded selection of work that addresses the news, the newspaper, and its evolving form and function.

D 15€
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Available for distribution