Symphony #2 includes reworkings and remixes from Symphony #1 and new material composed while in residency at Hull Time Based Arts, UK 1999 and on tour 1999-2001.
Performance for fourteen dot matrix printers played by an orchestra of personal computers from the early nineties and conducted by a similarly obsolete file server, based on text files composed and orchestrated beforehand.
Track 12 (in keeping with the concept of the cd) is not simply an untitled track. The printers are not printing anything – the track simply consists of the amplified hum of all 14 printers, and then they are all manually switched off, one by one. credits released June 1, 2020
“After two organ albums dedicated to combinations of sound, rhythms and auditory illusions, here is a very different object. These 4 pieces are basically improvisations based on skeletal micro-compositions, generally less than a dozen chords. Played on the same organ as my previous recordings, I tried this time to emphasize the harmonic colours, the choice of registers and inversions, the intonation, the textures and modulations. Composed in the morning and recorded in the evening the same day, I let myself go as the takes went by towards a more and more vaporous and melancholic universe. The album is played entirely on the Italian style organ built by Jean Daldosso. It was harmonized in the church, which allowed the organ builder to optimize the power and the sound balance of the organ in relation to the building. A simple microphone in the middle of the church.”
Wiggle “Best of” USB Drive A USB drive disguised as a cassette tape created for the Berlin concert at Panke Gallery in 2023. Contains tracks selected from all of their releases to date (1996-2023) as well as a megamix of most of their songs.
Handmade by Gil Kuno using glitching techniques on a laser cutter.
Wiggle “Best of 1996-2023”
01 Boik 02 Warning 03 Daisuki Me (Alternative Mix featuring Sexy Funko) 04 Signal Fault (featuring Cristian Vogel) 05 Feedback 06 Headbash (featuring Ken Ishii) 07 Krictl 08 Wadjala Spirit (featuring Ken Ishii) 09 Pejuta (featuring Tatsuya Yoshida [Ruins]) 10 Let It Wiggle (featuring Ken Ishii) 11 Fridgeon 12 Amphibian 13 Discoship 14 Megamix
Wiggle members (past and present): Gil Kuno, Simon Bennett, Brett Boyd, Tatsuya Oe, Linda, RinaRina, Murochin, Eiichiro Suzuki
LIMITED ART EDITION WITH ORIGINAL ART PRINT FROM NAN GOLDIN, SIGNED BY THE ARTIST
Laura Poitras’ Oscar-nominated film »All the Beauty and the Bloodshed« is an epic, emotional and interconnected story about internationally renowned artist and activist Nan Goldin. Told through intimate interviews, photography, and footage, central to the story is her personal fight to hold the Sackler family accountable for the opioid crisis. The film cuts to the bone with its incandescent celebration of life and condemnation of those who threaten it. Art and activism are one and the same.
Helping to interweave Goldin’s past and present, multi-disciplinary duo Soundwalk Collective soundtrack her personal and political struggles to sublime effect. The contemporary sonic arts platform of founder and artist Stephan Crasneanscki and producer Simone Merli, the pair work with a rotating constellation of artists and musicians, developing site-and-context-specific sound projects through which to examine conceptual, literary, or artistic themes. And for all the beauty and the bloodshed on show here, the duo strike the balance just right; their compositions in collaboration with Zacharias Falkenberg and Johannes Malfatti producing a trance that oscillates between grace and madness.
Within the score, Crasneanscki draws connections with the life and work of German poet Friedrich Hölderlin, who was removed from society through confinement in institutions. In his last poems, written as fragments while he was plagued by mental illness, Hölderlin renders nature, in all its fragility and ephemerality. Similar themes merge in Laura’s portrait of Goldin and serve as an inspiration for the composition of the choral songs and cantus within the soundtrack. Through the repetition of words and the layering of voices, the lyric scansion operates like a language possessed, echoing various styles from sacred music to modern minimalist techniques. The music is characterised by quivering strings and swells, de-tuning and lingering, shifting around the surreal, and creating a spectrum of musical experience. Exerts of Nan’s narration are featured in two of the tracks, her powerful narration offering a more direct approach to the storytelling.
In »All the Beauty and the Bloodshed,« Poitras shows protest is really Goldin’s great artwork: Her entire life had been leading to this moment of passionate expression, an inspired situationist gesture which fused the personal and the political. Art can change the world, which Poitras and Goldin tell us with powerful results. While there are multiple threads in this remarkable portrait which could have carried entire films, the soundtrack provides a sonic identity that helps keep track of proceedings. Utterly unique in their approach, Soundwalk Collective have delivered a gripping and thoughtful score, helping turn Goldin’s personal pain into culture-rattling impact.
A1 Half Of Life A2 Schimmer Sanft Den Klang Des Tages A3 The Land And The Sea A4 Sisters I – Feat. Nan Goldin A5 Des Geistes Werden B1 Before The Light B2 Witnesses B3 Zeitgeist B4 To Zimmer B5 Sisters Ii – Feat. Nan Goldin
Doyenne 002: Singing To Spirits is an anthology curated by artist and writer Flora Yin Wong looking to historical, indigenous rituals worldwide. Bringing together female-identifying musicians, artists and writers on the platform to explore lesser known forms of their artistic practice – the contributions for the first book are from friends & collaborators across the world including:
Christina Vantzou (Kranky), Lisa Lerkenfeldt (Shelter Press), Lucy Liyou, YL Hooi, Lucinda Chua, Dali De Saint Paul (EP/64), Sarah Shin (Ignota Books), Cucina Povera (Editions Mego), Martyna Basta, Marija Bozinovska Jones, Ekaterina Bazhenova-Yamasaki, Ruth Saxelby (ex-Fader), Susu Laroche, Mira Mattar (Granta / Ma Bibliotheque), Heather McCalden (Fitzcarraldo Editions), Hibiki Mizuno, Hana Noorali, Rose Higham-Stainton, Sonia de Jager, Tara Fatehi, and Marianthi Hatzikidi.
Thematically rooted around the tradition of ‘Singing to Spirits’, the notions of music being used as an ancient medium to commune with the afterlife are linked with songlines in Aboriginal animist belief as a connection to the land – featuring texts including intimate personal essays, identity exploration, photographic work and lyrics. The project will be further explored through various events of performances and excursions.
Franziska Buhre (ed.) Klangteppich V Magazin Festival für Musik der iranischen Diaspora
Editorial Support: Hannes Liechti Design: MüllerValentini – Agentur für Markendesign Copy Editing: Angus Finlayson, Tash Siddiqui, Meredith Slifkin, Tucker Wiedenkeller
Since 2021, Norient has been publishing an Online Special together with Klangteppich, the Berlin-based festival for music from the Iranian diaspora. In the meantime, this publication has developed into an archive of lively perspectives on contemporary music-making in Iran and the Iranian diaspora.
The texts have been created as an invitation to festival artists and other authors to deepen their own narratives and meaningful historiographies of exchange between Iran and the world.
With this Special, we want to raise awareness of the complex realities in which diasporic artists work. The fifth festival edition is now an opportunity to collect a selection of previous and new texts in a printed magazine.
Table of Contents:
Franziska Buhre und Hannes Liechti: «Prolog» Impressionen Klangteppich I 2018 (Photo Series) Shayan Navab: «And Somewhere I’ve Heard the Screams Before» (Short Essay) Sophie Grobler: «Our Homeland» (Short Essay) Amin Hashemi: «On the History of Iranian Popular Music» (Short Essay)
Impressionen Klangteppich II 2019 (Fotoserie) Shaahin Peymani: «One Way Passage to Tehran» (Short Essay) Franziska Buhre, Hadi Bastani: «Listening Is at the Heart of What I Do» (Interview) Erum Naqvi: «Diaspora Comes Home» (Round Up) Arshia Samsaminia: «Making Persian Music More Accessible to Outsiders» (Music Theory)
Impressionen Klangteppich III 2021 (Photo Series) Franziska Buhre: «Bass Drums, Cowbells, Tambourines» (Essay) Ali Kamrani: «Lass mich mit Hass nicht allein» (Gedicht) Tanasgol Sabbagh: «Dard I Door» (Poetic Text) Pardis Zarghampour: «Wann gehen wir zurück?» (Essay)
Impressionen Klangteppich IV 2022 (Fotoserie) Nikan Khosravi: «Being on the Right Side of History» (Essay) Shabnam Parvaresh: «Blinde Passagiere» (Essay) Matthias Küntzel: «Der Rundfunk als Waffe. Die Persisch-sprachige Nazipropaganda und ihre Folgen» (Essay)
With contributions by Hadi Bastani, Franziska Buhre, Sophia Grobler, Amin Hashemi, Ali Kamrani, Nikan Khosravi, Matthias Küntzel, Erum Naqvi, Shayan Navab, Shabnam Parvaresh, Shaahin Peymani, Tanasgol Sabbagh, Arshia Samsaminia and Pardis Zarghampour
We are happy you invite you to an open-air summer evening with lectures, readings, and a music performance to launch our newest Norient BookPolitics of Curatorship on June 29 at Motto Books Berlin from 19:00 onwards.
In essays, academic texts, photo essays, poems, and short comments by 32 writers, artists, journalists, and scholars from all over the world, this volume attempts to encourage different approaches to increase diversity and equality in curatorship within the cultural industry.
For our Berlin release party, we have invited the Berlin-based curator and book contributor Andrea Goetzke & the activist and DJ Ari Robey-Lawrence for a panel discussion, the musician Tatiana Heuman aka Qeei to play an exclusive music performance, and the sound artist Lendl Barcelos and Norient founder Thomas Burkhalter (both contributors) for remote readings in the lovely courtyard of Motto Books Berlin. Moderated by Carla J. Maier and Philipp Rhensius.
Expect an engaging evening with critical questions, challenging sounds and refreshing drinks. Co-moderated by Norient Books editor and Sound Studies researcher Carla J. Maier and Norient editor and writer/musician Philipp Rhensius.
We are excited to invite you to the finissage event of Lena Pozdnyakova’s “Hunting-Gathering” exhibition, featuring live performances by Eldar Tagi, Lena Pozdnyakova, and Stas Shärifullin (HMOT). The evening also marks the release of New r Age, ME003 (Motto Editions) by Eldar Tagi, Lena Pozdnyakova, and Japanese-American multi-instrumentalist & composer Patrick Shiroishi, based in Los Angeles.
Organised by Liza Kin.
Join us on Tuesday, June 27th, at 7:30 PM at Motto Books Berlin.
Eldar Tagi, a multi-instrumentalist and composer originally from Kazakhstan, is now based in Berlin, Germany. His live improvised performances use a range of instruments, including computers, field recordings, analog modular synthesizers, daxophone, guitars, other stringed instruments, found objects, and self-made sound-makers.
Lena Pozdnyakova, an artist, curator, and researcher from Almaty, Kazakhstan, explores the culture-nature dichotomy, the Anthropocene, and the boundary between life and art in her collaborative projects and research. She is also 50% of thezwo duo with Eldar Tagi.
Stas Shärifullin, aka HMOT, is a Basel-based musician, researcher and artist working with sound and decoloniality. Born in Central Siberia, with Bashqort roots, Stas is studying the political potential of various musical and listening practices through live performances, lectures, interventions and sound installations focused on the issues of extractivism, identity-based oppression, collective memory and militant (sonic) ethnography: action-as-research, research-as-action.
We hope to see you at Motto Books on Tuesday, June 27th at 7:30 PM for an exciting evening of live performances and art.
Side A: Quantum Echoes Pt. 1……..10.44 Quantum Echoes Pt. 2……..8.42
Side B: The Spirit Channel Pt. 1……..11.24 The Spirit Channel Pt. 2……..8.54
Patrick Shiroishi Alto Saxophone, Voice Lena Pozdnyakova – Amplified Objects Eldar Tagi – Serge and Ciat-Lonbarde synthesizers, Daxophone, Shtar
Production, Mastering – Eldar Tagi Recorded in Los Angeles, CA July 11, 2021
Cover Design: Lena Pozdnyakova Image Source: Painting by Liza Kin (“Eine Linie” series)
Motto Editions
‘New r Age’ is the follow-up collaborative album from composers and improvisers Eldar Tagi and Patrick Shiroishi. This time around, they’re joined by interdisciplinary artist and researcher Lena Pozdnyakova, bringing a fresh twist to their creative partnership. The recording took place on a sunny afternoon on July 11th, 2021, in a cozy apartment in Los Angeles’ Rampart Village—a place Tagi and Pozdnyakova used to call home for several years before moving to Berlin.
In this recording, the trio used a broad range of sounds. Shiroishi contributed his expert alto saxophone skills, sometimes blending his voice with the music. Tagi experimented with a variety of instruments such as the daxophone and Shtar, as well as Ciat-Lonbarde and Serge synthesizers. Pozdnyakova, on the other hand, added her unique touch by incorporating noises from amplified everyday objects.
The result is a blend of sounds that shift and change in intensity, keeping listeners on their toes. While the raw energy of the improvised performances is still front and center, additional layers of electronic tones and careful post-processing give the recording an extra amount of density and dimension. So, sit back and enjoy this unique sonic experience that “New r Age” offers.
About the artists:
Patrick Shiroishi is a Japanese-American multi-instrumentalist and composer based in Los Angeles.
Lena Pozdnyakova is a Kazakhstan-born interdisciplinary artist and researcher currently based in Berlin, Germany.
Eldar Tagi is a Kazakhstan-born multi-instrumentalist and composer currently based in Berlin, Germany.
We’re pleased to welcome you to an enchanting evening filled with poetry and music at our courtyard, this coming Friday, June 16th, from 18:30 onwards.
We’ll begin the evening with the remarkable Robert Stastny, a Berlin-inspired artist, who’ll read out pieces from his acclaimed Portraits. He’ll also give us an exclusive glimpse into his latest works. Following Robert’s spellbinding readings, we’ll transition into a vibrant musical performance by Yellow Hotel.
Poetry is an adventure, in itself. A voyage to somewhere, where the world of men and women – and anything you want to be – has less of an influence.
Music connects onto poetry naturally, Yellow Hotel is Roy Estel Hughes, recently transplanted from Austin to Berlin, and Robert.
Together we will travel – from poetry, to music, to somewhere else.
So, come join us at Motto for a relaxed evening filled with amusing poetry, music, books, and refreshing drinks. We can’t wait to see you there!
