First edition 300 copies
Stamped and Signed.

ps… to read in the dark.

€ 10.00

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e ers

Malte Lochstedt & Verlag Danny Grassow
& Chain Store Mix Release MNM Ltd.
Thursday 15th December 2016
From 6pm – 9pm
@ Motto Berlin

Zweikommasieben #14

Zweikommasieben is a Swiss magazine that has been devoted to the documentation of contemporary club culture since the summer of 2011. The magazine features artist interviews, essays and columns as well as photography, illustration and graphics. In addition, zweikommasieben organizes concerts, parties, club nights, matinees, raves and other fun events in various cities.

Featuring: Noological Multiobjective Outlines, Endgame, Phuong-Dan, Carla dal Forno, Zuli, Ekman, Telephones, Broshuda, meandyou, etc.

Edited by Remo Bitzi.

Co-published with Motto Books.

Pages: 146
Size: 29.7 x 21 cm
Weight: 386 g
Binding: Softcover
ISBN: 9783906282077

€12.00

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Rab-Rab: journal for political and formal inquiries in art

In almost 400 pages the third issue of Rab-Rab departs from Karl Marx’ essay on the law on the forest theft. The singularity of this essay is in its style; written in 1842, with the means of poetic abstraction it intervenes in the appropriation of the common resources by the private capital. By actualising poetry and abstraction as devices of political engagement, the third issue of the journal focuses on the question of subjectivity in art and politics. Among the diverse contributions the third issue includes texts and drawings on poetic configurations of Communist Manifesto, anti-fascist hallucinations of Artaud, neoliberalism of pirate radios, suburban riots, materiality of the film, representation of Stalin, communist sensuality, Last Futurist exhibition, documentary abstraction, declaration of East, Kazimir Malevich, the Black Square as organising principle, theory and militancy, Hegel and conceptualism, critique of objectivity of landscape, communism for children, hard-core punk, Art & Language, non-figuralism of art in self-management socialism, mathemes of cinematic experiments, the lesson of Rodolfo Walsh, and critique of ideological interpellation.

Edited by Sezgin Boynik and Gregoire Rousseau

Designed by: Nicolas Schevin (El-Sphere)

Contributors: Bini Adamczak, Marc Angenot, Alain Badiou, Sezgin Boynik, Diego Bruno, Igor Chubarov, Roque Dalton, Ralf Hamman, Vladan Jeremic, Ketevan Kinturashvili, Gal Kirn, Aino Korvensyrjä, Kalle Lampela, Kazimir Malevich, Ilya Orlov, Alejandro Pedregal, Martina Mino Perez, Judith Polett, Rena Rädle, John Roberts, Kerstin Schrödinger, Alberto Hijar Serrano, Caspar Stracke, Darko Suvin, Niloufer Tajeri, Vahit Tuna, Margaret Tupitsyn, Manuela Unverdorben, Elina Vainio, and Ben Watson.

Size: 17,5 x 25 cm
Weight: 780 g
Binding: Softcover

ISBN: 9772342488006

€18.00

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Our issues in 2016 carry the same title: The Flexible Image. They examine the (photographic) image as it expands into two distinct yet related directions: the image as text/sign and the image as operation. In this issue, PART II, we ponder the image as text. Inspired by Aperture’s issue Lit., we ask whether the image has taken over from the word, and if gestures are in turn replacing images. This is something that Nancy Newhall wrote about in Aperture’s first issue, back in 1952: ‘Perhaps the old literacy of words is dying and a new literacy of images is being born. Perhaps the printed page will disappear and even our records [will] be kept in images and sounds.’

This issue includes a conversation with Nicholas Muellner and Catherine Taylor from the Image Text initiative – on your suggestion, Lucas – and Taylor agrees with Newhall’s statement that ‘photograph-writing’ might become ‘the form through which we shall speak to each other, in many succeeding phases of photography, for a thousand years or more’. And, like Newhall, she concedes the continuing importance of text, saying, ‘The association of words and photographs has grown into a medium with immense influence on what we think, and, in the new photograph-writing, the most significant development so far is in the caption.’ This summer saw the new Photo-Text Award at Les Rencontres d’Arles, rewarding the best book combining images and texts, which suggests that we’re likely to see more work in this genre in the time to come. Lucas, could you describe your relationship to images and text?

Objektiv #14
Editor: Nina Strand
Publisher: Objektiv Forlag AS.
Language: English/Norwegian
Pages: 114
Size: 27 x 22 cm
Weight: 460 g
Binding: Softcover
ISBN: 9771891619022

€16.00

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Since the 1979 revolution, Iran has developed its own image culture, with public space serving primarily as a transit zone and a screen where state-sanctioned religious ideology is projected. Pride of place is given to memorials to the first Gulf war (the Iran–Iraq War of 1980–88), which is part of the founding myth of the Islamic Republic. Between 2011 and 2014 Oliver Hartung produced a work on Iran, typological series of images depicting monuments, murals, architecture, and war cemeteries. In it he creates a portrait of an exceptionally photogenic country that is nevertheless largely unknown in the West: in Damghan a colossal ear of wheat acts as a street lamp and in Isfahan a hand grenade with an Internet symbol suggests the potential risks inherent in the world wide web. The names of the places where the photos were taken are provided in English.

Publisher: Spector Books
Design: Oliver Hartung, Helmut Völter
Language: English
Pages: 470
Size: 31 x 22.5 cm
Weight: 1.4 kg
Binding: Softcover
ISBN: 9783959050760

€36.00

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Ulay – Life-Sized

He describes himself self-deprecatingly as the “most famous unknown artist”: Frank Uwe Laysiepen aka Ulay. With his concept of transformation, he constantly creates new identities. His preferred medium is photography — initially, in the form of the Polaroid, photography became an integral part of his earliest artistic practice. For Ulay the instant picture, which has now been replaced by the digital image, is the material in his decade-long search for a way to represent life. To this day, his body serves as the object of his research, on which various influences leave traces and can be read, just like on a canvas. The Schirn Kunsthalle Frankfurt presents the first-ever major overview of the works of the artist, which will be accompanied by a catologue covering photographs, performance art pieces, and works that Ulay has kept private for years and which are now being made public for the first time. (Ulay, Schirn Kunsthalle Frankfurt, 13, October 2016 to 8, January 2017) Text: Maria Rus Bojan, Noah Charney, Ann Demeester, Sophie Duplaix, Rudolf Frieling, Chrissie Iles, Dominic Johnson, Amelia Jones, Thomas McEvilley, Lyle Rexer, Beate Söntgen, Matthias Ulrich

192 pp.
with 230 black-white and colour images
thread-sewn softcover
Leipzig 2016
ISBN: 9783959051118

Width: 22 cm
Length: 27.8 cm
DESIGNER
Christoph Steinegger / Interkool
EDITOR
Matthias Ulrich, Max Hollein
AUTHOR
Play

€45.00

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Croissants & Architecture
Nicole Wermers
Motto Books

Book Launch at Koenig Books, December 1st, 2016
from 6-8pm

Koenig Books
80 Charing Cross Rd,
London WC2H 0BB, UK
Phone: +44 20 7240 8190

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Issue #31 — Winter

2016/2017

HELMUT LANG

From 1986 to 2005, Helmut Lang systematically deconstructed every assumption about clothing and the way it is worn and communicated. As he himself once said, “I kept all the traditions and shades that were good — and then re-thought it all.” The Austrian designer’s lists of “firsts” is so long it could double as conceptual art. Lang was one of the first designers to collaborate with visual artists. The first to show clothing for men and women in a single presentation. The first to pioneer backstage photography as we know it today with Juergen Teller. The first to move a fashion house across the Atlantic… and the list goes on. In a 48-page dossier, 032c Issue 31 explores THE HELMUT LANG LEGACY and how his abrupt exit from the industry in 2005 has been felt like phantom limb in the world of fashion. The comprehensive study features essays by Ingeborg Harms and Ulf Poschardt, a roundtable with Tim Blanks, Olivier Saillard, and Neville Wakefield, an interview with Lang himself, as well as rare material from the Helmut Lang archive.

“People say this is vandalism.” 032c’s Bianca Heuser and photographer Nadine Fraczkowski take us inside ANNE IMHOF’s Angst, a grand and opaque artwork that has drifted across the world like a low-pressure system. Furnished with smoke machines, sleeping bags, razors, and bongs, the three-act immersive opera is a training camp for the denizens of hyper-capitalism.

Editor: Joerg Koch
Publisher: 032c Workshop
296 pages
20 x 27 cm
962 g
Softcover

€12.00

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