Claudius Wagon Lit (Cassette)

Posted in cassette, music, Tapes on March 2nd, 2024
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1.kuru 01:36
2.hedge 02:03
3.le départ 01:13
4.lagno 01:02
5.machine sex 01:05
6.surge 02:51
7.anthropophage 01:38
8.scherben 03:10
9.happier than the morning sun 02:04
10.glasmensch 05:20
11.vanishing twin 00:48
12.brume 01:53
13.candor,my tepid friend 03:29
14.uruk 01:53
15.hinken 02:05
16.kiki watt 02:42
17.topor 01:13
18.tiqqun 02:47
19.day is done 01:24
20.daliah 02:08
21.restructured II 02:53
22.decapitated forms 02:57
23.lidschlag 01:55
24.second coming 01:26
25.gehende berge 01:09
26.metanoia / k-hole 03:10
27.leisesprecher 02:28
28.detruire 02:06
29.fear of heights 01:44
30.vapeur 04:32
31.nissodia 01:18
32.zufall und notwendigkeit 01:03
33.hekatombaion 01:04
34.niurgun bootor 02:35
35.last dream 02:35
36.owl 02:01
37.purge 02:26
38.the sun goes down 01:24
39.mars bar 96 nyc live 04:32
40.kauai’O’o 01:25
41.body doubles 04:10

released December 25, 2023

all tracks claudius 2023
cover art by edgar degas
featuring franckDavid on restructured II
lazara rosell albear plays sheng on glasmensch
recorded and mastered at e12 studios berlin

Author: Claudius

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Sound Installation

Posted in art, Artist Book on February 22nd, 2024
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Max Neuhaus began his career as a musician, a percus-sionist. He continues to use sound as his medium. Why. then, do we find his works in the world of art, in places dedicated to seeing, not to listening? Why, in other words, does so much of his work appear on sites, indoors and out, where we would expect to find painting and sculpture? I think answers to these general questions about Neuhaus entire oeuvre must precede the attempt to say anything in particular about specific pieces. We must account for what appears to be an immense, overarching anomaly before taking up the puzzles presented in turn by each of Neuhaus various works.

Autor: Max Neuhaus

Publisher: Kunsthalle Basel

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Kapriole (vinyl). Leo Hofmann. Präsens Editionen.

Posted in music, vinyl on March 18th, 2022
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Kapriole is the debut album by Zurich- and Hamburg-based artist Leo Hofmann– after working in music theatre, sound art, and performance contexts. Central to the album, which refers in its title to a joyous jump, is the ambition to translate an ephemeral practice into recorded matter. Fixed but never static, Kapriole is informed by intimate and detailed listening situations and sound practices like ASMR or the acoustically sheltered world of noise cancelling headphones. And while it is apparent that Hofmann has a deeply rooted understanding of technology and its abundant possibilities, Kapriole is a tender and almost analogue feeling affair. The human voice occupies a central role in the musical configuration of the album: quirky repetitions, hushed fragments and poetic statements, circling topics like communication, mobility, and immersion occupy the album’s eight tracks. The result is a sonorous sensation, which, in its scarcity, paves the way for meticulously crafted and delicate soundscapes.

Written, recorded, and produced by Leo Hofmann.

Mastering: Stefan Betke (Scape Mastering Berlin)
Graphic Design: Karan Kobel

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18 Floors (white vinyl), Magda Drozd. Präsens Editionen

Posted in music, Vinyl on July 20th, 2021
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18-floors-white-vinyl-magda-drozd-praesens-editionen-1

In her artistic practice, Magda Drozd is deeply concerned with listening. The artist and musician not only investigates the ways her audience listens but also continually hones her own auditory sensibility. For her second album, 18 Floors, Drozd trained the latter on the Lochergut, an iconic residential estate in Zurich’s Kreis 4, which she called home for several years. Over the past two years, she compiled a corpus of field recordings in and of the apartment building, which became the basis for an examination of how sound produces knowledge. The result challenges current assumptions about buildings, urban living, and the ecologies of cohabitation. In the context of her project, Drozd conceives of the building as a living organism rather than a collection of static material. The field recordings served as raw material for the compositions, which were woven into eleven speculative tracks consisting of analogue and digital sounds, including violins, guitars, synthesizers, drum machines, and Drozd’s voice. The music moves between sound art, ambient, and experimental electronics, occasionally showing flashes of pop, indie rock, and R&B.

Drozd’s album, released one and a half years after the COVID-19 outbreak, could not be timelier—even though the conception of 18 Floors predates the global pandemic. The album’s actuality derives from Drozd’s sense of the importance of the home, which has become glaringly obvious in the age of Corona. She concentrated on what was close by when attention was habitually lavished on far-away places. In this process, she examined the constitution and potential of her home, and her preference for documenting what might be over what actually is defines her avant-garde attitude. The result is an album that creates a space for what is transient, uncertain, and unstable. And it creates a space for opportunities, which we need now more than ever.—

18 Floors is Drozd’s second album. Her debut, Songs for Plants, was released on vinyl and digitally by Präsens Editionen in 2019. Her follow-up enters the label catalogue among releases by Samuel Reinhard, Belia Winnewisser, Martina Lussi, and Leo Hoffmann.

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It was big enough to get me completely inside. Rosie Heinrich. Dutch Art Institute/ArtEZ.

Posted in music on October 27th, 2012
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It was big enough to get me completely inside. Rosie Heinrich. Dutch Art Institute/ArtEZ.

It was big enough to get me completely inside

Recorded voices recount the nature and dangers of human desire, crisis and transcendence with abandon.

The publication is a sound piece. It is a construction of interwoven interview fragments that form both coherent narrative and dissonance. The narrative oscillates between the seemingly fictive and real testimonies of three people transcending their perceived reality.

The work considers the construction of one’s own being, reality and narration.

10″ vinyl, 30 minutes, 16 pages, black and green print.
Design: Hans Gremmen
Prints: Bryan Nash Gill
English
Edition: 250

D 20€

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