Zicatela Ding. Yann Gerstberger. éditions P.

Un projet de / a project by Yann Gerstberger
Photos de / by Julien Goniche
Textes de / texts by Laetitia Paviani et / and Lili Reynaud-Dewar
Conception graphique par / graphic design by Adulte Adulte
Florent Faurie & Daniel Ribeiro

Language: English / French
Binding: Softcover
ISBN: 978-2-917768-35-8

15 €

Buy it

n.paradoxa vol. 33: Religion. Katy Deepwell (Ed.). KT Press.

vol 33 2014: Relgion

‘Editorial’ pp. 4

Ayelet Zohar
‘Yayoi Kusama: The Jewel, the Mirror and the String of Beads’ pp. 5-15

Lou Cabeen
‘Artists pages: ‘Public Display” pp. 16

Barbara Kutis
‘Confronting Catholic Ideals: Elzbieta Jablonska, Katarzyna Kozyra, Dorota Nieznalska’ pp. 17-25

Zehra Jumabhoy
‘Of Voyages and Vetiver: A Conversation with Zarina Hashmi’ pp. 26-31

Oreet Ashery
‘Artists Pages: ‘Party for Freedom” pp. 32-37

Mathilde ter Heijne
‘Artists Pages: ‘Experimental Archaeology: Goddess Worship” pp. 38-43

Paula Levine
‘Artists Pages: ‘as if the laws were malleable” pp. 44-47

Lieke Wijnia
‘The Last Supper: Marlene Dumas, Mary Beth Edelson and Elisabeth Ohlson Wallin’ pp. 48-56

Judy Batalion
‘Helene Aylon in conversation’ pp. 57-66

Mirjam Westen
‘Almagul Menlibayeva: ‘Women always bring problems to religions…’’ pp. 67-72

Michelle Moravec
‘Performing Prehistory: Would you rather be a goddess or a cyborg? Cheri Gaulke and Anne Gauldin’s ‘Malta Project” pp. 73-84

Julian Vigo
‘Sturtevant: On Religion/Sacrilege’ pp. 85-91

‘Female Power’ (Arnhem, MMK, 2013)’ pp. 92-93

”The Beginning is Always Today’ (Saarlandets Museum, 2013)’ pp. 94-95

Language: English
Size: 21 x 26 cm
Binding: Softcover

11 €

Buy it

Making Worlds. Amelia Barikin & Helen Hughes (Eds.). Surpllus.

Making Worlds: Art and Science Fiction is an anthology of new texts by artists, curators, art historians and writers who are self-confessed science fiction fans. The linking point is the idea of science fiction as a platform for the building of alternate art histories. This collection is concerned with the ways in which science fiction might be performed, materialised or enacted within a contemporary context.

Edited by Amelia Barikin and Helen Hughes, with contributions by: Adrian Martin, Amelia Barikin, Andrew Frost, Anthony White, Arlo Mountford, Brendan Lee, Charles Green, Chris McAuliffe, Chronox, Damiano Bertoli, Darren Jorgensen, Dylan Martorell, Edward Colless, Helen Hughes, Helen Johnson, Justin Clemens, Lauren Bliss, Matthew Shannon, Nathan Gray, Nick Selenitsch, OSW, Patrick Pound, Philip Brophy, Rex Butler, Ryan Johnston, and Soda_Jerk.

Design by Brad Haylock

Softcover, 320 pages.

15 €

Buy it

Flaneur #2: Georg-Schwarz Strasse, Leipzig
11.50€
Buy it

Daniel Santiago, an invisible portrait

opening tomorrow, Sunday January 5th from 7pm.

Porcino is pleased to announce the opening of its third exhibition, Daniel Santiago, an invisible portrait.

Porcino is a parasitic gallery located in a hole underneath the floorboards of Chert Gallery in Berlin. Actually, that is not true at all, not at all. Porcino is actually a mycorrhizal gallery located in a hole underneath the floorboards of Chert Gallery. Like the Boletus Edulis and the conifer tree, Porcino and Chert form a symbiotic relationship, their roots and mycelium intertwined with each other as gifts are exchanged for each organism’s continuous survival. It was founded in 2012 by David Horvitz during his first exhibition at the gallery.

Daniel Santiago (born 1939, Recife Brazil) is known for his association with Mail Art, and particularly for his collaborations with friend Paulo Brusky. His work is a playful and often humorous exploration of the poetics of the everyday, whether through capturing the cultural landscape of his surroundings in drawing, or by intervening in the public space of the city with performances and installations. Santiago’s work touches on philosophical questions about solitude, life and freedom, inventiveness as a strategy of survival and the potential of collaborating with others.

Vertikal Klub. Willem Oorebeek. NN editions.

“Vertikal Klub” is a manual for future installations of the “Vertical Club”, a project launched by Willem Oorebeek in 1994 and which has been developing ever since.

The book not only compiles in an archaeological way present and (potential) future members of the “Vertical Club”, but also reflects on the use and representation of the human figure in print media. Text and image are connected in a radical way, pushing the idea of administrative visual statistics towards the absurd.

“Vertikal Klub” raises the question as to the admission policy and representational use of the human figure in dark times.

Edition of 500 numbered copies / 64 pages / 20.5 × 27cm.

55€

Buy it

The Space Age. Aleksandra Mir. Sternberg Press.

On Saturday 28 August, 1999, against a background of puffing industrial plumes, a pinkish-blue sky, and the sound of bongo drum beats, Aleksandra Mir, dressed in a smart white dress and with American flag in hand, scaled the side of a moonscape of sand dunes and makeshift craters to become the first woman on the moon. The performance First Woman on the Moon marked the beginning of Mir’s exploration of outer space as she staged a moon landing by transforming a Dutch beach into the moon’s surface using the help of local people and heavy machinery.

Mir’s projects offer her own take on popular cultural myths and historical events, by combining religious iconography with NASA imagery or symbols of space travel. Her work reflects on these events that span half a millennium of human—mostly male-dominated—quest, transforming or deconstructing them into a make-believe world of her own. Mir resists and modifies; her work creates its own authenticity and truth.

The Space Age consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M – Museum Leuven which encompasses fourteen years of Mir’s career (1999–2013).

Copublished with M – Museum Leuven
Design by Yvonne Blanco

Posterbook incl. seven fold-out posters

16 €

Buy it

The Artist’s House – From Workplace to Artwork. Kirsty Bell. Sternberg Press.

The artist’s house is a prism through which to view not only the artistic practice of its inhabitant, but also to apprehend broader developments in sculpture and contemporary art in relation to domestic architecture and interior space. Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space. In-depth analyses of these contemporary examples—including Jorge Pardo, Mirosław Bałka, Danh Vo, Gregor Schneider, Frances Stark, Marc Camille Chaimowicz, Dominique Gonzalez-Foerster, Paweł Althamer, Mark Leckey, Monika Sosnowska, Gabriel Orozco, Rirkrit Tiravanija, and Andrea Zittel—are contextualized by key artists of the twentieth century such as Kurt Schwitters, Alice Neel, Edward Krasiński, Carlo Mollino, and Louise Bourgeois. A two-way flow from the domestic arena to the exhibition space becomes apparent, in which the everyday has a significant role to play in the merging of such developments as installation art, relational aesthetics, expanded collage, and performance art.

Design by Joseph Logan

October 2013, English
17.5 x 23 cm, 328 pages, 183 color and 41 b/w ills., softcover

29 €

Buy it

Wandering Off. Lara Dhondt. Art Paper Editions.

APE#034
Lara Dhondt
WANDERING OFF
21 x 28,5 cm
48 pages
edition of 500
ISBN 9789490800185

Dhondt’s method of working is intensive and comprises various stages of documentation. Via Google Maps she marks places where she leaves her sculptures in public spaces. The locations of both her creations and her photography can be traced through the coordinates via internet and physical maps. Her consistent and methodical way of working, along with the creative process that takes place exclusively in the outdoor space as well as the documenting of that process is firmly rooted in movements such as Land Art and conceptual art of the 1960s and 70s. Dhondt’s work is a kind of monument to temporariness. The constructions are based on the dimensions of personal space. These spatial demarcations and primary sculptures become altered into nomadic symbols, so to speak, and function as poetic podia for resistance. Dhondt is resisting the current financial and, above all, moral crisis with a call for humaneness and a search for meaning.

Lara Dhondt (Turnhout, 1979) lives in Antwerp and works with the urban landscape. She makes use of various media in her work, such as photography, installation, video, typography and performance.

25 €

Buy it

Зоопарк №1

We are happy to announce the release of the first issue of out sweet little photography magazine.
Here comes: Зоопарк №1
size A4
inkjet print on matte photo paper
unlimited edition

10 €

Buy it