Árwy is a storyteller who, through music, recreates the atmospheres and landscapes of dark fantasy, fairy noise, and science fiction voices and prayers.
Come experience this narrative gothic ambient this Saturday, August 2nd at 7:30 pm at Motto Books
Le Journal de Tokyo, Evangeline LafourcadeWednesday, July 9 — 7pm to 10pm
Motto Books, 38 rue du Vertbois, 75003 Paris Installation / Performance / Short Film.
A long immersion in Tokyo gave rise to this project, which began as a diary, a space to record fleeting impressions of the city. From this written practice emerged an object, then an installation, and finally, a performance. Through the lens of Barthes’ Le Neutre, a short film shot on Super 8 intertwines with the diary and a philosophical lexicon exploring described gestures of Japanese savoir-vivre. What started as a personal exploration evolved into a shared sensibility, intimate, collective. By entering the installation, the artist invites you to share a part of this experience and intimacy. The installation includes the prototype of a lamp, which marked the beginning of her experimentation with washi paper and its potential at the scale of space and lightweight architecture.
Please join us for the vernissage and live performance on Wednesday evening.
MICROINTERNATIONAL Book Release and panel discussion
with Diedrich Diederichsen, Jan Tumlir, Jonathan Kroll and Kevin Hanley Hosted by MOTTO Wednesday, July 2, from 7pm
Microinternational is a comprehensive catalogue documenting a performance project that emerged from the interactions of a shifting group of artists in Los Angeles. Active between 1993-1999 and organized by Kevin Hanley and Jonathan Kroll, Microinternational included Kai Althoff, Casey Cook, Francesca Gabbiani, Michael Krebber, Anja Medved, Carlos Mollura, Dave Muller, Frances Stark, Jennifer Steinkamp, and Cosima Von Bonin among its many participants. This book chronicles an otherwise forgotten “art group” and their projects within the nascent art scene of 1990s Los Angeles.
Includes historical texts by Kevin Hanley and Jonathan Kroll, complemented by new texts from Diedrich Diederichsen, Kevin Hanley, Frances Stark, and Jan Tumlir. 2nd Cannons Publications 037 2025, 1st printing, edition of 400
Please join us for the launch of Naseej: Life-Weavings of Palestine—the first book project from Insaniyyat (the Society of Palestinian Anthropologists). Naseej, meaning “tapestry” in Arabic, is a book about diverse forms of life, communities, histories and continuities in Palestine. It compiles essays, short stories, poetry, interviews, and visual art to tell an aspect of the Palestinian story that has not been told: the severing of Palestinians from vast and ancient regional histories, and the stifling of its precious patchwork of languages, ethnicities, cultures, religions and practices.
Arriving at a moment of utter devastation – one of the most difficult in Palestinian history – this vibrant collection celebrates the diversity of life in Palestine. From the trajectories of Romani groups to the formations of religious communities like Ahmadiyya Muslims in Haifa, to the political experience of Black Palestinians and much more, Naseej asks what kind of threads remain of this tapestry after some 150 years of modernity and colonialism.
The evening will feature the editors of the book, Arpan Roy and Noura Salahaldeen. The discussion will be led by Refqa Abu-Remaileh and Alexandra Sophia Handal.
Dimitri Venkov is an artist and filmmaker. He has participated in biennials in Moscow,Bergen, Goteborg, Wroclaw, Documenta in Athents, and others. His works have beenshowcased at esteemed galleries such as Whitechapel and Hayward, and he has held personal exhibitions at MHKA, Nassauischer Kunstverein, CCA Winzavod, and Manezh Moscow. Dimitri’s work has been reviewed in Flash Art, Artforum, Senses of Cinema, Kinoart,Séance, and other specialized film and art magazines.
À propos de l’auteur
Dimitri Venkov est artiste et cinéaste. Il a participé à de nombreuses biennales, notamment à Moscou, Bergen, Göteborg, Wrocław, ainsi qu’à Documenta à Athènes, entre autres. Sesœuvres ont été présentées dans des galeries renommées telles que Whitechapel et Hayward,et il a tenu des expositions personnelles au MHKA, au Nassauischer Kunstverein, au CCAWinzavod, et au Manège de Moscou. Le travail de Dimitri a fait l’objet de critiques dans des revues spécialisées telles que FlashArt, Artforum, Senses of Cinema, Kinoart, Séance, et d’autres magazines consacrés au cinéma et à l’art contemporain.