Catalogue, Zora Mann interview with Julie Church.

This catalogue follows a project proposal presented in Paris, Fiac- Lafayette, in 2015.

The presentation comprises a curtain made out of recycled flip flops that are found littered on beaches and in waterways of Kenya. Flip flops are one of the largest marine pollutants on the Indian Ocean beaches, nowadays there are several artisans in Kenya working on a recycling project of these materials, which started in late nineties initiated by marine conservationist Julie Church.

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Zora Mann (Amershan, 1979), lives and works in Berlin. She studied art at Villa Arson in Nice. She grew up between Africa, USA and Germany.

Julie Church (Kenya) a marine conservationist, founder and director of Ocean Sole – the Flipflop Recycling Company, lives and works in Kenya. She studied environmental sciences at the University of Cape Town, and adopted these skills to the marine environment namely in Kenya, Tanzania and Indonesia. She is passionate about the Ocean and creating opportunities for a better world through art and trade.

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For over twenty years, Michel Blazy (b. 1966 Monaco) has developed an atypical work in the French art scene, which portrays the transformations of matter, which plays with time and life cycles.

This monograph traces the entire career, from his first pieces in 1990 until 2014. An abundant iconography presented chronologically for understanding the evolution of the work. It reveals the metamorphosis and the process of the works themselves.

Questioning our relationship to time and death, he produces works that contain the possibilities of their own demise, thus desecrating the immutability of form.

Text: Valérie Da Costa, Xavier Franceschi, Olivier Michelon, Ralph Rugoff

Co-published with Frac Ile de France
Design: Baldinger • Vu-Huu

Paperback with screen printed dusk jacket, Japanese binding

€45.00

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B.L.A.D. #15 out now!

“Pleasure to burn”

€6.00

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B.L.A.D. #14: Pertsonaiak with drawings by Irkus M. Zeberio

€6.00

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Exhibition held from 8 April to 26 June, 2005, at the Serralves Museum of Contemporary Art, Porto.

€52.00

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Catalogue of the exhibition held at the Serralves Museum of Contemporary Art, Porto, Museum Ludwig, Cologne; Museet for Samtidkunst – The National Museum of Contemporary Art, Oslo; Louisiana Museum of Modern Art, Humlebaek; Albertina, Vienna; San Francisco Museum of Modern Art; Dallas Museum of Art, Dallas, Texas.

€50.00

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Published on the occasion of Nairy Baghramian’s (1971, Isfahan, Iran) new outdoor sculptural work for the Sonae|Serralves Commission, this fully illustrated book draws upon the artist’s interest in the ways sculpture functions in the public domain. Featuring a text by curator Suzanne Cotter, Director of the Serralves Museum of Contemporary Art, this publication also includes a selected visual history of works installed in the unique context of the Museum and Park.

€14.50

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Under the Clouds: from Paranoia to the Digital Sublime

Since the second half of the twentieth century, we have lived under the shadow of two clouds: the mushroom cloud of the atomic bomb, and now the ‹cloud› of information networks. How did the symbol of post-war paranoia become the utopian metaphor for today’s interconnected world? Under the Clouds confronts the interrelated effects and affects of these two clouds on life and work, leisure and love, and on images, bodies and minds, through contributions from an intergenerational group of artists.

Texts by
Enrico Baj & Sergio Dangelo, Thomas Hirschhorn, Sean Landers, Metahaven, Seth Price, João Ribas, Frances Stark, Hito Steyerl, Stan VanDerBeek

€34

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Infinite Possibility 1974 – 2014
Monir Shahroudy Farmanfarmaian

Published on the occasion of the first museum survey of mirror works and drawings by Iranian artist Monir Shahroudy Farmanfarmaian (Qazvin, 1924), this book offers a critical and art historical view on a singular body of work produced over a career of more than 40 years.

Essays by curator Suzanne Cotter, cultural historian Shiva Balaghi, and art historian and critic Media Farzin examine Monir’s oeuvre and its development from the 1970s to the present in relation to the decorative and architectural traditions of Islamic art and the cosmopolitan contemporary art world of which she has always been a part. A detailed timeline situates the artist’s personal and artistic trajectory within the broader context of contemporaneous historical, social and cultural events worldwide.

€39

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In “Reading the Economist” Zachary Formwalt gathers various archival documents from the late nineteenth century, when the credit institutions in Britain first entered panicked. Texts and removed the notebooks of Karl Marx images of The Economist and the American Daily Graphic reassociate and rewrite historical connections and episodes of this period with a view to a reconsideration of the current economic crisis. Artist book published by the Serralves Foundation and Hull for the exhibition “To the Arts, Citizens!”.

€15.00

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