For Fan Xi, books are artistic creations, not simply records of created works. In this case, Green Hair Monsters and Pearls are video works rather than bodies of photography, thus introduced into a book format as still images, the approach to conveying narrative necessarily shifts. Fan Xi’s premise here begins from a month spent on the Malaysian island of Pulau Dinawan in 2019. In book form, each of the two video works that resulted from the sojourn is transposed into a separate volume, of a sequence and texture intended to evoke a sensual association with the world that the original videos explore. From the lives of local workers, to the dense mazes of jungle vegetation and open stretches of water, Fan Xi conjures the local environment through glimpses of light and form that juggle between the meditative and the threatening, harmony and harm. All those fragile human emotions that produces belief in gods and spirits, deftly captured here.

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Good Life was awarded with the German Photo Book Prize 21/22 in silver. 
Good Life is a hybrid of a photobook and an artist catalog that summarizes the work from 2017 to 2021 by artist Meike Mann& (b. 1991 in Nuremberg, Germany). It’s the first book Mannel published after her graduation from Academy of Fine Arts in Nuremberg, Germany and goes hand in hand with her exhibition at Kunsthaus Nurnberg in Nuremberg. in order to realize this project, she applied for a debutant promotion. 
Meike Marine’ works mainly on different ongoing series, a selection of which is presented in the first part of the artistbook. After a paper change beginning halfway, there are two texts about Manners work by art historian Dr. Teresa Bischoff (former professor of Academy of Fine Arts Nuremberg) and writer Anna Hofmann (masters study at Deutsches Literaturinstitut Leipzig). In the back of the book, her more experimental photo silkscreens and photo installations are shown. 
Marine seeks to preserve the ephemeral with this project. The shown motifs deal with the longing for distance, the uncertainty and the question of survival. In loud and softer colors it presents a world that often lies unnoticed in front of us and whose aesthetics one takes for granted, without recognizing what is special about it. 

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Chrome Magazine is launching today its fourth edition. 

An innovative art book in the more accessible magazine format. An answer to the algorythmicrflood of images we are confronted with every day. A long – lasting source of inspiration for those interested in art and those who dare to create. 
Our objective for this issue was to curate a list of exciting international artists and to create an insulated space for them to present their body of work. By combining graphic design, fine art, photography, CGI and other experimental approaches, a multifaceted and highly interesting body of work is created. Every page you turn you will find yourself confroted with new ideas and concepts. So take your time to understand the creators intentions and to interpret their visual language. Be inspired. 
We want to showcase what moves our generation and provide an insight into our diverse perspectives. Furthermore, we want to serve as a platform that promotes connection and collaboration within the different areas of the creative scene.

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“For over 12 years, I have been revelling in the joys of motherhood with my children, experiencing the miracle that is the human body and dtscovering. the ordinary but beautiful moments in our daily life. I have also been immortalising these wonderful impressions of our peaceful family life with my own camera. Despite these fulfilled and joyful periods with my three children, I felt tired and sometimes deeply melancholic when I looked at myself in a mirror. My body looked so different. My body had started to show the first signs of ageing. It was the beginning of self – conception – the beginning of self – realisation that I should observe every part of my body minutely, take care of myself and love myself. And unwittingly, I began to capture myself, on impulse, on camera, and in a very intimate way. My body became my muse, my object of reverence, my most important tool to create photographic art.”

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Non-Magical Towns: Typologies of Freedom in Rural Mexico is a a folded zine about agency, self-designing, and self-building in the town of Vista Hermosa, Mexico.

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Mixed photos/ photo-collages from around the globe.

Bonus: QR- code for exclusive music-track to download 
Limited on 50 pieces/ numbered 
Comes with stickers

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Mixed photos/photo-collages from around the globe.

Bonus: QR- code for exclusive music-track to download 
Limited on 50 pieces/ numbered 
Comes with stickers

Order here

The Inventaire Déraisonné is a visual archive work. The images, here juxtaposed in a form of automatic writing, come exclusively from found books and then cut out, the artist thus creates 420 pages made up of 2427 images. Anatomical details, ancient sculptures, industrial architectures…These shots come mostly from encyclopedias, dictionaries, as many books that have become obsolete at a time when knowledge seems accessible from any screen. These images constitute a hinterland, a cartography of representations archived by the mind.

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Folded is a documentary photo book by Zoran Shekerov published by PrivatePrint. The book researches and presents the Pehlivan wrestling tradition from an authentic and contemporary angle. Shekerov’s style – so visible through the photographs – is bright and unpredictable, and carries the viewers closer to the subject matter, where they never expected to be.

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‘Dallol’ series made in May 2016 in the Afar region of north-eastern Ethiopia.

Considered one of the hottest places on Earth, with temperatures reaching 50°C, the volcanic activity in the area forms surreal landscapes.

First Photography/Risography collaboration with Quintal Editions
Printed in the workshops of the Paris Print Club.
Graphic design by Oscar Ginter.
Thanks to Alexandra and Félix for their help with printing and finishing.

Signed and numbered on 150 copies

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