Martin Zet
Obituary / Nekrolog
1959 – 2015

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A risograph printed artist book by Julius Göthlin, made out of a series of close-ups of his paintings.

Pages: 32
Size: 28 x 40 cm
Isbn: 978-91-980115-5-5
Print: Risograph

The publication is released in 150 numbered copies

€25.00

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Even is a new magazine that interprets contemporary art, its structures and its environment. Published three times a year, Even features long-form articles that range from monographic studies to broad critical analysis; distinctive reviews that take in multiple exhibitions at museums and galleries worldwide; and extensive interviews with artists and arts professionals.

Even seeks to break the deadlock between academic obscurantism on one side, and top-ten lists and party coverage on the other. With a unique and legible voice, Even revives the tradition of criticism for the twenty-first century.

€15.00

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Farah Khelil & antoine lefebvre editions,
mo’jam al arabeia,
108 pp., 2 postcards, 2 inserts,
Open spine binding,
B/W offset on Munken Cream 80g
500 copies.
Produced by A.GORGI Gallery.

€20.00

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Impasse work #8. Brumaria

Limited Edition of 100 signed copies

Editor
Jorge Miñano

Editorial team
Darío Corbeira
Hugo López-Castrillo
Jorge Miñano
Miguel Ángel Rego
Montserrat Rodríguez Garzo

Design
Jorge Miñano

Printed by
Fragma, Madrid

€37.00

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with contributions by:

Anne De Vries
Luis Miguel Bendaña+Sam Lipp
Cedric Fargues
Pablo Larios
Harry Burke
Billy Rennekamp
Josh Bitelli
Alex Mackin Dolan
Caspar Jade Heinmann
Dora Budor
Eric Veit
Alexander May
Albin Werle
Jacopo Mazzetti
Palace
Juliette Bonneviot
Katja Novitskova
Samia Mirza
Aaron McLaughlin
Anna Mikkola
Rosa Aiello
Octave Perrault
Greg Ponchak
Jack Self
Oskar Kahn
Alessandro Bava
Sydney Shen
Rasmus Myrup

E-C-O-C-O-R-E is a bi-annual ecology xine.

ECOCORE aims to explore the camouflaged souls of ecology.

ECOCORE addresses the improper valuation given by hyper consumption to shared, finite, natural resources. Negative externalities born by public and subsidised lives are calling for a re-examination of the “good cause”.

ECOCORE recognises that ecology’s identity has been repressed or relegated to area’s where it ought not to be. Relying on prettiness as a tool to convey its’ ideas, ECOCORE strives to furtively edit ecology’s muddled identity and environmental awareness.

There are many new leading actors, decision makers, and partnerships that play increasingly important roles in what happens to the natural world. The proliferating complexity, immediacy, and ubiquity of environmental crises therefore demand novel and unusual human responses towards this new eco-governance.

ECOCORE is made by Alessandro Bava

€10.00

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MOTS SLOW issue #3 Up&Down

The third issue of Mots Slow come out November 27th 2015, and apply the theme of Up&Down. 33,4 cm x 26 cm.
Theo Altenberg, Pascale Anziani, Dominique Brancher, Josepha Conrad, Franck Déglise, Jean-Paul Demoule, Saskia Edens, Jérôme Karsenti, Guillaume Lebrun, Levan Manjavidze, Lorenza Mondada, Wajdi Mouawad, Isabella Rush, Frank Smith, Antoine Schmitt, Jean Luc Verna, Anne Vigna.

Indré Klimaite Ilegal design
/Limited edition prints numbered, 365 ex / silk screenprint-Offset /
6 Silk Screenprint, 5 colors, posters folded. 120 gr.

6 Offset colors and black & white posters folded. 50 gr.
Posters from 33 cm x 48 cm to 72 cm x 48 cm. Trilingual, GB, FR, SP/Basel-Toulouse/

€50.00

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[theatro] is a rhythmical reading experience, a 5,5 meters long transcript of a seminar performance, reflecting it’s original pulse and duration. [theatro] expands on the notion of ’view’ (‘thea’ in Greek, where the word ’theatre’ comes from). The word ‘view’ is also the root of the word ‘theory’ [coming from the junction of the words ’thea’(=view) and ‘oro’( =to perceive)]. Aiming towards theory as practice, [theatro] is a new work of Lalou in the form of a book written in two languages Greek and English.

Introduction by Alena Alexandrova

Graphic design : Yin Yin Wong / Werkplaats Typografie
Size closed 12 x 16 cm, open: 49.3 x 16 cm (leporello)

Edition of 500

€20.00

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Questioning the physicality of space and the meaning of an object within its relation to a viewer, I tend to intertwine the viewer’s visual memory and imagination by repeating previous moments of an experience. The architectonic theatre features various objects and [theatro] expands on the notion of ‘view’ (‘thea’ in Greek, where the word ‘theatre’ comes from). The word ‘view’ is also the root of the word ‘theory’ [coming from the junction of the words ’thea’(=view) and ‘oro’( =to perceive)]. Intending the theory as practice, Ι composed [theatro] as an act of theory, asking ‘Does a de-construction of a composition inquire or does it request a knowledge of the past?’

[theatro] is a rhythmical reading experience, a 5.5 meters long transcript of a seminar performance reflecting it’s original pulse and duration. It is based on the seminar performance “PUZZLE”, that took place at FROWN, Athens initiated by Maria Lalou, consisted of Katerina Drakopoulou [A], Maro Zacharogianni [B], Maria Lalou [O], Mirrored Glass Object [X] and a live-feed camera. In this work Maria Lalou uses two software platforms for writing. Powerpoint for the pre-fabricated text and a live performed text on ‘Word’, both projected on the screen from her computer. [theatro] is verbatim transcription of the piece with several functions. Next to the documentation of the PUZZLE performance and a manual reading, it also serves as a script for the play, ‘I AM A ‘Φ’.

During the book launch in Motto Lalou will introduce the work with the lecture performance ‘theatre of consciousness’ a work based on a critical text that Lalou has written in 2013 for the academic press ‘activate’ published in London prior to the idea of [theatro]. The performance’ theatre of consciousness refers to the seen and the seer through an analysis that places the audience in a central position and as a core thematic of ‘the seen’.

[theatro] is published by Onomatopee launched primary in Eindhoven at Lalou’s solo exhibition ‘a spect’ during June 2015. The publication is designed in collaboration with Yin Yin Wong/Werkplats and includes an introduction to the work by Alena Alexandrova.

[theatro] leporello will be installed in its full length from the 19th November in the vitrines of Motto accessed through the public space. Lalou is producing a limited edition of prints of the floor plan ‘archetype’ which is one of her basic tools for this series of work, to will be installed in the exhibition space.

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Maria Lalou is an artist born in Athens in 1977. She works with the science of objects – containers, spatial installations, film and accumulated performances, developing context as of extensions of architecture. Lalou’s specialization at glass science has been evolving in contextualizing aspects of mass / surface / space/ time /duration in the sphere of cognition by challenging the bodily experience and questioning alignment of the vertical and horizontal, disposition and disorientation. She graduated from the Gerrit Rietveld Academie in Fine Arts and from Technical University of Athens in Architecture, Design of Space – Object and Constructive Arts. She has been researcher at DasArts Amsterdam and an invited resident in e- mobilArt program for Interactive Artists. Lalou’s works have been shown amongst others in the Contemporary Art Museum of Thessaloniki during the 2nd Biennale of Thessaloniki, in ‘Technopolis’ Industrial Museum of Athens and at ‘Living Spaces’-2nd Contemporary Art Festival in Damascus, ‘Manobra’ Festival in Sao Paolo Brazil. She has been in collaboration with institutions as the E-Engineering of the Hogeschool of Amsterdam as an external adviser, with Roehampton Univesity in London as a writer on a post academic journal and an invited lecturer by Rijksacademie Studios in Amsterdam in 2012. For more info visit: http://reaction-lalou.com

This book sets out to present photo portraits and life stories that conclude with recipe suggestions intended to inspire the reader. The book’s aim is achieved when – by cooking and eating the suggested dish – the reader ingests the Other in a unusual and unexpected ‘transubstantiation’. Strangers, usually just glimpsed, here become trusted ma.tres d’h.tel who – if they don’t poison you – give you the opportunity to look deeper into their worlds by telling you about their lives. Urban anthropophagy: allowing people to enter you through their food; letting them inside you by looking at them and listening to what they have to say. This book also offers itself up as an informal guide to London, where the city and its hustle and bustle stand in sharp relief to people’s memories. A guide where a suburban backstreet may be as meaningful as Big Ben in the quest to understand the city, and where the real difference lies in the people we meet and the tales they tell of this vast metropolis teeming with human life. It is a guide book that invites you to take wrong turnings and a cookbook that says it is okay to accept recipes from strangers.

Elia Romanelli
Anthropologist and project director

€20.00

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