Lexicon by Joëlle Tuerlinck

A comprehensive lexicon, written by the artist Joëlle Tuerlinckx, accompanies the exhibition WOR(LD)K IN PROGRESS? in Wiels Brussels (22.09.2012 – 06.01.2013). Accompanied by an illustrated folder containing 3 extracts from the ‘Cahiers du Progrès?’, material for conference and publication.

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Also available in French: Buy it

The Object Lessons – Nina Beier & Marie Lund by Francesco Pedraglio, published by Mousse Publishing.

The Object Lessons is an exhibition.

The Object Lessons is a story inspired by an exhibition, considered through three parallel accounts told in the first, second and third person.

The Object Lessons is an exhibition inspired by the narratives, characters and artworks features in a short story.

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One Day Diary. Produced by Sara MacKillop in conjunction with her White Room exhibition, May 29 – July 16, 2011. New York.

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Trekhprudny Lane: Moskva 1991-1993. Ekaterina Dyogot. Hong Kong Press.

This book, which was conceived a number of years ago, is about a short period in the history of Moscow art, right before the real-estate market obliged several artists’ groups to leave their studios.

It was after a guest-teaching period at the National Academy of Fine Art in Oslo that Larissa Zvezdotchotova brought us to Trekhprudny Lane in 1993. That is where ten young artists had for two years been living and working in an apartment block, where they had carried through an unbroken series of events and installations every Thursday at 19.00. Gradually this had developed into a central point in Moscow’s art life – a literal and witty answer to the prevailing art life situation and a number of ideas and masterpieces of western art. Or as Ter-Oganian, the protagonist of the group, puts it: “Great art in one place, soup in Russia.”

The Moscow based critic Ekaterina Dyogot has on our request written an introductory essay about the events at Trekhprudny. In addition she has written captions to 36 selected actions to clarify contexts that could pass by a western public.

This book is a fragment, nevertheless it presents the question: Can we afford to do without all the unexpected viewpoints and standpoints coming from the Russians in the discussion about the art of today?

– Carina Hedén, Ingrid Book

64 Pages
Swedish / English

D 19 €

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The Subjective Object, Anna-Sophie Springer (Ed.), published by K Verlag.

THE SUBJECTIVE OBJECT engages with the controversial site of the ethnographic museum and the role of the archive. In particular, the 1920’s photographic archive of the indigenous people of India by the German physical anthropologist and racist theorist Egon von Eickstedt (1892–1965) serves as a case study for an investigation into the role of historical artifacts in light of contemporary political situations. The nine interviews with curators, artists, anthropologists, and social workers provide the core of the book actively discussing the complicated issues around the archive’s function in producing knowledge. An annotated thread of images serves as a critical apparatus addressing the visual history of ethnographic display and classification practices—both in the scientific field as well as the cultural field at large. Questioning the assumption that the archive presents the “fact” of the “Other,” three literary texts counterpoint the inherent fantasies within scientific research. Just as the book begins with an archive—the Eickstedt photos—the book ends with a new archive—photos of the exhibition “The Subjective Object—(Re)Appropriating Anthropological Images” at the GRASSI Ethnographic Museum of Leipzig—illustrating the project’s desire to not only engage with the history of display but also to propose a future of display strategies and social engagement.

INTERVIEWS WITH: Carola Krebs, Meghnath, Theo Rathgeber, Nora Sternfeld, Alexandra Karentzos, Christopher Pinney, Philip Scheffner, Britta Lange, Jesko Fezer + Raqs Media Collective
LITERARY TEXTS BY: Franz Kafka, Brion Gysin + Suzan-Lori Parks
DESIGN BY: Timm Häneke
LANGUAGE: German and English

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folio issue zero

offset print, full colour, saddle stitched.
Featuring artists and collectives Siân Robinson Davies, Bumf Collective, Ben Dawson
and Dead Photographers Project.
Every special edition includes 4 limited edition A5 size postcards by the featured artists.
Edited and published by folio in 2010. Edition of 1000. Special edition of 200/1000.

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issue zero, D 5€

issue one, D 7€

Chert & Motto @ Cneai=, as part of the Berlin-Paris exchange

“Tintenfish”
Jérémie Gindre, Kasia Fudakowski, Carla Scott Fullerton

CNEAI=
Maison Flottante
île des impressionnistes, 78400 Chatou

exhibition dates:
July 06 – 14. 2012

http://www.berlin-paris.fr/
http://cneai.com/
http://www.chert-berlin.com/

Amikejo, Latitudes (ed), Mousse Publishing.

Amikejo has been produced in coordination with a series of four exhibitions by artist duos, curated by Latitudes (Max Andrews & Mariana Cánepa Luna) at Laboratorio 987, the project space of the Museo de Arte Contemporáneo de Castilla y León, MUSAC. The title refers to a tiny state that existed from 1908 to 1920 between the Netherlands, Belgium and present-day Germany, founded to foster more effective international communication through the synthetic language Esperanto – Amikejo means ‘place of friendship’ in Esperanto. This episode-place was a unique synthesis of cartography, language, nationhood, politics, economics and subjectivity, and is evoked as a twin site to Laboratorio 987, lending its name and conceptual borders to the exhibition series and the book.

Texts by: Giorgio Agamben, Theo Beckers, Latitudes, Peter Osborne, Georges Pérec, Menno Schilthuizen, Ryszard Zelichowski

Hardcover, with text in English & Spanish.
Pages: 216
Size: 22.5 x 15.5 cm

D 26 €

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An Individual Note @ Motto Melbourne

On the occasion of its opening, Motto Melbourne presents An Individual Note – a series of performances, discussions and lectures highlighting the role of sound, and notions regarding its creation, manipulation, appropriation and representation, within the context of contemporary practice. This project takes as its reference point the book An Individual Note of Music, Sound and Electronics, by BBC Radiophonic Workshop founder Daphne Oram. The series aims to create an informal discourse regarding the ways in which the theoretical aspects of electronic music production might relate to practice, across a range of contemporary disciplines and genres. The series will be complemented by the exhibition of a growing archive that documents these discussions and performances.

Including contributions from Masato Takasaka, Michael Ozone, Joshua Petherick, Dead Boomers, James Vinciguerra, Brad Haylock, VDO and more

Curated by Library Moderne

16.06 – 07.07.2012

Motto Melbourne / PIN UP Project Space
15-25 Keele Street, Collingwood, VIC 3066, Melbourne, Australia

Schedule to be advised shortly

Displayer #04

Published by Karlsruhe University Of Arts And Design

The production of publicity, and in a wider sense of a public, is among the key strategies of any exhibition. Publications play a crucial role here. By editing and publishing the magazine Displayer, students come to better understand central questions of exhibition design and curatorial practice, and can make contact with authors outside the school. Displayer is a continuation of students’ practical and theoretical work in a public, published form. Historic and contemporary exhibitions, guest lectures and seminar projects can here be investigated in greater depth, with seminar themes worked through in interviews and by re-editing texts for publication. Following the seminar’s intensive investigation and discussion, the final publication itself becomes a kind of exhibition space for ongoing questions and concerns.

D 12€

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