CURA. No.20

FALL 2015
Cover by Allison Katz

INSIDE THE COVER Allison Katz. Pungent Painting text by Ruba Katrib – PORTRAITS IN THE EXHIBITION SPACE Wim Beeren and Tomorrow’s Museum by Lorenzo Benedetti – TALKING ABOUT Why Poetry? by Jean-Max Colard – POP-UP SECTION: DISPLAY ISSUE 01 You Display, I Display, We Display by Céline Condorelli and Gavin Wade – ABOUT Josh Kline by Ciara Moloney – PROJECT A Wonderful World Under Construction by GCC – SPOTLIGHT Ryan Gander in conversation with Adam Carr – ABOUT Michael E. Smith by Jenny Jaskey – A VISIT TO Pedro Barateiro: The Current Situation / Palmeiras Bravas, Museu Colecão Berardo, Lisboa with João Mourão & Luís Silva – ABOUT Marguerite Humeau by Hans Ulrich Obrist – HOT! – Olga Balema by Chris Sharp – Darja Bajagić by Franklin Melendez – Sascha Braunig by Rose Bouthillier – Rachel Rose by Frances Loeffler – PROJECT Villa Design Group 
and Nicoletta Lambertucci – PROJECT Lena Henke and Anna Gritz

€9.00
Buy it

Artists: Francesco Arena (Italy), Nina Beier (Denmark), Katinka Bock (Germany), Giorgio Andreotta Calò (Italy), Dario D’Aronco (Italy), N.Dash (USA), Michael Dean (UK), Oliver Laric (Austria), Mark Manders (Netherlands), Michael E. Smith (USA), Fernando Sánchez Castillo (Spain) and Francisco Tropa (Portugal), Oscar Tuazon (USA)
Graphic Design: Andrea Baccin & Walter Santomauro

Edition of 1.000 copies

Produced by Palazzo Strozzi Foundation

Sculptures Also Die offering a reflection on contemporary sculpture curated by Lorenzo Benedetti through new and existing work by twelve Italian and international artists who will be forging a reflection on the meaning, the potential and the new experimental approaches in sculpture today. Contemporary artists tend to use new forms and materials to address a broader time span in an ongoing dialogue between the past and the future; yet at the same time, the exhibition reflects on the way in which today’s artists are also rediscovering such materials as bronze, stone or ceramic, that appeared to have been relegated to the purely academic sphere. These materials are rediscovered and used in a conceptual manner to reflect on such themes as the monument, the fragment, the way materials wear over time, and the recovery of the recent modernist past.