Cold Shoulder. Nairy Baghramian. Serralves

Posted in Exhibition catalogue, sculpture on September 24th, 2015
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Published on the occasion of Nairy Baghramian’s (1971, Isfahan, Iran) new outdoor sculptural work for the Sonae|Serralves Commission, this fully illustrated book draws upon the artist’s interest in the ways sculpture functions in the public domain. Featuring a text by curator Suzanne Cotter, Director of the Serralves Museum of Contemporary Art, this publication also includes a selected visual history of works installed in the unique context of the Museum and Park.

€14.50

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Under the Clouds. João Ribas. Serralves

Posted in Exhibition catalogue, history, writing on September 23rd, 2015
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Under the Clouds: from Paranoia to the Digital Sublime

Since the second half of the twentieth century, we have lived under the shadow of two clouds: the mushroom cloud of the atomic bomb, and now the ‹cloud› of information networks. How did the symbol of post-war paranoia become the utopian metaphor for today’s interconnected world? Under the Clouds confronts the interrelated effects and affects of these two clouds on life and work, leisure and love, and on images, bodies and minds, through contributions from an intergenerational group of artists.

Texts by
Enrico Baj & Sergio Dangelo, Thomas Hirschhorn, Sean Landers, Metahaven, Seth Price, João Ribas, Frances Stark, Hito Steyerl, Stan VanDerBeek

€34

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Infinite Possibility 1974 – 2014. Monir Shahroudy Farmanfarmaian. Serralves

Posted in Exhibition catalogue, sculpture, writing on September 23rd, 2015
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Infinite Possibility 1974 – 2014
Monir Shahroudy Farmanfarmaian

Published on the occasion of the first museum survey of mirror works and drawings by Iranian artist Monir Shahroudy Farmanfarmaian (Qazvin, 1924), this book offers a critical and art historical view on a singular body of work produced over a career of more than 40 years.

Essays by curator Suzanne Cotter, cultural historian Shiva Balaghi, and art historian and critic Media Farzin examine Monir’s oeuvre and its development from the 1970s to the present in relation to the decorative and architectural traditions of Islamic art and the cosmopolitan contemporary art world of which she has always been a part. A detailed timeline situates the artist’s personal and artistic trajectory within the broader context of contemporaneous historical, social and cultural events worldwide.

€39

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Reading the Economist. Zachary Formwalt. Serralves & Casco

Posted in Exhibition catalogue, writing on September 23rd, 2015
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In “Reading the Economist” Zachary Formwalt gathers various archival documents from the late nineteenth century, when the credit institutions in Britain first entered panicked. Texts and removed the notebooks of Karl Marx images of The Economist and the American Daily Graphic reassociate and rewrite historical connections and episodes of this period with a view to a reconsideration of the current economic crisis. Artist book published by the Serralves Foundation and Hull for the exhibition “To the Arts, Citizens!”.

€15.00

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Christian Aschman. The Space in Between. Théophile’s Papers

Posted in photography on September 22nd, 2015
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€30.00

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How To: Untitled Runway Show. K8 Hardy. DoPe Press

Posted in Exhibitions, Fashion on September 22nd, 2015
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How To: Untitled Runway Show is an artist’s book that presents K8 Hardy’s performance Untitled Runway Show, created for the 2012 Whitney Biennal. For this work, Hardy orchestrated a live fashion show performance on the fourth floor of the Breuer building that rivaled the presentations made during a Paris or New York fashion week.

How To: Untitled Runway Show follows the apparatus of professional fashion and is organized around three sections: The Show (lookbook), Backstage, and The Campaign. For each of these sections, Hardy specifically created a new series of images for the book. As well, five texts were specially written for this publication, many of whom were involved themselves in the original performance. John Kelsey contributes an important critical text that gives context to this performance in the bigger picture of Hardy’s entire practice. The variety of the writing in this book and perspectives on the piece bring a crucial understanding and richness to Hardy’s incredible performance and unconventional work in general.

K8 Hardy (USA, *1977) is a New-York-based artist, one of the founders of the queer feminist art collective LTTR and creator of the cult zine fashionfashion. In her work Hardy often uses fashion as a material to sculpt, photograph, and produce performances interchangeably and simultaneously, creating a new genderqueer vision.

€20.00

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Skabelon 43. Kasper Andreasen

Posted in Editions, typography on September 22nd, 2015
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This stencil font, which consists of 43 characters, including numerals and several punctuation marks, was inspired by the lettering on old Danish police cars. A 3D effect is achieved by incorporating drop shadows into the type design. Each character is approximately 6 cm tall, ideal for posters and sign painting, and can be transferred to a surface by using marker, pen, or spray paint.

Stencil typeface, Amsterdam, 2003
Laser-cut steel, 32.5 x 19.3 x 2 cm, 4 plates, ed: 30

€135.00

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Gaillard&Claude. Monkey Puzzle, Le désespoir du singe. MOREpublishers

Posted in Motto Disco, music, Vinyl on September 17th, 2015
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7’’ single, 3’12’’, 45 rpm
numbered edition of 300 copies

collector’s edition :
digital print on Maco Mat, 150 gr., 118,8 x 168 cm.
after Untitled, Gaillard&Claude 2015 plaster and speaker stand
transparent plastic sleeve attached to the print
calligraphy by Caroline Mandale
signed and numbered edition of 12 (+3 A.P.)

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Accattone 02/03. Sophie Dars, Carlo Menon (Eds.)

Posted in magazines on September 15th, 2015
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Biannual magazine on architecture
Issue 2 and 3, September 2015

Issue 3: special issue published as a contribution to The Corner Show, Extra Ctiy, Antwerp, 12 September – 6 December 2015, curated by Wouter Davidts in collaboration with Philip Metten and Mihnea Mircan. Co-produced by Extra City. Intended both as an autonomous object and a continuation of Accattone #2.

Graphic design:
Ismaël Bennani, Orfée Grandhomme — Überknackig

 

€25.00

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Alfred Palestra. Tehnica Schweiz, Katarina Sevic, Zoe Gray (Eds.).

Posted in history on September 15th, 2015
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What you are holding in your hands is the printed manifestation of Alfred Palestra. At first, it took shape as a workshop with a group of high school students from Lycée Émile Zola in Rennes, designed as a method to comprehend plural narratives. The workshop aimed to develop skills to interpret a very particular historical constellation: The school was the place where Alfred Jarry almost met Alfred Dreyfus. It served as the location for the second Dreyfus trial in 1898, held just after Jarry had graduated from there. The Lycée thus became the cradle of the avant-garde during the cataclysm of the republic.