The annual Berlin-based magazine was founded 1999 in Trondheim, Norway and focuses on drawing as an independent research and artistic practice. FUKT intends to uncover the potential forces of a medium such as drawing and its possibility to reach innumerable conceptual and expressive directions. The Norwegian/Swedish artist Björn Hegardt is the founder and editor of the magazine.

FUKT is an international magazine, inviting the most interesting artists and writers to present their views on contemporary drawing. The 12th issue of the magazine comprises works of 23 artists from 9 countries, as well as essays and interviews by invited authors and curators.

Fukt is in constant transformation with all issues in different size and layout, made by the designer Ariane Spanier.

Language: English
Pages: 136
Size: 21,5 × 28
Binding: Softcover
ISBN: 9783868953220

Price: €16.00

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Three 24-page zines housed in an A5 document wallet
One-colour riso on 80gsm Cyclus Offset

Published by Loose Joints / LJ001
Printed in the UK by Hato Press
First Edition
March 2013
100 Copies

7.50 €

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On the occasion of Petrit Halilaj’s ‘Poisoned by men in need of some love’ solo exhibition at WIELS, an artist book and edition will be presented.

‘Poisoned by men in need of some love’
Published by WIELS and Motto Books
180 pages
Edited by Elena Filipovic
Isbn 978-2-940524-07-5

More info here

EGG009
BRENDAN COLVERT – DRAWINGS

“Brendan Colvert lives and works on the small Scottish island of Sanday, Orkney. Since arriving at this remote outpost 14 years ago he has committed his time to painting as a daily ritual and purpose. In filtering the complex relationship between the tranquility and wildness of this immutable archipelago, and the complexities of the world beyond, Colvert has created an extraordinary body of work, with a unique vision and a universal frame of reference.”

28pp
140mm x 190mm
biro and graphite on paper
Black and White
Hand Sewn
Edition of 200

10.00 €

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A feast is… Ida Marie Hede, Trine Friis Sørensen, and Ursula Nistrup (Eds.). Officin.

A Feast Is… a collection of texts and images that speak about processes of creating, accumulating, questioning and experiencing.

The book includes contributions by 26 international artists, curators, writers, art historians and scholars:

Aeron Bergman, Aslı Çavuşoğlu, Alejandra Salinas, Cecilia Aldarondo, David Bell, David Shrigley, Francesco Pedraglio, Harald Voetman, Ida Marie Hede, Jacob Dahl Jürgensen, Jeuno JE Kim, Jacob Lillemose, James Wilkes, Lene Asp, Linus Elmes, Lina Selander, Media Farzin, Mathias Kristersson, Mathias Kryger, Mikko Kuorinki, Miranda Trimmier, Nikolaj Recke, Paolo Plotegher, Sidsel Nelund, Trine Friis Sørensen, and Ursula Nistrup.

15.00 €

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Cross Over – Fotografie der Wissenschaft + Wissenschaft der Fotografie. Christin Müller (Ed.). Spector Books.

Mit Texten von / with texts by Michel Frizot und Christoph Hoffmann und Kelley Wilder.

Wissenschaftliche Bilder faszinieren, weil sie Dinge und Vorgänge zeigen, die dem menschlichen Auge verborgen bleiben: Immer tiefer kann man in Mikro- und Makrokosmos eintauchen und diese in Bildern fixieren. Dient die Fotografie in der Wissenschaft daher hauptsächlich als Sehhilfe der Forschenden oder geht ihre Rolle weit darüber hinaus? Seit der Erfindung der Fotografie in den 1830er Jahren resultieren aus der wissenschaftlichen Praxis stetig neue Ansprüche an Visualisierungen und damit auch eine unablässige Ausweitung der Möglichkeiten des Mediums. Dadurch entstehen Bilder mit völlig anderen Prämissen als in der Dokumentar-, Werbe- oder Kunstfotografie. Was aber macht das delikate Verhältnis zwischen Fotografie und Wissenschaft aus? Was für Bilder entstehen dabei und wie lassen sich diese Aufnahmen lesen?

Scientific images are fascinating, because they reveal things and processes that remain hidden to the human eye. It has become possible to delve ever deeper into micro- and macrocosms and capture these worlds in images. In science does photography primarily serve as the visual aid of the researcher, or does is play a much larger role? Since the invention of photography in the 1830s new demands have been placed on the capacities of the medium as a result of developing scientific practices, which have led to the continuous fine-tuning of the possibilities of the photograph. Science thus produces images based on utterly different premises than those of documentary, advertising, or artistic photography. What defines the delicate relationship between photography and science? What photographs result, and how can they be interpreted?

Mit Werken u.a. von Anna Atkins, Auguste-Adolphe Bertsch, Hans Danuser, Liz Deschenes, Marion Denis, Harold Edgerton, Léon Foucault, Thomas Freiler, Bernhard Gardi, Raphael Hefti, Jules Janssen, Irène Joliot-Curie, Markus Krottendorfer, Albert Londe, Aïm Deüelle Lüski, Maschinensehen (Henning Arnecke, Lisa Bergmann, Christoph Oeschger, Elke Reinhuber), Melanie Matthieu, Aurélie Pétrel, Rodolphe Archibald Reiss, Hannes Rickli, Thomas Ruff, Adrian Sauer, Laurent Schmid, Sarah Schönfeld und Simon Starling.

Die Publikation erscheint anlässlich der gleichnamigen Ausstellung im Fotomuseum Winterthur (7.9. bis 17.11.2013).

25.50 €

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America – Live & Die. Mike Diana. Divus.

Two volumes in original cardboard box

Volume 1, LIVE, 400 pages
Volume 2, DIE, 128 pages

All together 528 pages in color of cartoons, drawings and paintings on fine paper.

55 €

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B-side of Onomatopeic Music. Yuri Suzuki. Dent-De-Leone, Clear Edition & Gallery.

Is it a bird, is it a book? No, it’s BOOM, a visualisation of Yuri Suzuki’s sonic works. If an image is worth a thousand words, it can probably be worth a soundscape, a song or both, however cacophonic. Contributions by DMX Krew, Simone Grant, Tim Hunkin, Momus, Nobumichi Tosa (Maywa Denki) and Åbäke

Edition: 808 copies
Year: 2012
Language: Mostly visual, captions in English
Binding: Thread bound in black thread
Editor: Yuri Suzuki & Åbäke
Text read by: Momus

29 €

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Form Next To Form Next To Form. Nova Paul. Dent-De-Leone.

…is a book made from stills from Nova Paul’s 16mm film This is not Dying (2010). Two pieces of writing are included, Karl Steven’s liner notes on musician Ben Tawhiti and Gwynneth Porter and Nova Paul’s essay The Virtues of Trees that like a tree grew from conversations over a year, spanning into ideas of sovereignty, resistance, film analysis, genealogy and care of self and the world around us. RGB print processes were used in its design to echo the RGB optical process of three-colour-separation film itself. Whakarongo Mai, played by Ben Tawhiti on slide and steel guitar for This is not Dying, is reconfigured here on 7″ LP.

Year: 2012
First Edition: 1000 copies
Binding: Sewn
Special! with a vinyl

19 €

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All The Knives. Åbäke (Ed.). Dent-De-Leone.

Any printed story on request.

Monsieur, aimez-vous l’art? asked the man with the hat. On a positive response Robert Filiou would show an exhibition contained in a hat to a stranger. All The Knives, the box, modestly listens to Mr Filiou to reveal stories from a pocket, yours?

An exhibition curated by Åbäke with Yair Barelli, Jochen Dehn, Dirk Elst, Aurélien Froment, Vladimir Ivaneanu, Sally OäReilly, Matt Rogers and Adva Zakai, Z33, Hasselt, Belgium, 18 November 2012 — 16 February 2013. Coproduction of Frans Masereel Centrum & Z33.

13 €

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Inner Planets. Cameron Jamie. Verlag der Buchhandlung Walther König.

Cameron Jamie has been working with different medias such as drawing, sculpture, film, photography, performance, music and painting. For over two decades one recurring theme in his work is the mask. The work “Inner Planets” is a group of 43 handcrafted masks sculpted in clay. The artist connotes it with the multilayered paradox of the mask. In so doing he sets in motion an interplay between inside and out, between being and seeming, between what is our own and what is of others. The publication shows the work of art in all its facettes including installation shots of its presentation at the Palmenhaus des Alten Botanischen Gartens in Zurich. The book is designed by the artist himself.

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Cameron Jamie arbeitet mit unterschiedlichen Medien wie Zeichnung, Skulptur, Film, Photographie, Performance, Musik und Malerei. Das Werk “Inner Planets” ist ein Ensemble von 43 Masken, die er aus Tonerde geformt hat. Der Künstler konnotiert das Werk mit der vielschichtigen Paradoxie der Maske. Dadurch setzt er das Spiel zwischen Innen und Außen, von Sein und Schein, vom Eigenen und Anderen usw. in Gang. Die Publikation zeigt das Werk in allen seinen Facetten inklusive Installationsphotos der Ausstellung im Palmenhaus des Alten Botanischen Gartens in Zürich und wurde vom Künstler selbst gestaltet.

19.80 €

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