IN WINE. Erik Steinbrecher. Tafel-bild

16 pages 23 x 33cm
full colour

€12.00

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Relief #1 / Class

This publication originally started as a discussion between artists, the preconceived idea was that the end product would be an exhibition. The proposal quickly turned into a document that outgrew the requirements for an exhibition format and became itself a display on paper. Printed publishing also has a slow steady pace at which objects are distributed, displayed and consumed and this seems to suit the general scope and concept of this project. The project will attempt to address the discourse of display in relation to contemporary practice, a discourse that has intensified from both sides of creative production and creative organisation over the last decade. This discourse has not as yet had a consistent printed platform that can provide a more frequent and interconnected place to exhibit. The creation of Relief is to establish somewhere for these displays to happen.

Issue #1 contributors :
Florian Auer, Hayley Dixon, Damian Griffiths, Hedwig Houben, Jonathan Miles, Fay Nicolson, Christodoulos Panayiotou, Hannah Sawtell, Heidi Kawai Smith, Heidi Kawai Smith

Bernadette Corporation: 2000 Wasted Years

BERNADETTE CORPORATION. 2000 Wasted Years. Ed. by Bernadette Corporation with Jim Fletcher, Richard Birkett & Stefan Kalmár. Contrib. by Caroline Busta, Jim Fletcher, Tom Holert & Josef Strau.

Bernadette Corporation: 2000 Wasted Years” is the first monograph on the work of Bernadette Corporation, the New York-based collective founded in the early 90s. The book extends from their retrospective exhibition Bernadette Corporation: 2000 Wasted Years held at Artists Space in 2012, constituting a further site to reframe BC’s activities and identity of the past 20 years. Bernadette Corporation: 2000 Wasted Years is structured chronologically, loosely following the year-by-year timeline of the group’s history that also formed the backbone of their Artists Space exhibition. The publication gathers a vast array of visual and textual material. It includes the rich image grammar and styling of BC’s operations within the realm of fashion; interventions into the magazine culture of the ’90s, as well as BC’s own short-lived periodical Made in USA; the fragmented output of Pedestrian Cinema during the group’s Berlin years; and the fusion of poetics, branding and meta-commentary within their gallery shows of the 2000s

Author: Bernadette Corporation (Eds)
Publisher: Koenig Books London
Language: English
Pages: 400
Binding: Softcover

€58.00

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NOIT – 2: Burning. Lisa Le Feuvre (Ed). Camberwell Press & Flat Time House.

Flat Time House is pleased to announce the publication of the second issue of NOIT, FTHo’s creative journal published in conjunction with Camberwell Press. NOIT–2, guest edited by Lisa Le Feuvre, Head of Sculpture Studies at the Henry Moore Institute, considers how burning, an action predominant in Latham’s ideas, has been deployed by artists in various ways.

In addition, NOIT–2 Burning includes interviews with William Raban on Stephen Cripps, and with Annea Lockwood on her ‘Piano Burnings’; and visual contributions by artists Anthony McCall, Camila Sposati and Marlie Mul. Also included with NOIT is a DVD documenting a series of recent ‘Skoob’ performances undertaken as experiments in relation to the recent exhibition, God is Great (10 -19) – John Latham and Neal White at Portikus in Frankfurt.

Pages: 107
Price: €13,50

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Bibliothèque d’un amateur. Richard Prince’s Publications 1981-2014. Christophe Daviet-Thery, Jérôme Saint-Loubert Bié (Eds.). &: Christophe Daviet-Thery. VIAINDUSTRIAE publishing.

Catalogue of the eponym’s exhibition at Palazzo Collicola Arti Visive, Spoleto, 23 June – 26 August 2012 and at &: Christophe Daviet-Thery, Paris, 26 October – 20 December 2012
Edited by Christophe Daviet-Thery and Jérôme Saint-Loubert Bié
Essays: “Do Androids Dream about Kindles” by Vincent Pécoil, “American/English” by Yann Sérandour
Bibliographical notes: Francine Delaigle
Design: Jérôme Saint-Loubert Bié

This book is not a catalogue raisonné, it instead takes a look at the library of an amateur, an excuse to apprehend this aspect of Richard Prince’s work which encompasses books and the question of the collection and its incompleteness, revealed here by the ‘ghosts’ of the missing books.
Richard Prince is an avid collector of books, an obsessive one.
This fervor is visible in The Good Life or American/English, where he photographs covers of books from his collection, reducing the book to an image, a simple surface.

Price: € 25.00
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FROM WINGS TO FINS. CYPRIEN GAILLARD. MORRIS LOUIS. Sprüth Magers. Tim Morton (Ed.).

A catalogue for Cyprien Gaillard’s show ‘From Wings to Fins’ at Sprut Magers gallery, fall 2014.
featuring a text by curator and frieze editor Tom Morton, as well as images of works by Cyprien Gaillard and Morris Louis.

Pages: 48
Price: €24.80

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vamoose, all cacti jut torrid nites. Julia Rometti, Victor Costales. Kunsthalle Basel.

This publication has been published on the occasion of the exhibition:
“vamoose, all cacti jut torrid nites” by Julia Rometti and Victor Costales

19.06.14 – 24.08.14
Kunsthalle Basel

curated by Adam Szymczyk

Price: €12.00
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Kaleidoscope #21. Decoding Curating. Issue 21 – Summer 2014

HIGHLIGHTS: Alex Gartenfeld by Nicolás Guagnini; Sarah Rifky by Laura McLean Ferris; Hanne Mugaas by Gerd Elise Mørland; Anthony Yung by Pauline Yao; Luca Lo Pinto by Ilaria Gianni

MAIN THEME – DECODING CURATING: “Curating Non-Profit” moderated by Jason Hwang; “Curating Large Scale” moderated by Chris Sharp; “Curating The Internet” moderated by Karen Archey; “Curating The Gallery” moderated by Alessio Ascari
MONO: – John Armleder
Interview by Andrea Bellini; Essay by Jeanne Graff
REGULARS: Futura: Femi Adeyemi by Hans Ulrich Obrist; Pioneers: Bob Nickas by Fredi Fischli and Niels Olsen; Panorama: Los Angeles by Jesi Khadivi; Producers: Stephan Trüby by Carson Chan; Vis-à-Vis: “The Art of Food” by Francesca Gavin
INSERTS: “Portraits of Society” curated by Nicholas Cullinan; Robert Mapplethorpe curated by Elad Lassry; “Coupling” curated by Piper Marshall

Price € 10.00
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 White Zinfandel #5: Shame. Jiminie Ha (Ed.). W/—— Projects. 

A biannual publication by W/—— Projects (“With Projects”), White Zinfandel is devoted to the visual manifestation of food and culture produced within the lives of creative individuals. Interested in the intersections between the various creative fields, White Zinfandel is a continuation of this curatorial experiment, coupling food and art as a reliable means to provoke unexpected reactions, cravings and curiositites.
Each issue is dedicated to a food ‘theme’ and is launched with a curated dinner concepted by a chef who also reacts to the issue’s theme. The dinner itself is an opportunity to create a more immersive artistic experience for the invited community of fine artists, writers, architects, curators and designers.
White Zinfandel is not only a limited edition publication that is carefully curated every issue. It also houses services that include branding, marketing, and design consultation. We also concept innovative collaborative projects with other institutions, organizations and brands.

Contributors: Luca Lo Pinto, Davide Stucchi, Christopher Doyle, Dirk Braeckman, Ji-Had, Gianni Jetzer, Jac Leirner, Iran do Espirito Santo, Marcelo Gomes, Rodrigo Matheus, Ethel Brooks, Leah Whitman-Salkin, Jennifer Jacquet, Graeme Mitchell, Stephen Wong, Rafael Carneiro, Toilet Paper, Penelope Slinger, Bela Borsodi, Yoshi Sadeoka, Michael Borrëmans, Erika Verzutti

Price: € 20.00
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An Invocation. Mike Nelson. Focal Point Gallery.

Using a selection of books chosen from the former Southend Central Library’s withdrawn stock, Nelson has created a permanent installation, concealed within the internal cavity walls of the new gallery. As the only visible record of the hidden artwork, this artist’s publication documents the covers of the five hundred and thirty books, which have been methodically documented and reproduced over 1,000 pages. This limited edition artist’s book (with PVC jacket) contains an interview between Director of Focal Point Gallery, Andrew Hunt and the artist Mike Nelson.

€54

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