Leith Thomas & Mark Groves (An Individual Note 01)

An Individual Note 02: Their Amorous Journey ‘Home…Away…Home’ (The Nature of Field Recording)

– Performance and Talk by Philip Samartzis

Philip Samartzis is Coordinator of Sound in the School of Art at RMIT. He is a researcher in the areas of sound art, acoustic ecology and spatial sound practices. His PhD, Surround Sound in Installation Art, examined the place of sound in contemporary art practice through a range of site determined sound art projects. In 2010 Philip was awarded fellowships by the Australia Council for the Arts, and the Australian Antarctic Division to document the effects of extreme climate and weather events on the human condition in Antarctica. Since returning, Philip has presented this work at numerous festivals and galleries across the world.

3pm start, doors close at 5pm

Motto Melbourne / Pin Up Project Space
15-25 Keele St, Collingwood 3066
Australia

Please visit The Daphne Oram Trust

Index:
. An Image / Un’immagine: Notes Towards dOCUMENTA (13) by Carolyn Christov-Bakargiev
. About Brain: For When All That Was Read Was… so as Not to Be Unknown by Judith Barry
. Antoni Cumella, More Matter with Less Art by Chus Martínez
. Bactrian Princesses, Body Hands Open by Jan Verwoert
. Faivovich & Goldberg, Alreadymade by Alessandro Rabottini
. Karen Barad, Intra-actions by Adam Kleinman
. Documenta, Documenta Stationery by Julian Myers
. Hannah Ryggen, Art with a Purpose: Notes on Hannah Ryggen’s Tapestries by Maria Lind
. Lee Miller, Averting and Voiding: Lee Miller, Munich, April 1945 by Dieter Roelstraete
. Emily Jacir, Abandoned Property by Eva Scharrer
. Two Hundred Years of Mad Traveling by John Menick
. Breitenau, Breitenau – Long a Place of Imprisonment and Isolation by Gunnar richter
. Clemens Von Wedemeyer, The Site Creates Simultaneity by Bert Rebhandl
. Sanja Iveković, She – Me – We by Catherine Wood
. Dora García, The Work Is There by Anna Daneri
. Boris Groys and Franco Berardi Bifo, Art and the Social Sphere by Boris Groys and Franco Berardi Bifo
. Maurizio Lazzarato, We Are All Indebted by Jens Hoffmann
. Amy Balkin, Atmospheric Monument by Ana Teixeira Pinto
. Michael Hardt, Practices of Love by Jens Hoffmann
. Siege, Under Constant Surveillance by Sofía Hernández Chong Cuy, Trevor Paglen, Laura Poitras
. Mario Garcia Torres,It by Juan Gaitán
. Francis Alÿs, From Collapse to Recovery by Francis Alÿs, Andrea Viliani, Ajmal Maiwandi
. When Is Now? by Carolyn Christov-Bakargiev, Chus Martínez, Christoph Menke
. Lara Favaretto / Goshka Macuga, Momentary Monuments and Half-Truths by Andrea Viliani
. Afghan Films, To “Not Wait for the Archive”… by Shaina Anand & Ashok Sukumaran, Faiza Ahmad Khan, Mariam Ghani
. Kader Attia, Repairing, Rebirthing by Koyo Kouoh
. Abraham Cruzvillegas, A Fortuitous Encounter with Color in the Street: Interview with Abraham Cruzvillega by Andrew Berardini
. Alexander Tarakhovsky, Epigenetic Reset by Hans Ulrich Obrist
. Anton Zeilinger, The Beauty of Quantum Mechanics by Chus Martínez
. Retreat, Communality and Retreat by Ute Meta Bauer and Kitty Scott
. Francesco Matarrese, On Withdrawal by Cesare Pietroiusti
. Khaled Hourani, Picasso in Palestine by Jack Persekian
. Wael Shawky In History: From Translation to Linguistic Analysi by Sarah Rifky
. Monologues of Remembrance by Yasmine El Rashidi

€ 9

Buy

MAY #9

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.

IN THIS ISSUE:

Arab Uprisings and Impersonal Images / From Montage to Détournement in the Situationist International / The Incredible Chronicle of OWS / Alex Bag and Patterson Beckwith / Pacific Standard Time, Art, Art in Los Angeles, 1950-1980 / Judith Hopf / Isa Genzken / David Douard / Kenneth Goldsmith…

D 15 €
Buy it

Curating And The Educational Turn

In recent years there has been increased debate about the incorporation of pedagogy into art and curatorial practice – about what has been termed ‘the educational turn’. In this follow up volume to the critically acclaimed Curating Subjects, artists, curators, critics and academics respond to this widely recognised sense of art’s paradigmatic re-orientation towards the educational. Consisting primarily of newly commissioned texts, from interviews and position statements to performative texts and dialogues, Curating and the Educational Turn also includes a small number of previously published writings that have proved pivotal in the debate so far. This anthology presents an essential enquiry for anyone interested in the cultural politics of production at the intersection of art, curating, and education.

D 23 €

Buy

Curating Subjects

This sleek and serious anthology of new curatorial writing features contributions from leading international curators, artists and critics including Julie Ault, Sören Andreasen & Lars Bang Larsen, Carlos Basualdo, Dave Beech & Mark Hutchinson, Irene Calderoni, Anshuman Das Gupta & Grant Watson, Clémentine Deliss, Eva Diaz, Claire Doherty, Okwui Enwezor, Annie Fletcher, Liam Gillick, Jens Hoffmann, Robert Nickas, Hans Ulrich Obrist, Sarah Pierce, Simon Sheikh, Mary Anne Staniszewski, Andrew Wilson and Mick Wilson. Put together by the curator-critic Paul O’Neill, Curating Subjects, documents the inter-dependent relationships between the curatorial past, present and speculative futures and, instead of following the convention of curators writing about themselves, invites the authors to provide a text about the curatorial work of others. The result is an eclectic volume of accessible responses that provides a pluralistic and dynamic curatorial discourse where critical essays, theoretical explorations, propositions, historical overviews, interviews, exhibition critiques and fictional accounts sit side by side. Essential reading for students and professionals alike.

D 20€

Buy

Some Deaths

SOME DEATHS ist eine Sammlung jeweils letzter Buchseiten aus 67 Romanen der vergangenen zweihundert Jahre, auf denen mehr oder weniger buchstäblich das Ende eines fiktiven Lebens erzählt wird. Der Tod der Figur und das Ende eines Buches fallen zusammen: ein doppeltes Ende also. Mit geübtem Auge erkennt man Kafka, Flaubert oder Woolf auf den ersten Blick, aber interessant wird vor allem die literarische Vielfalt, die sich im Zuge der Lektüre über die letzten Minuten einer fiktiven Biografie ergibt. Man könnte an Trauerarbeit denken, muss man aber nicht.

D 16€

Buy

From the early geometric abstraction to the recent series of silhouette paintings, passing through photographic works (Youth is an Art and appears in its entirety) and ephemera never printed before, Apperception offers the most comprehensive gathering of Daan van Golden’s work to date. It includes, moreover, a comprehensive list of his work, arranged by medium and chronologically, and the collections that hold them.

In the presence of the artist.

Paperback, 295 x 235 mm, 224 pages, col. ill
Published by WIELS & Roma Publications
Texts by Devrim Bayar, Sven Lütticken and Erik Thys.
In English (  + free supplement with translations in French and Dutch )

FISH&CHIPS SUMMER PARTY @ CURA.
FRIDAY, JUNE 22
FROM 8PM

WITH THE OPENING OF THE PERMANENT BOOKSHOP CURA. (with) MOTTO
(Books—Magazines—Artists’ Publications—Editions)

VIA NICOLA RICCIOTTI, 4
ROMA (PIAZZA MAZZINI)
ITALY

Some Objects. Peter Rauch. Aksioma – Institute for Contemporary Art.
Photographs : Peter Rauch
Texts: Tanja Verlak, Vojko Strahovnik, Peter Rauch

D 18 €
Buy it

OE Magazine #3: I am what I am

Πis an independent fashion magazine from Berlin. Twice a year, it acts as a platform for the German, and particularly the Berlin fashion scene.

Œ largely refrains from ‘describing’ current trends and ideas in fashion, but instead concentrates on showing fashion by purely focusing on images. In every issue, 10 photo editorials reveal what keeps designers, photographers, stylists and hair & make-up artists moving these days.

When it comes to production Πstrives to maximise the potential of printed matter. Different paper qualities and special production features make Πan item that people like to hold, keep and collect.

D 15 €
Buy it