Will Benedict: Corruption Feeds. Bergen Kunsthall & Motto Books
Posted in Exhibition catalogue, Motto Books on June 16th, 2015Tags: Bergen Kunsthall, Will Benedict
The title of Matthias Hamann’s new photo book is taken from a piece of graffiti found on a wheelie bin in New York, which the artist photographed on his wanderings through the American metropolis. YOU WOULD can be read as a challenge or an invitation, or as a possible instruction for anyone who surrenders to change and steps into the light of the camera. The author takes a diaristic approach to recording his impressions as a flâneur in New York and Berlin, mixing the photographs he takes with staged portraits of the queer scene. YOU WOULD shows intimate moments and poses from a social circle with an alternative take on life.
Matthias Hamann (*1974 in Leisnig, Germany) studied photography under Timm Rautert and Christopher Muller at the Academy of Visual Arts, Leipzig. In 2012 he spent six months in New York on a scholarship from the Free State of Saxony.
ca. 128 pages, 110 Colour plates, staple bound
Edition of 750
€28.00
7,070,430K of Digital Spit, A Memoir. Anicka Yi
Tuesday, June 16, 2015 at 7 pm, Kunsthalle Basel
Kunsthalle Basel, Fondation Galeries Lafayette, and 47 Canal invite you to the presentation of the limited edition, specially fragranced artwork-as-publication 7,070,430K of Digital Spit, A Memoir, followed by drinks.
The exhibition and publication are co-produced with the Fondation Galeries Lafayette and generously supported by the Gaia Art Foundation, Roldenfund, and 47 Canal.
Kunsthalle Basel
Steinenberg 7
CH-4051 Basel
www.kunsthallebasel.ch
Fraustellungen is a non-collaborative publication by the artist Kasia Fudakowski and gallerist Jennifer Chert. This two-sided leporello presents the artist’s four exhibitions from her Fraustellungen series: Enthusiastinnen (2012), Pessimistinnen (2013), Stoikerinnen (2014) and finally Sexistinnen to be presented at Art Basel Statements 2015. Each side is designed respectively by artist and gallerist, demonstrating two opposing aesthetic approaches to the work, the tug of war of forced collaboration, and reinforces the blatant destructive nature of self-sabotage.
Texts by Jacob Fabricius and Paul Haworth.
€10.00
Original drawings by: Wesley Bryon, commissioned by Saâdane Afif for Mount Moon: the Basel Tour (2013), performed in the framework of LISTE 18 performance project, June 11 – June 16, Basel, Switzerland, 2013, curated by Fabian Schöneich.
The book comes with a dust jacket designed by Katharina Kritzler.
Edition of 1000
“Invisible Beauty,” the title of this book and of the Iraqi Pavilion at the 56th Venice Biennale, refers both to the unusual or unexpected subjects in the featured works and to the inevitable invisibility of Iraqi artists on the international stage. The endlessly interpretable title is intended to reveal different ways of approaching art generated by a country that has been subjected to war, genocide and, in the last year, the rise of Isis. The systematic demolition of the cultural heritage of Iraq by Isis has made it more important than ever to focus on artists continuing to work in Iraq. The Pavilion will provide a platform to make these artists visible. The five artists featured in the exhibition and in this volume are the photographers Latif Al Ani and Akam Shex Hadi, the visual artist Rabab Ghazoul, the ceramicist Salam Atta Sabri and the painter Haider Jabbar. A rich compilation of texts accompanies by Iraqi authors the artists’ sections, addressing the wider notion of “invisible beauty” and its ramifications: an essay on the cylinder seals of Iraq by Lamia Al-Gailani; “My Lost Hen,” a story by poet and writer Fares Haram; “The Infidel Woman,” a short tale by novelist Ali Bader; Sherko Bekas’s poem “During the Great Raid”; and “The Sign,” a play by Atyaf Rasheed. Co-published with the Ruya Foundation for Contemporary Culture in Iraq.
Fotofobia #7: Anno Dittmer
Fireflies is a print film magazine created between Berlin and Melbourne.
Each issue assembles an international group of writers, artists and critics to celebrate the work of two extraordinary filmmakers through personal essays, interviews and creative responses.