PORCINO
68 Skalitzerstrasse, Berlin
(in the hole inside Chert Gallery)
Opening reception June 18 at 8pm.

“I Am Down Here With the Boogens After All” – Ed Steck
A self-portrait is a reflection.

A self-portrait is a reflection: materials constructing images, sensations structuring
architectural moments (definitive personal modulations), chronological impertinences,
yourself creating your self, a frozen practice of an accumulative entirety until a singular
point, the expression before the potential atmospheric capsizing. It is a resolution of the
self-encapsulated within the frames of an image; it is how one is seen while seeing.
“I Am Down Here With the Boogens After All” is a day-book-like piece of self-portraiture
that follows the perspective intake of an individual (a subject, a viewer) constantly
absorbing material references. It is a moment of loss fixated on the repetitious revisiting of
the mundane, the familiar, and sensational: misremembered memory to personal insertions
into film, entering the fixed present to relive a cultivated past, and human grotesqueness to
exaggerated special effects.
A self-portrait is a manufacturing of a self-portrait.
Ed Steck is a writer from Southwestern Pennsylvania. He currently lives in Pittsburgh, PA.
Publications include A Time Stream in Spaces: The Cultic Parody of Time-Induced Capital
published by West as part of the Let Us Keep Our Own Noon group show, Field of Vision
– a limited edition chapbook published by Reactor Press, Beach published as part of “Public
Access” in collaboration with David Horvitz, Chinese Bondage in Peru in collaboration
with Wintergarten LTD, and Mountain as part of “Archive for a Mountain” by Marc
Handelman’s solo exhibition “Geological Sketches at Home and Abroad” at Sikkema
Jenkins & Co. His work has appeared in the anthology Strange Attractors: Investigations
In Non-Humanoid Extraterrestrial Sexualities published by Encyclopedia Destructica,
Capricious Magazine, the Brooklyn Rail, LIT (forthcoming),1913: a journal of forms
(forthcoming), in the publication for the 2012 Columbus Prize Exhibition at Kunsthalle
Ravensburg on the work of painter Natalie Haeusler, and with a contribution in Omer Fast:
5,000 Feet Is Best published by The Power Plant and Sternberg Press. He is one third of
American Books. He graduated from Bard College’s Milton Avery Graduate School of the
Arts.

Open by appointment only. Please contact David at hikarusaru@gmail.com

Erg and WIELS invite you to the talk by Patricia Falguières, on the occasion of the launch of two books:

White Cube – L’espace de la galerie et son idéologie        
Les Cabinets d’art et de merveilles de la Renaissance tardive. Une contribution à l’histoire du collectionnisme.

In his book Random Order, Branden W. Joseph provides a penetrating analysis of the most important works in the production of Robert Rauschenberg during the 1950s and 1960s, by placing them in the context of the American neo-avant-garde and with particular emphasis on the relationship that the artist had with the composer John Cage.

Random Order offers a penetrating analysis of the major works of Rauschenberg, a redefinition of the paradigm of neo-avant-garde as a reflection on postmodern subjectivity.

Branden W. Joseph teaches modern and contemporary art at Columbia University (New York) and is one of the founders of the journal Grey Room.

Natalie Häusler + David Horvitz. Watercolors Book launch
Saturday January 10, 2013.
Start 6pm

The book “Watercolors” is documenting a one and a half year long correspondence in form of watercolors sent via email between Natalie Häusler and David Horvitz.

npiece.com/natalie-haeusler
http://davidhorvitz.com/

On the same evening @ Chert: David Horvitz. AT NIGHT THEY LEAVE THEIR CENTURY.

Geirthrudur Finnbogadottir & Shame magazine presentations @ Motto Berlin. 13.12.2012
start 7pm

A slideshow presentation addressing the sovereignty of the sign, and/or the independence of the phenomenon which had hitherto transported it, marks the official release of MINDGAMES – a publication conceived as abstract shapes, shrouded in words, to articulate a cross-dimensional plane of intrigue. The diagrams and images will describe the structures and concepts that occupied the mind of the author when creating the text. The presentation will include more than a hundred originally composed images and will be accompanied by a reading.

MINDGAMES incoporates metaphorical qualities depicting people and their relationships in an ongoing interchange between space, geometry, history, and meaning. This quadrangled story about shades and variations in co-dependence and sovereignty is inspired by a musician (John Lennon), a theorist (Henri Lefebvre), an author (Halldor Laxness), and a demented ruler of Rome (Caligula) – forming biographies that present portraits of associations rather than particular statements about individual lives. The publication was conceived as a way of enjoying information in the tradition of the autodidacts of the past – but in a style which is contingent to  a reverence towards traditional modes of archiving the world.

Published in collaboration with Werkplaats Typografie.
Designed by Noah Venezia, Werkplaats Typographie, Arnhem / ArtEZ Institute of the Arts.
Size: 12 x 17 cm
Pages: 152
Edition: 500
D 15€

“If shame emerges in the breach between you and me, between the private and the public, this magazine is a willfully idiosyncratic and multi-faced attempt to approach this breach, that is, to approach shame in its different registers from the sexual and personal to the political.“
Jenny Nachtigall
Shame is a recurring publication which observes and researches human feelings and the human body. Shame focuses on daily issues that easily pass by our attention and juxtaposes them to politics, design and art in printed form. This makes it look, at times, uncomfortable and embarrasing. Shame One was initiated and produced in the Jan van Eyck Academie, Maastricht, NL by visual artist Wolfgang Fuetterer and graphic designer Neda Firfova. As of 2012 Shame continues to be produced in Berlin.
Shame One contributors: Alexander, Nathaniel Boyd, Simon Denny, Nicholas Matranga, Shogo Matsushiro, Jenny Nachtigall, Wolfgang F. IX, Hinrich Sachs, Samo Tomsic

edition of: 200
pages: 52
published by: Jan van Eyck Academie, Maastricht, NL
D 15€

Sleep. Grouper. Fillip Editions

**Edition of 800 white 180g vinyls housed in a PVC-lined innersleeve with glossy cover** Breathtaking stuff from Liz Harris presented by Canadian publication, Fillip with suitably refined production values. This edition of ‘Sleep’ is a fragment of a longer composition (we could imagine it exponentially longer) first performed at the Berkeley Art Museum in 2011. More recently the label organised its performance in an abandoned polar bear enclosure at Vancouver’s decommissioned Zoo and now it finally reaches yours and our ears like some cathartic cloud of harmonised tape symphonics that just floated across the Atlantic. It’s difficult to say exactly what the source material is – it could be vocals, it could be synths – but that’s beside the point, and whatever it is, it’s one of the most beautiful things we’ve heard all year.

Size: 31 x 33 cm
Weight: 320 g
ISBN: 978-1-927354-06-3
D 20€

Buy it

Motto Melbourne is moving!

After a wonderful six months at our current space, Motto Melbourne will be relocating to a shop front space at the Magic Johnston complex on Johnston Street, Collingwood in January.

We will remain at our current space on Keele Street until December 15th, when we will close up for the holidays. We will reopen at our new address below, from mid January.

Motto Melbourne
27-29 Johnston Street
Collingwood, Melbourne
VIC 3066
Australia

Thanks to everyone for a great six months and we look forward to some exciting projects next year in our new space!

Rick Buckley @ Motto Berlin
Saturday, December 8th
Start 7pm

‘The Hard And The Fast’

The publication is in part an archival document to a Situationist Intervention that took place sometime during the summer months of 1997, an intervention with specific interior / exterior locations within the centre of London. This artistic / political gesture was carried out during a long running political debate, over the obtrusive and ever growing numbers of CCTV surveillance cameras being installed within public spaces within the capital, and of which were disputed as an infringement upon rights to privacy of the individual citizen.
These interventions were an endeavour to integrate an applied form that would over a period of time, become part of the structure it had been applied to. And by incorporating a mock prosthesis to such public spaces, would endeavour to claim part of a specific public space, of which would represent a specific moment frozen in time.

Texts: Rick Buckley, Luis Berríos-Negrón, Sally O’Reilly, Dagmar Reinhardt
Language: English
72 PP with 11 Colour 26 B &W
Format: 16,8 x 23,2 cm
Edition: 500, No’s. 1 – 20 with special Limited as framed photo edition
ISBN 978-3-89770-423-7
Published by Salon Verlag, Cologne, 2012.

20 €

Buy It

Palpable Language? Kasper Andreasen, Achim Lengerer & Annette Stahmer @ Motto Berlin. 3.12.2012
Start 7pm

An evening with presentations and talks by Kasper Andreasen, Achim Lengerer and Annette Stahmer on Monday, December 3rd, 2012, 19 hours at Motto Berlin. The evening will be centered around 3 publications that investigate authorship and the materiality of language:

“Parole #2: Phonetic Skin / Phonetische Haut” (edited by Annette Stahmer) is the second issue of a series of publications investigating the materiality of language. It is concerned with skin and its relation to language. The term “skin” is used here as a metaphor. It represents the surface, the protective sheath of not only the human but also of other “bodies” like the walls of a house, a product’s packaging, the earth’s surface, and so on. Skin describes the boundary between within and without, and is simultaneously a sensitive instrument for communication, directing external information inwards, as well as outwardly expressing inner states. “Phonetic Skin” is a poetic term serving as a starting point for a discussion on the connection between communication/language and skin.
With contributions by: Maria José Arjona, Janet Beizer, De Geuzen, Paul Dickinson, Mladen Dolar, Leif Elggren, Steven Feld, Leonardo Guelman, Anish Kapoor, Brandon LaBelle, André Lepecki, David Locke, Petra Maria Meyer, Jürgen Partenheimer, Naomi Segal, Annette Stahmer, Imogen Stidworthy, Trikoton, Allen S. Weiss.

“Hope to Hear From You” (edited by Kasper Andreasen) is an artists’ publication where the contributors made text-based drawings inspired by a collection of misleading emails. Using the specific qualities of waterless offset, these texts were etched directly into the printing plates that were used to produce the book. The pages show how the gesture writing is closely related to authorship, and that this position is an act of mimicry.
With contributions by: Geela Eden, Johannes Markus Frerichs, Martha Gloyer, Ada Grull, Alice Kuczminski, Alexander Kurzhöfer, Marc André Offenhammer, Gönül Salgin, Hagen Verleger, Marina Veselova.

“Scripting” is a publication series that collaborates with artists, writers, graphic-designers, performers as well as publishers – all of which are working with the formats of “script” and “text” within their processes of production. The latest issue #27 Fragile Exhibition (edited by Achim Lengerer) explores the tentative and poetic relationship of objects and their translation into the printed form.
With contributions by: Geela Eden, Katrin Grimm, Eva Hartmann, Alexandra Haase, Nadja Haase, Jonas Hasselmann, Catharina Hoops, Marleen Krallmann, Max Kühl, Charlotte Ladiges, Elina Martian, Omar Nicolas, André Offenhammer, Jakob Runge, Björn Schmidt, Selina Schnetger, Evelyn Solinski, Jan-Peter Thiemann.

Annette Stahmer (ed.): “Parole #2: Phonetic Skin / Phonetische Haut”
Salon Verlag (in collaboration with Errant Bodies Press), 2012
22 x 32,5 cm
112 pages + CD + postcard
ISBN: 978-3-89770-375-9
distributed by: Vice Versa (Germany), Les presses du réel (France), DAP (USA)

Kasper Andreasen (ed.): “Hope to Hear From You”
Artist’s book
Muthesius Academy of Fine Arts and Design Kiel, 2011
Offset, 20 x 28 cm (outside), 17 x 24.8 cm (inside)
Waterless drypoint etchings
40 pages

Achim Lengerer (ed.): “Scriptings #27 Fragile Exhibition”
Scriptings and Muthesius Academy of Fine Arts and Design Kiel, 2012
distributed by: Scriptings and Raum für Publikation (Germany)

Akaaka @ Motto Berlin. 23.11.2012

We are pleased to welcome japanese publisher Akaaka for a presentation of books.

http://www.akaaka.com/

(signed copies will be available)

—

On the same occasion we will present various publications from other japanese publishers, such as:

Edition Nord
Between the books
Twelve Books
Misako and Rosen
Limart
Zen Photo Gallery
Booklet Library
Super Labo
(…)

(image courtesy: Eric/Akaaka)