Dear friends,

Motto is pleased to invite you to the film screening and double book presentation of

Objects in Mirror 
by Tasman Richardson 
Published by Impulse [b], 2023

Tasman Richardson is his memory of screens. Video from cathode ray to capacitive pixels shapes his language, directs his understanding, and ultimately borders his imagination. Building on McLuhan’s statement “We become what we behold”, Richardson shuttles through the history of tele-vision and tele-presence, postulating consciousness itself as Gysin-esque “cut-up” collage. Fragmented, digressive, and occasionally manic, Objects In Mirror refracts autoethnography into a technicolour meditation on our mediated world. An intimate and humourous technical-mystical delving into a distrust of all things perceived both in life and art.

&

DIE SCUM: Sex & Drugs & Contemporary Art
by Jubal Brown 
Published by Impulse [b], 2023

DIE SCUM, Sex & Drugs & Contemporary Art is the debut novel by artist and iconoclast Jubal Brown, a post-post-modern love story of the drug dealer to the art scene and his paranoid deluge through alcoholic-depression to redemption and personal agency. A 60,000 word auto-fiction confessional of addiction, to drugs and alcohol but, ultimately an examination of addiction to dysfunctional relationships, unhealthy ideals and behaviours, the performance of identity, and the failure of masculinity.

The reading will be followed by film screenings of Richardson and Brown’s video work.

Tasman Richardson & Jubal Brown have been producing video work, sometimes collaborating, for 25+ years, originating in the 1990s with a unique high energy style of experimental video: A/V, audio-visual, or visual music – also known as JAWA, the recombinant montage of appropriated television&movies treated as raw material, sampled and remixed to build compositions engaging the lexicon of contemporary media culture.

This short program will showcase a selection of video work from the past and present.

About the authors: 

Tasman Richardson 

Tasman Richardson began pioneering his audio/visual cut up method known as Jawa in 1996, later co-founding FAMEFAME media arts collective in 2002, co-creating international a/v tournament Videodrome with cohorts Jubal Brown, Elenore Chesnutt, and Josh Avery, and launching abstract, anonymous live showcase The New Flesh in 2011. His critique of mediated gaze through installation debuted with 2,000 square foot Necropolis (Museum of Contemporary Canadian Art, Toronto, 2012) and bookended with Kali Yuga (Arsenal Contemporary, Montreal, 2019, and Toronto, 2021). Objects In Mirror (2023, Impulse[b]) is his first book, and continues his critical response to recordings which he dubs “contemporary necromancy.”

Jubal Brown 
Jubal Brown is a producer and presenter of contemporary art & events culture, and writer based in Toronto, Canada. A/V video-maker of over 50 short works screened or performed in Toronto, New York, Paris, London, etc. Brown has programmed with established institutions and underground venues including ART SYSTEM, GALLERY DEATH FAMEFAME, PLEASUREDOME,  Museum of Contemporary Canadian Art (Now MOCA ) DOUBLE DOUBLE LAND, CINECYCLE , and many more. Past projects include Toronto’s legendary event series at abandoned industrial sites WASTELAND… museum vomit intervention RESPONDING to ART, The Cultural Centre ART SYSTEM, multi-media label FAMEFAME, relational aesthetics collaborative The LAND of the LOST, the Museum of Contemporary Canadian Art’s live audio/visual event series VIDEODROME and the rhythmic noise club night SHIT FUN. In Canadian Art Magazine R.M. Vaughan called him “the dark prince of Toronto art.” Vocationally a Social Service Worker and Addictions Counsellor Brown’s current work deals with addiction, dysfunctional relationships, depression and mental health issues, as well as an extreme individualist canon of iconoclasm, revolution, and nihilism, love and anger, resistance and freedom. His first novel DIE SCUM Sex & Drugs & Contemporary Art is available in paperback and e-book at IMPULSE-b , publisher of artists’ books and multiples.

DARA BIRNBAUM
(A) Turning the Media Against Itself
Michelle Kuo, Rahel Aima, and Emmanuel Olunkwa in conversation
(B) I Fought Like Fucking Hell to Get Out of the Black Box
Dara Birnbaum, Hito Steyerl, and Stuart Comer in conversation 

ANDREA BRANZI
(A) A Ribbon Running Through
Andrea Branzi in conversation with Alessandro Rabottini
(B) La Gioconda Sbarbata (The Shaved Mona Lisa, 1972)
by Andrea Branzi (from Casabella, no. 363, March 1972) 

LALA RUKH
(A) Reading Lala Rukh
by Saira Ansari
(B) Interviews, Past and Present
by Mariah Lookman 

JULIE BECKER
(A) The Delirium of Digression
by Sabrina Tarasoff (from Mousse #76, Summer 2021)
(B) Outside the Vitrine (Julie Becker, Sparkle Woman)
by Mark von Schlegell (from Mousse #76, Summer 2021) 

VAGINAL DAVIS
(A) Vaginal Davis Troubles the Smile
by Dodie Bellamy (from Mousse #79, Spring 2022)
(B) The Royal We
Vaginal Davis in conversation with Ron Athey (from Mousse #79, Spring 2022)
(C) Anarchic Abundance, or The Art of Living
by Amelia Jones (from Mousse #79, Spring 2022) 

ROSEMARY MAYER
(A) Nothing Independent of Its Circumstances
by Wendy Vogel (from Mousse #73, Fall 2020)
(B) Surroundings
by Rosemary Mayer (from Art-Rite, no. 15, April 1977) 

JEAN-FRÉDÉRIC SCHNYDER
(A) Mister Neutral
by Martin Herbert
(B) On Schnyderian Art
by Patrick Frey (from Parkett, no. 25, 1990)

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attentive curiosity of notunderstandingness – poetic essays on decolonial thinking and the violence of knowledge.

This is an invitation to join a book reading on Friday, May 12 at 7 p.m. in Motto.

“In the attentive curiosity of notunderstandingness, I have the feeling of being inside an infinite conversation in which knowledge and meaning are called into question, through the gaze of various entry points, philosophical provocations, relations, spirits, and rhythms. True to its critical and poetic essence, an encounter with the book seems to invite endless possibilities to enter and re-enter, chronologically and (better) anti-chronologically, and to discover and re-discover, anew.” Writes Grace Euna Kim @grace.euna.kim, Berlin-based Korean-American performance and visual artist, choreographer, and researcher.

Сau Silva @causilva.k and Denis Esakov @denisesakov will read a chapter ‘Happy Adult Future’ and the connections of linear time, images of the future, and hierarchies of power.

Denis Esakov, writer, curator and multimedia artist who graduated from Raumstrategien @raumstrategien (Weißensee Kunsthochschule Berlin @kunsthochschuleberlin). Denis explores the relationship between knowledge and power toward decolonial thinking.

Cau Silva studied Social Sciences at the São Paulo State University (UNESP) and Visual Arts at the University of Campinas (UNICAMP). Her works investigate the relationship between daily gestures and environments. Through videos, installations, and performances, she experiences the body immersed in a specific situation or place.

Meet us at the Motto @mottobooks starting at 6:30 p.m., reading starts at 7 p.m. There will be books and drinks, bring your friends and curiosity

Reprtoire 8 zeigt berührende Fragmente aus Architektur und Kunst, Theorie und Realität, die ohne Hierarchie und Sortierung und vor allem ohne Anspruch auf Vollständigkeit assoziativ zu einer Sammlung gefügt sind. Die unendlich aufeinander verweisenden Bilder, Zeichnungen und Texte zeigen ein Formenrepertoire, das Grundlage ist für einen architektonischen Diskurs, der nicht mit der eigenen Problemlösung beginnt, sondern mit der Erschaffung eines Kenntniskosmos der Ideen.

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Heft 7 der Reihe Repertoire enthält Beobachtungen – Bilder, Zeichnungen und Texte von Häusern und Räumen – der in Berlin lebenden Architektin Oda Pälmke, die sich wie bei einem ­Entwurf gegenseitig ergänzen und zunehmend ineinander verweben. Es ist eine Einladung, die Autorin auf ihren Spaziergängen und Reisen in die Welt zu begleiten oder, vielleicht ebenso gut, die Publikation zum Anlass für eigene Explorationen zu nehmen.

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“Repertoire” shows a collection of drawings and photographs of common situations and elements of the built environment and may inspire the natural expansion of the design repertoire. 

Issue 7 of the Repertoire series contains observations – pictures, drawings and texts of houses and spaces – by the Berlin-based architect Oda Pälmke, which complement each other like a design and increasingly interweave. It is an invitation to accompany the author on her walks and trips around the world or, perhaps as well, to use the publication as an opportunity for her own explorations.

“Oda Pälmke’s way of working is characterized by the methodology of appropriation, the appropriation of found material. It is a strategy that allows a fruitful examination of the real. Casual and trivial, found and invented develop new levels of meaning through their specific way of working through. If everything can once again become “starting material for transformations”, everything can again become “raw material for productions”, says Peter Sloterdijk, there is no creative creation ex nihilo and the modern phantasm of tabula rasa is overcome. The creative process then consists in finding an attitude towards what has been found and developing a story from it. ”(Anh-Linh Ngo, publisher ARCH +)

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Repertoire zeigt eine Sammlung von Zeichnungen und Fotografien gewöhnlicher Situationen und Elemente der gebauten Umwelt und mag zur selbstverständlichen Erweiterung des entwerferischen Repertoires anregen.

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“Repertoire” shows a collection of drawings and photographs of common situations and elements of the built environment and may inspire the natural expansion of the design repertoire.

Repertoire 1 – GESTALT Häuser / FORM Houses
Repertoire 2 – STRUKTUR Oberflächen / STRUCTURE Surfaces
Repertoire 3 – STANDARD Badezimmer / STANDARD Bathrooms
Repertoire 4 – AUSSTATTUNG Mobiliar / EQUIPMENT Furniture
Repertoire 5 – ÜBERGANG Treppen / TRANSITION Stairs
Repertoire 6 – SITUATION Konstellationen / SITUATION Constellations

“Oda Pälmke’s way of working is characterized by the methodology of appropriation, the appropriation of found material. It is a strategy that allows a fruitful examination of the real. Casual and trivial, found and invented develop new levels of meaning through their specific way of working through. If everything can once again become “starting material for transformations”, everything can again become “raw material for productions”, says Peter Sloterdijk, there is no creative creation ex nihilo and the modern phantasm of tabula rasa is overcome. The creative process then consists in finding an attitude towards what has been found and developing a story from it. ”(Anh-Linh Ngo, publisher ARCH +)

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Dear friends, 

We are pleased to share with you Motto’s April 2023 Music Mix, published on the occasion of the exhibition “STEPPUBLISHER” organized by Ho King Man, at Motto Berlin.

Listen to the Watt Chapter 1 mix here

Listen to the Watt Chapter 2 mix here

Listen to the Watt Chapter 3 mix here

A-B features two sound works made in 2022, both recorded and edited in Charlois, Rotterdam. 
Side A, ‘Walk’, is best listened to when going out for a stroll. It is a guided tour with a narrator-companion holding an essayistic monologue about how we observe the world and ourselves while walking. Side B, ‘Sticks and Bells’, is a pastoral play choreographed for an array of 12 cowbells and 12 walking sticks, which tells the story of a conflict between a group of hikers and a herd of cows. The riso-printed libretto to this instrumental piece is published with the tape.

credits

released February 16, 2023 

All sounds recorded in Charlois, Rotterdam. 

Printed at KIOSK Rotterdam, bound at De Boog Rotterdam. 

A big thanks to the performers of Sticks and Bells: Ash Kilmartin, Bobby Sayers, Bruno Neves, Claudia Schouten, Ghislain Amar, Kate Price, Kirsten Van Lienden, Lisa Meijer, Małgorzata Miśniakiewicz, Marie Saladin, Marloes de Vries, Matt Plezier and Ronja Calle. 

Further thanks to Ash Kilmartin, Flip Driest and Frédéric Van de Velde.

Shell-printed cassette with a riso-printed cover. Includes the libretto to Sticks and Bells. Hand-printed, cut and bound at KIOSK and De Boog Rotterdam. Edition of 50. 

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Diese Publikation vereint Quellen, Referenzen, Bildmaterial und den Rohtext des Theaterstückes hexen flexen, das im August 2021 am Theater Basel uraufgeführt wurde.

Sie stellt eine Vernetzung unserer gemeinsamen Recherche über Hexen dar und bildet eine Kontextualisierung der künstlerischen Arbeit, indem sie zwischen akademischer Herangehensweise, künstlerischer Forschung und intuitiver Vernetzung changiert. Wir bezeichnen die Verben hexen und flexen als eine Praxis, die mit Überschreibungen spielt und in der es explizit um Rückeroberung von Raum, Begriffen und Körpern geht.

Die Publikation hat kein Ende – sie stellt einen Ausschnitt aus der andauernden Recherche von Louisa Raspé und Jana Furrer dar, welche mit Johanna Schäfer und Mona Mayer geteilt und weitergewebt wurde. So ist eine Art Gewebe entstanden in weitreichender Kompliz:innenschaft; mit all jenen, die vertreten und auch nicht vertreten sind.

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DIK is back with an issue dedicated to queer history of Ukraine!

Issue edited by @karolradziszewski and @shebetko 
Design: @neuemartin 

Featured in issue:
@anatoly_belov_ 
@nikita.kadan 
@melovin_official 
@ZhannaSimeiz
@mysterium_fascinans 
@koptev_misha 
kay_altos88
@granatsplitter 
@thisisban 
Photo editor: @krzysiekrzysztofiak 

Published by @queerarchivesinstitute with kind support of @betweenbridgesfoundation

Cover photo: Anton Shebetko, ”Sofia”, We Were Here, 2018

@dikfagazine

#dikfagazine #ukraine #queer 

#queerukraine

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