Curating And The Educational Turn. Paul O’Neill & Mick Wilson. Open Editions.

Posted in writing on June 20th, 2012
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Curating And The Educational Turn

In recent years there has been increased debate about the incorporation of pedagogy into art and curatorial practice – about what has been termed ‘the educational turn’. In this follow up volume to the critically acclaimed Curating Subjects, artists, curators, critics and academics respond to this widely recognised sense of art’s paradigmatic re-orientation towards the educational. Consisting primarily of newly commissioned texts, from interviews and position statements to performative texts and dialogues, Curating and the Educational Turn also includes a small number of previously published writings that have proved pivotal in the debate so far. This anthology presents an essential enquiry for anyone interested in the cultural politics of production at the intersection of art, curating, and education.

D 23 €

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Curating Subjects. Paul O’Neill. Open Editions.

Posted in writing on June 20th, 2012
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Curating Subjects

This sleek and serious anthology of new curatorial writing features contributions from leading international curators, artists and critics including Julie Ault, Sören Andreasen & Lars Bang Larsen, Carlos Basualdo, Dave Beech & Mark Hutchinson, Irene Calderoni, Anshuman Das Gupta & Grant Watson, Clémentine Deliss, Eva Diaz, Claire Doherty, Okwui Enwezor, Annie Fletcher, Liam Gillick, Jens Hoffmann, Robert Nickas, Hans Ulrich Obrist, Sarah Pierce, Simon Sheikh, Mary Anne Staniszewski, Andrew Wilson and Mick Wilson. Put together by the curator-critic Paul O’Neill, Curating Subjects, documents the inter-dependent relationships between the curatorial past, present and speculative futures and, instead of following the convention of curators writing about themselves, invites the authors to provide a text about the curatorial work of others. The result is an eclectic volume of accessible responses that provides a pluralistic and dynamic curatorial discourse where critical essays, theoretical explorations, propositions, historical overviews, interviews, exhibition critiques and fictional accounts sit side by side. Essential reading for students and professionals alike.

D 20€

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Some Deaths. Inka Meissner. Spector Books.

Posted in writing on June 20th, 2012
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Some Deaths

SOME DEATHS ist eine Sammlung jeweils letzter Buchseiten aus 67 Romanen der vergangenen zweihundert Jahre, auf denen mehr oder weniger buchstäblich das Ende eines fiktiven Lebens erzählt wird. Der Tod der Figur und das Ende eines Buches fallen zusammen: ein doppeltes Ende also. Mit geübtem Auge erkennt man Kafka, Flaubert oder Woolf auf den ersten Blick, aber interessant wird vor allem die literarische Vielfalt, die sich im Zuge der Lektüre über die letzten Minuten einer fiktiven Biografie ergibt. Man könnte an Trauerarbeit denken, muss man aber nicht.

D 16€

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Some Objects. Peter Rauch. Aksioma – Institute for Contemporary Art.

Posted in photography, writing on June 19th, 2012
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Some Objects. Peter Rauch. Aksioma – Institute for Contemporary Art.
Photographs : Peter Rauch
Texts: Tanja Verlak, Vojko Strahovnik, Peter Rauch

D 18 €
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Firn – Aufzeichnungen am Gletscher. Nicola Reiter. Spector Books.

Posted in photography, writing on June 18th, 2012
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Firn – Aufzeichnungen am Gletscher. Nicola Reiter. Spector Books.

Um ihr Auskommen als freie Gestalterin aufzubessern, verbringt Nicola Reiter einen Sommer als Saisonkraft auf einer Vereinsberghütte in den Schweizer Alpen am Rand eines Gletschers. Als es nach tagelangem Nebel bereits Anfang August schneit, wird der Aufenthalt im Gebirge zu einer Belastungsprobe: Die Gäste bleiben fern, der Strom fällt aus und zum Schluss versiegt sogar das Wasser. In “Firn” protokolliert Nicola Reiter ihren neuen Alltag in Form eines literarischen Tagebuchs. Die Baumgrenze wird dabei zu einer imaginären Linie, die das Unvorhersehbare in den Bergen von dem bequemen Dasein in der Großstadt trennt. Mit jedem Tag rückt es für die Autorin in immer weitere Ferne.

„Nirgendwo in Blickweite gibt es ein weiteres von Menschen gemachtes Licht. Ich fühle mich mit der Taschenlampe in meiner Hand wie ein winziger Punkt und halte es für durchaus möglich, dass ich im nächsten Moment weggepustet werde, so wie ich eben die Kerzen in der Stube ausgeblasen habe.“ Nicola Reiter in diesem Buch.

D 24 €
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Kaleidoscope #15. “A” Is For Africa.

Posted in magazines, photography, writing on June 15th, 2012
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Kaleidoscope #15. “A” Is For Africa.

HIGHLIGHTS
Santu Mofokeng by Philippe Pirotte; Hassan Khan and Wael Shawky by Shahira Issa; Sci-Fi Narratives by Nav Haq and Al Cameron; Athi-Patra Ruga by Linda Stupart; Cinémathèque de Tanger by Omar Berrada.

MAIN THEME – The Future of The Continent, Continent of the Future.
Part A) Art by Nana Oforiatta-Ayim; Part B) Cinema by Olufemi Terry and Frances Bodomo; Part C) Music by Benjamin Lebrave; Part D) Urban Planning by Antoni Folkers.

MONO – Nicholas Hlobo
Interview by Sean O’Toole; Essay by Tracy Murinik; Focus by Liese van der Watt.

REGULARS
Futura: Lynette Yiadom-Boakye by Hans Ulrich Obrist; Panorama: From Nigeria to Ethiopia by Emmanuel Iduma; On Exhibitions: “African Negro Art” by Paola Nicolin; Souvenir d’Italie: Massimo Grimaldi by Luca Cerizza; Producers: Elvira Dyangani Ose by Carson Chan.

D 9€

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About Graphic Design. Richard Hollis. Occasional Papers.

Posted in graphic design, typography, writing on June 13th, 2012
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About Graphic Design. Richard Hollis.

The book features a comprehensive selection of writings by renowned graphic designer, graphic design theorist and historian Richard Hollis, including interviews, essays, letters, articles, lectures and course outlines. About Graphic Design is densely illustrated with over 500 thumbnail images.

Edited by Richard Hollis
Designed by Richard Hollis with Pedro Cid Proença

D 19€

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Graphic Design: History In The Writing (1983-2011). Occasional Papers.

Posted in graphic design, typography, writing on June 13th, 2012
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Graphic Design: History In The Writing (1983-2011).

The first anthology of its kind, Graphic Design: History in the Writing (1984–2011) comprises some of the most influential published texts about graphic design history. The book documents the development of the relatively young field of graphic design history from 1983 to today, underscoring the aesthetic, theoretical, political and social tensions that have underpinned it from the beginning. Included in the anthology are texts by:

Jeremy Aynsley
Steve Baker
Andrew Blauvelt
Piers Carey
François Chastanet
Wen Huei Chou
Denise Gonzales Crisp
Brian Donnelly
Johanna Drucker
Steven Heller
Richard Hollis
Robin Kinross
Ellen Lupton
Victor Margolin
Ellen Mazur Thomson
Philip B. Meggs
Gérard Mermoz
Abbott Miller
Rick Poynor
Martha Scotford
Catherine de Smet
Teal Triggs
Massimo Vignelli
Bridget Wilkins

Edited by Catherine de Smet and Sara De Bondt

D 25€

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Bauhaus Magazine #3

Posted in magazines, photography, writing on June 12th, 2012
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Bauhaus Magazine #3

Die dritte Ausgabe der Zeitschrift “bauhaus”, die von der Stiftung Bauhaus Dessau herausgegeben wird, ist den Dingen gewidmet. „Ein Ding ist bestimmt durch sein Wesen“, schrieb der Bauhausgründer Walter Gropius 1925. Das Wesen der Dinge zu erforschen, hat sich die Zeitschrift vorgenommen. Parallel zur großen Retrospektive des Jahrhundertgestalters Marcel Breuer wurden Dinge ausgewählt, die auf den ersten Blick banal erscheinen mögen, an denen sich aber Utopie und emanzipatorische Wirkung, Fetisch und Konsumverhalten untersuchen lassen – vom Teelöffel bis zum Kaktus, vom Preisschild bis zum Spiegel, von der Schachtel bis zum Fahrplan. Das Heft unternimmt den Versuch, herauszufinden, wie das Bauhaus den Umgang mit den Dingen verändert hat und wie sich die Auseinandersetzung mit dem “Ding an sich” heute gestaltet.

D 8 €
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The Number and the Siren. Quentin Meillassoux. Urbanomic/Sequence Press

Posted in writing on June 4th, 2012
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The Number and the Siren. Quentin Meillassoux. Urbanomic.

A meticulous literary study, a detective story à la Edgar Allan Poe, a treasure-hunt worthy of an adventure novel – such is the register in which can be deciphered the hidden secrets of a poem like no other. Quentin Meillassoux, author of After Finitude, continues his philosophical interrogation of the concepts of chance, contingency, infinity and eternity through a concentrated study of Mallarmé’s poem Un Coup de Dés, patiently deciphering its enigmatic meaning on the basis of a dazzlingly simple and lucid insight with regard to that ‘unique Number that cannot be another’.
Un Coup de Dés jamais n’abolira le Hasard constitutes perhaps the most radical break in the history of modern poetry: the fractured lines spanning the double page, the typographical play borrowed from the poster form, the multiplication of interpolations disrupting reading. But the intrigue of this poem is still stranger, always resistant to full elucidation. We encounter a shipwreck, and a Master, himself almost submerged, who clasps in his hand the dice that, confronted by the furious waves, he hesitates to throw. The hero expects this throw, if it takes place, to be extraordinarily important: a Number said to be ‘unique’ and which ‘can be no other’.
The decisive point of the investigation proposed by Meillassoux comes with a discovery, unsettling and yet as simple as a child’s game. All the dimensions of the Number, understood progressively, articulate between them but one sole condition: that this Number should ultimately be delivered to us by a secret code, hidden in the Coup de dés like a key that finally unlocks every one of its poetic devices. Thus is also unveiled the meaning of that siren, emerging for a lightning-flash amongst the debris of the shipwreck: as the living heart of a drama that is still unfolding.
With this bold new interpretation of Mallarmé’s work, The Number and the Siren offers brilliant insights into modernity, poetics, secularism and religion, and opens a new chapter in Meillassoux’s philosophy of radical contingency.
The volume contains the entire text of the Coup de dés and three other poems, with new English translations.

D 21 €
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