Irene – Roswitha Hecke – Edition Patrick Frey

Roswitha Hecke’s photo book Liebes Leben (Love Life) about the Zurich artist-muse and prostitute, Irene, also called “Lady Shiva,” was published for the first time in 1978. It became both a cult book and an international success. Reprinted many times and translated into several languages, it is finally available again. The new, revised volume put out by Edition Patrick Frey presents photos that have never before been published. It is through the director Werner Schroeter that Roswitha Hecke met Irene. Irene, a secret star of Zurich’s Bohème at that time, worked as a prostitute until her tragic accidental death. For three weeks Hecke photographed her daily routine in Zurich and accompanied her to Rome where Irene always celebrated her birthday. The result was a subtle and strong portrait of a woman, both beautiful and confident, with an unrivaled eroticism and proud elegance. The photos, a mix of choreographed and documentary work, capture an unusual immediacy and presence.

“Irene wanted to be pretty, to be a woman, to be free. She was direct and moody, like a child. She loved a flirt more than marriage. Tension more than harmony. Longing more than satisfaction. And distance more than contact. She lived her life according to this, come what may.” (Roswitha Hecke)

With a Text by Roswitha Hecke in German and English

Graphic Design: Tania Prill / Alberto Vieceli

D 48€

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Cyanotypes – Ruth Erdt & Eva Vuillemin

Self Portraits Ruth Erdt 16-22 years.
Self Portraits Eva Vuillemin 16-22 years.
Eva is Ruth’s daughter.
Cyanotype is one of the earliest photographic printing processes.
The specific blue colouring of the print is called “Berliner Blau”.
The images were made through exposure to sunlight on the street.

Idea: Ruth Erdt
Editing: Ruth Erdt, Eva Vuillemin, Benedikt Reichenbach
Graphic Design: Benedikt Reichenbach
Thanks to Urs Küenzi (Substitut Berlin) and Landis & Gyr (Kulturstiftung Zug)
Berlin 2011

D 19€
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Larry’s/Petunia/mono.kultur triple launch, Tuesday 12 July @ Based in Berlin
start 6:30 pm
(+Djs)

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Larry’s se7en
with: Dena Yago, Morag Keil, Michele Di Menna, Natascha Goldenberg, Martin Thacker, Alex Turgeon, Nicolas Ceccaldi, Maxwell Simmer, Carson Chan, Heji Shin, Daytona Bleach, Mathieu Malouf, Juliette Bonneviot, Dan Bodan, Kayla Guthrie, Valentina Liernur

http://larrys.eu/

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PETUNIA #3

with : Katarina Burin, Frances Stark, Laetitia Paviani, Lina Viste Gronli, Nana Oforiatta Ayim, Géraldine Gourbe, Dorothée Dupuis, Emmanuelle Lainé, Clara Meister, Kitty Kraus, Lili Reynaud Dewar, Kathy Acker, Fiona Jardine, bell hooks, Mathieu Kleyebe Abonnenc, Sisters of Jam, Spartacus Chetwynd, Elizabeth Diller.

http://petunia.eu/

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mono.kultur #27
Ryan McGinley: Daydreaming
“I love the idea of the unexpected.”

http://www.mono-kultur.com/

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07.06-24.07.2011
Pro qm/Motto @ Based in Berlin
Atelierhaus Monbijoupark
Oranienburger Str. 77
10178 Berlin

Open daily from 12-9pm

Year – Komplot & David Evrard / Pierre Huyghebaert & Überknackig

YEAR is an annual magazine published by Komplot and David Evrard in collaboration with the designers Pierre Huyghebaert and Überknackig. YEAR is thought of as a non-linear narrative inspired from the “cause and effect” paradigm or more: “Truth and Consequence.” Its subjective approach, closely ingrained with the artists, curators and the experiences they raise, slips in commentaries or reports about different elements – exhibitions, interventions, conferences, books, objects – that appear influential. According to the principle of chain reaction YEAR addresses the journalistic model, organising its content in the form of sequences. And YEAR is a scene, an experimental constellation, a scene as obsessive accumulation opposed to archives, distinction opposed to evaluation, narrative to order, cool to distance, taste to energy, beauty to sense, sense to idea, idea to experience, experience to life and life to style and style to knowledge and knowledge to power and power to shit.

360 pages by:
ALAN FERTIL & DAMIEN TEIXIDOR – ANDREA WINKLER – ANGEL VERGARA – ANNIE DAVEY – ANN VERONICA JANSSENS – BENOIT PLATEUS – DAVID BURROWS & SIMON O’SULLIVAN – CARL PALM – CHRIS EVANS – DAVID EVRARD – DAVID GARCHEY – DAVIDE BALLULA – DEBBIE BROEKERS – DEVRIM BAYAR (WIELS) – DILIGENCE – DONUTS – DOROTHEE DUPUIS – DOUGLAS PARK – ELLEN CANTOR – ERWAN MAHEO – ETABLISSEMENTS D’EN FACE – EVA BIALEK – FABIENNE AUDEOUD – FELICIA ATKINSON – FILIP GILISSEN – FLORIAN & MICHAEL QUISTREBERT – FREDERIC PLATEUS – GREGOIRE MOTTE – HARALD THYS – ISABELLE CORNARO – ISABELLE LE NORMAND & FLORENCE OSTENDE – JACOPO MILIANI – JACQUES ANDRE – JARO STRAUB – JEAN PAUL JACQUET (LA CHAUSSETTE) – JESSICA BAXTER – JIL GASPARINA – JOSEPHINE FABRE & ALDO JIMENEZ ROJAS – JUSTIN MEEKEL – KENNETH ANDREW MROCZEK – KEREN CYTTER – KOMPLOT – LAURENT LE DEUNFF – LE COMMISSARIAT – LINA VISTE GRONLI – MALTE LOCHSTEDT – MARC GUILLAUME – MARCO BRUZZONE – MARINA VISCHMIDT – MATTHIEU CLAINCHARD – MEIKE SCHMIDT – MICHAEL LIN – MICHAEL RASHKOW & SKYLAR HASKARD – MICHAEL VAN DEN ABEELE – MICHELLE NAISMITH – MIRA SANDERS – MOBILE INSTITUTE – NICOLAS MILHÉ – OXANA TIEMOFEEVA – PATRICE GAILLARD & CLAUDE – PAUL O’NEILL – PAULINE BASTARD – PHILIPPE VAN WOLPUTTE – PIERRE FISHER – PIERRE HUYGHEBAERT – PIERRE TATU – POLARIS ARCHITECTES – POTENTIAL ESTATE – RAFFAELLA CRISPINO & BENOIT BRUQUEL – ROISIN BYRNE & DUNCAN WOOLDRIDGE – SAADANE AFIF – SOFIE HAESAERTS & COLOMBE MARCASIANO – SOPHIE DEJODE & BERTRAND LACOMBE – SOTOSO – SONIA DERMIENCE – STEPHANIE KIWITT – THOMAS BERNARDET & THIBAUT ESPIAU – TORIL JOHANNESSEN – TRICKY – UBERKNACKIG – VALERIO DEL BAGLIVO – VERONIQUE DEPIESSE – VINCENT MEESSEN – XAVIER MARY – YANN CHEVALLIER (LE CONFORT MODERNE) – YANN GERSTBERGER – YANN RONDEAU & SYLVAIN ROUSSEAU – ZIN TAYLOR

360 Pages
English / French

D 18€

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Tobias Zielony: Trona. Armpit of America

Tobias Zielony (*1973, lives in Berlin) has for many years been photographing young people in their given environments, mainly in the public space. He is attracted to the fringe areas of urban reality: the banlieues of French metropolises, the cities of Saxony-Anhalt that have gained a reputation as shrinking cities, or the desert city Trona outside Los Angeles. In such places social tensions, the lack of alternatives and prospects are strongly in evidence.

D 14€

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Under Deconstruction. Libia Castro, Ólafur Ólafson. Sternberg Press

The publication by Libia Castro and Ólafur Ólafsson on the occasion of the exhibition at the Icelandic pavilion at Venice Biennale 2011 is conceived as a first comprehensive overview / in depth analysis of more than ten years of their artistic practice—leading up to their most current works.

Four essays by internationally renowned writers approach Castro/Ólafsson’s work from different angles, while a conversation with the exhibition curator, Ellen Blumenstein, meanders through the book, takes up the artists own perspective on their work, and focuses on the production of the new projects while digging into recent social and political developments in Iceland.

Edited by Ellen Blumenstein
Texts by Maurizio Lazzarato, Susanne Leeb, Halldór Björn Runólfsson, Simon Sheikh
Conversation with the artists by Ellen Blumenstein
Design by jung + wenig
144 Pages / English

D 22€

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Mad Marginal—Cahier #2: The Inadequate – Dora Garcia – Sternberg Press

Mad Marginal is a project started by artist Dora García in November 2009. Mad Marginal wants to research a form of artistic practice, using the tradition of antipsychiatric and anti-institutional movements as a prism to look at the work of artists who have either consciously chosen to remain outsiders or been defined as outsiders by others.

The publication appears in the form of cahiers. Mad Marginal—Cahier #2: The Inadequate is the second cahier, presented as the publication for the Spanish Pavilion at the 54th Venice Biennale 2011.

English / Spanish
432 Pages

D 25€

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Pétunia #3

Pétunia presents artists’ proposals and texts in French or English. Pétunia’s issues are organised around subjective emergencies. Pétunia avoids using author’s texts as illustrations of a main topic chosen by the chief editors. There is no editorial or publisher’s statement. Each issue will be autonomous, and does not connect with territorial issues and current matters or trends. There are no chapters or sections, but diverse textual forms, from theoretical texts to diary entries to pure fiction or comics, mostly concerning contemporary art. 
The layout of Pétunia will be an important part of each issue; its graphic design will be very present and proclaimed. Pétunia wants to bean unclassified object that paradoxically affirms a strong identity in focusing foremost on the work of women critics, curators, artists…


From this perspective, Pétunia is a feminist publication playing the game of affirmative action, as a response to the constant imbalance of the role and place of women in the art world. Pétunia also reactivates — hopefully with nostalgia and humour — the forms of ideological engagement of women regarding art and critical production, while enriching its view of three decades of “women studies”, “black studies”, post – colonial studies and, of course, post – feminist studies.

Contributors in #3: Katarina Burin, Frances Stark, Laetitia Paviani, Lina Viste Gronli, Nana Oforiatta Ayim, Géraldine Gourbe, Dorothée Dupuis, Emmanuelle Lainé, Clara Meister, Kitty Kraus, Lili Reynaud Dewar, Kathy Acker, Fiona Jardine, bell hooks, Mathieu Kleyebe Abonnenc, Sisters of Jam, Spartacus Chetwynd, Elizabeth Diller.

Design: Change is Good
Pages: 94

D 5€

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Quick #3. Erik van der Weijde. Ourpress Publishing

Quick magazine #3, Theory of Ruins, features work by Erik van der Weijde and a quote printed in both German and English from Jaques Derrida’s “Memoires of the Blind,” which ends:

“Ruin is, rather, this memory open like an eye, or like the hole in a bone socket that lets you see without showing you anything at all, anything of the all. This, for showing you nothing at all, nothing of the all.”

Editor: Arno Auer
Design: Franziska Nast / Arno Auer
First edition of 250, June 2011
2 colour stencil print

D 7€

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The Pier – Nils Petter Löfstedt – Pierre von Kleist Editions

“If we take the liberty of doing things out of the ordinary, we can catch something we didn’t know was there. Some kind of creative power. Usually this is hidden but once in a while we can find it. However, this can be done only if we work on our own terms not having to consider the conventions.

A lot can be accomplished with two pairs of hands, without the need of a boss or money. This is a story that took place under a pier on the outskirts of Malmö between January and May in 2009.”

Nils Petter Löfstedt, 29, lives and works as a photographer in Malmö, Sweden.

Softcover | 72 pages | color and b&w
ISBN 978-972-99825-6-9
Edition of 750

D 25€

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