Mono.Kultur #31. Michaël Borremans: Shades of Doubt.

D 5€

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Abstract Ilona. Kavi Gupta Gallery.

Sixty-eight-page catalog documenting the Abstract Ilona exhibition at Kavi Gupta Gallery in Berlin. Complete with over 48 color reproductions and introductory essay by gallery director Marc LeBlanc.

With work by: Tim Berresheim, Henry Butzer, Henning Strassburger, Aribert von Ostrowski.

Designed by Enver Hadzijaj and printed in 2012.

English / German

Edition of 500.

D 25€

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BUS. Uri Aran. Morava Books.

The works of New York based artist Uri Aran take on the character of a many-layered collection of poems. Uri’s drawing technique is based on the precise repetition of a particular series of gestures: drawing-scanning-printing. The book “BUS” is simply the next phase in reproducing the “original”. Uri’s first artbook is full of images, but really it traces the “poetry of the road”.
As we open the book, hopping on the “BUS and settling into a seat in the back, the reader starts to take note of the images and messages that appear, observing from a distance. Heroes come and go, we hear fragments of private stories and bits of news from around the world. At every stop, absurd situations take place at a regular pace, but eventually the initial chaos is ordered into a multitude of meanings.

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White Fungus # 12

White Fungus is an experimental arts magazine based in Taichung City, Taiwan. Featuring writing on art, new music, history and politics, plus original artworks, poetry, fiction and comics, White Fungus is an ongoing experiment in community media art.

Often described as a work of art in itself, White Fungus is held in library collections including The Museum of Modern Art (New York), The Southbank Centre (London), Museu d’Art Contemporani de Barcelona (Spain), National Library of Australia and Te Papa (National Museum of New Zealand).

Complimenting its publishing schedule, White Fungus holds interdisciplinary arts events at galleries around the world. Past events have been held at P.P.O.W (New York), Taipei Contemporary Art Center, ARTSPACE (Auckland) and Adam Art Gallery (Wellington).

WF, from their unique vantage, come across one minute as hardcore situationist anarchists yet offset with the economic nerdiness and steadfast verve of a William F. Buckley; it’s captivating to follow how the gears shift. – FANZINE, 2010

As the spores have been released its creators look forward to seeing which way the wind blows. The only thing more uncertain than its future is its past.

D 15 €

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Kaleidoscope # 13

HIGHLIGHTS
Robert Heinecken by Kavior Moon; Ming Wong by Hu Fang; Kuehn Malvezzi by Hila Peleg; New Jerseyy by Quinn Latimer; Patrick Staff by Catherine Wood.

MAIN THEME – How Does Fashion Look at Art?
Prada by Nicholas Cullinan and Francesco Vezzoli; Adam Kimmel by Angelo Flaccavento; Comme des Garçons by Maria Luisa Frisa; Proenza Schouler by Michele D’Aurizio.

MONO – Pierre Huyghe
Essay by Éric Troncy; Interview by Barbara Casavecchia; Special Project: Study for Zoodram by Pierre Huyghe; Focus by Chris Wiley.

REGULARS
Pioneers: Bruce McLean by Simone Menegoi; Futura: Ed Atkins by Hans Ulrich Obrist; Panorama: Toronto by Amil Niazi; Souvenir d’Italie: Luigi Ghirri by Luca Cerizza; Producers: Ute Meta Bauer by Carson Chan.

KALEIDOSCOPE is an international quarterly of contemporary art and culture. Distributed worldwide on a seasonal basis, it offers a timely guide to the present (but also to the past and possible futures) with an interdisciplinary and unconventional approach.

D € 9

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Andrew Kerr. Inverleith House, Royal Botanic Garden Edinburgh.

In 1999, Inverleith House presented an exhibition open to all artists living and working in Scotland, called ‘Absolut Open’. The 29 artists chosen to exhibit were selected from submissions by over 350 artists, spanning several generations and encompassing every artistic medium and style. A few of the artists represented were already well-known at the time, but most were not. One of the strangest and most scuccessfuil works in the exhibition was a cardbopard sculpture made by Andrew Kerr, a young artist who had only just graduated from Glasgow School of Art. It took the form of a ‘cast.’ taken from another sculpture – the Garden’s ‘Slate Cone’ (Andy Goldsworthy, 1990; resting on the gallery floor like an upturned carapace it was positioned so that both could be viewed simultaneously by looking out of a window towards the hawthorn tree near which Goldsworthy’s sculpture was sited.

whilst Kerr’s sculpture appeared temporary, inmprovised and possibly even slightly irreverent, both forms demonstated an affinity with nature and culture respectively. Born in 1977, Kerr is one of the younger members of an internationally recognised generation of artists who have made exhibitions for Inverleith House in recent years, including Karla Black, Douglas Gordon, Jim Lambie, Victoria Morton, Tony Swain, Hayley and Sue tompkins and Cathy Wilkes.

The exhibition will feature new and recent work and is Kerr’s first major museum exhibition in Scotland, following a major solo exhjibition in 2009 at the Kunstverein in Bremerhaven, Germany and other recent solo exhibitions in Cologne and Glasgow.

Catalogue

D € 20

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Correspondences. Matt Connors.

Correspondences is Matt Connors’ first artist book. Taking its inspiration from 1960’s poetry paperback covers, the book acts as a kind of “themes and variations” / exercise de style, deploying a psychedelic template and reiterating it through a limited number of colors and formal iterations. The saturated colors and delicate play of formal repetition and variation create both a series of linked discreet images as well as an autonomous art object, with color and form creating a narrative rather than text.
Printed in stunning offset spot color, Correspondences becomes a sort of abstract flip book, with color and formal information spilling from the cover, to the interior and onto the spine and edges of the book.

In addition, each copy has been individually collated by the artist, so that every book has a unique sequence of colors/images, and is unique. Printed and bound in New York City.

Published by Ooga Booga
Softcover
Perfect bound
Offset printed in 5 spot colors on 100 lb paper stock, with a linen-textured coated cover
Edition of 500, 2011

D 26€

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Believe You Me. Ry Rocklen.

Believe You Me is an artists’ book that corresponds with Rocklen’s 2011 exhibition of the same name. For the “book version of the exhibition,” Rocklen had photographer Lee Thompson photograph the raw materials he would then use to construct his sculptures (thrift store acquired trophies, posters, t-shirts, paintings and a found telephone book). Rocklen then used those photographs as the source material for the book. Essentially a series of hyper-detail images of the works in the exhibition, Believe You Me collages the photographs into full-bleed spreads that have been loosely organized around a set of scanned telephone book pages and which function as the book’s chapters (Hair-Handwriting, Ice-Immigration, Religious-Remodeling, etc).

Published by 2nd Cannons Publications 025
Edition of 500.
100 pages

D 24€

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Lessons in Art / Lekce v umění

Catalogue published on the occasion of the eponymous solo exhibition by a significant figure on the Czech art scene Michal Pěchouček.

The exhibiton Lessons in Art consists of two rather dissimilar parts situated on two floors of The Stone Bell Gallery. The visitors may feel as if they attended an exhibition of two artists who have nothing in common. This is by no means a deliberate concept; lately, my work have gone in two parallel yet distinct directions, for which there is no reasonable explanation.
– Michal Pěchouček

In English and Czech. Published by Jiri Svestka gallery, 2011.

D 15€

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Erik Steinbrecher Trilogy from left; Ital Thai Chinese and Paint, Möhren In Athen, Halli Galli

Erik Steinbrecher Zine Set contains:

Ital Thai Chinese and Paint, Erik Steinbrecher & Zuni Halpern

Ital Thai Chinese and Paint is a compilation of the first collaborative work by Zuni Halpern and Erik Steinbrecher. The booklet shows montages of photographs and paintings. All the photographed advertisings are collected in the streets. The paintings on paper are studio works. Both materials, views of fusion food and plates of abstract designs are melted. These “painted meals” can be considered as ornaments in the urban context of fast gastronomy and catering.

Möhren In Athen, Erik Steinbrecher

For his show Wind in Athens/Möhren in Athen Erik Steinbrecher left Berlin for Athens, his suitcase packed with carrots. The artist’s art odyssee began. His chosen site for an intervention was the National Archaeological Museum. During his visit in the collection Steinbrecher installed single carrots in the exposition spaces; close to sculptures and artfacts, on bases and behind walls. For this publication Steinbrecher overworked these documents making up the images with cancarrots.

Halli Galli, Erik Steinbrecher

After work artist Erik Steinbrecher every now and then takes a stroll around town. For this project he explored Zurich´s red-light district around Langstrasse with his camera in his pocket. He took photos of the advertising vitrines around the erotic-dance scene located there. A selection of these photographs of artistic dancers were then printed out and overworked by Steinbrecher.

Published by Nieves

D 16€
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