Drawing Room Confessions #3 / #4 – Mousse Publishing

Made of words and exchanges, with no images, Drawing Room Confessions is open to diverse practices and voices. It is named after a game played at the end of the nineteenth century in England and France, which consisted of a fixed questionnaire answered by players to reveal their tastes, aspirations and personalities. For every issue of the journal, we invite one artist to play the serious and playful game of conversation. Each section follows a set of rules, only the players change, as interviewers from a wide range of fields contribute to a portrait of the artist at a certain time.

DRC #3 stars:
Miriam Cahn as Miriam
Rene Pulfer as The Egoist
Griselda Pollock as The Blind Man
Andreas Osterwalder as Tango

DRC #4 stars:
David Lamelas as David
David Gothard as The Egoist
Robrecht Vanderbeeken as The Blind Man
Celine Condorelli as Tango
Gerard Hemsworth as The Double Dealer

D 11€

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It’s Nice That #6

It’s Nice That is a tri-annually published arts and culture magazine. Including in-depth interviews and articles focussing on, and written by, practitioners from all over the world, It’s Nice That publishes original content in a format that gives the work the respect it deserves.

The sixth issue of It’s Nice That includes interviews with George Lois, Lawrence Weiner, Asger Carlsen, Kate MacGarry, Martino Gamper and Francis Upritchard. Features on or by Marion Deuchars, Keith Haring, Carl Kleiner and Chaz Bundick among others alongside a selection of work recently featured on the blog.

D 15€

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Vancouver Anthology – Stan Douglas (Ed.) – Or Gallery/Talonbooks

The essays collected in the second edition of Vancouver Anthology were first presented in the autumn of 1990 as part of a lecture series entitled “Vancouver Anthology: Lectures on Art in British Columbia”, a forum in which each contributing writer could test his or her research on the question of art and politics in public, before their papers were sent to print. The papers documented a range of Vancouver cultural practice, including the emergence of artist-run centres, experimental performance and video, feminist activity, collaboration, sculpture, painting, art criticism, conceptual art and landscape, as well as critical reflections on perceptions of aboriginal cultures.

Vancouver Anthology has been out of print for several years and earlier attempts to reprint the book were thwarted due to the fact that design files and production films had been lost or destroyed. In the absence of a second printing, scarcity and high-demand drove prices for existing volumes as high as $300, making the book unaffordable to artists and students in particular. The new edition, which has been over two years in production, was recreated using early text files of the essays and by sourcing and re-scanning images from their original negatives and transparencies. A new design by Derek Barnett pays tribute to Douglas’s original 1991 book design, yet provided the opportunity to move to a larger hardcover format. Most significantly, the second edition features a new afterword by Douglas, reflecting on sociopolitical changes since the anthology’s beginnings in 1990.

Essays in the book include: A Particular History: Artist-Run Centres in Vancouver by Keith Wallace; Daring Documents: The Practical Aesthetics of Early Vancouver Video by Sara Diamond; Expanded Consciousness and Company Types: Collaboration Since Intermedia and the N.E. Thing Company by Nancy Shaw; Independent Film After Structuralism: Hybrid Experimental Narrative and Documentary by Maria Insell; Some Are Weather-Wise; Some Otherwise: Criticism and Vancouver by William Wood; A Working Chronology of Feminist Cultural Activities and Events in Vancouver: 1970–1990 by Carol Williams; Sculpture and the Sculptural in Halifax and Vancouver by Robin Peck; Painting and the Social History of British Columbia by Robert Linsley; Discovering the Defeatured Landscape by Scott Watson; and Construction of the Imaginary Indian by Marcia Crosby.

Vancouver Anthology is co-published by the Or Gallery and Talonbooks, Vancouver. Printing and production of the second edition project was generously supported by the Canada Council for the Arts, Vancouver Cultural Olympiad, British Columbia Arts Council, and the Audain Foundation for the Visual Arts in British Columbia.

320 pages
English

D 32€

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Larry’s/Petunia/mono.kultur triple launch, Tuesday 12 July @ Based in Berlin
start 6:30 pm
(+Djs)

—

Larry’s se7en
with: Dena Yago, Morag Keil, Michele Di Menna, Natascha Goldenberg, Martin Thacker, Alex Turgeon, Nicolas Ceccaldi, Maxwell Simmer, Carson Chan, Heji Shin, Daytona Bleach, Mathieu Malouf, Juliette Bonneviot, Dan Bodan, Kayla Guthrie, Valentina Liernur

http://larrys.eu/

—

PETUNIA #3

with : Katarina Burin, Frances Stark, Laetitia Paviani, Lina Viste Gronli, Nana Oforiatta Ayim, Géraldine Gourbe, Dorothée Dupuis, Emmanuelle Lainé, Clara Meister, Kitty Kraus, Lili Reynaud Dewar, Kathy Acker, Fiona Jardine, bell hooks, Mathieu Kleyebe Abonnenc, Sisters of Jam, Spartacus Chetwynd, Elizabeth Diller.

http://petunia.eu/

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mono.kultur #27
Ryan McGinley: Daydreaming
“I love the idea of the unexpected.”

http://www.mono-kultur.com/

—

07.06-24.07.2011
Pro qm/Motto @ Based in Berlin
Atelierhaus Monbijoupark
Oranienburger Str. 77
10178 Berlin

Open daily from 12-9pm

From A to B & Back Again – Jonathan Monk – Archive Books

‘From A to B & Back Again’ surveys Jonathan Monk’s relationship to Alighiero e Boetti, an artist whose seminal way of working imparts a conceptually unique, highly poetic yet casual approach to art making, which was always accomplished with a seemingly unforced incisiveness and poised elegance which is carried throughout Monk’s work and directly resonated and addressed in those works that this book features.

Monk on Boetti: «Boetti? I am not sure what I can add. Alighiero made Conceptual art more human and perhaps less complicated. It sounds simple, and might be — but it probably isn’t. His influence is as strong today as it has always been. He is like the fifth Beatle or even the sixth… his life seemed to follow a similar path? northern lad meets Asian mysticism in the late1960s. I think young artists find his humble and straight forward approach very appealing like navigating the thousand longest rivers in the world without a map but with the idea that there will be something magical around the next corner stop me»

Size: 16 x 23 cm
Text: Adam Carr
Editor: Julia Hölz
Design: Chiara Figone, Archive Appendix
Pages: 52

D 11€

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Seeing with Eyes Closed – Association of Neuroesthetics

Seeing with Eyes Closed brings together contributions from the participants of the symposium organized by the Association of Neuroesthetics, Berlin, at the Peggy Guggenheim Collection, Venice, on 2nd June 2011.

The symposium takes its title from an interdisciplinary project by artist Ivana Franke and neuroscientist Ida Momennejad, conceived through the support of Alexander Abbushi and the AoN. The project concerns the visual experience of flowing images induced by stroboscopic light behind closed eyes. Being aware that the seen images have no foundation in external reality, one experiences them as hallucinatory. This ‘conscious quasi-hallucinating’ challenges our sense of the real in its alternation and its permeability with the imaginary. Each person’s experience differs from that of others, and each ascribes different dimensions to the perceived space in constant transformation. Communicating the content of this ephemeral flux of unpredictable percepts stretches the limits of acquiring subjective report to extremes, and challenges the scientific aspiration to precisely measure the timing of conscious phenomena.
Edited by Elena Agudio and Ivana Franke.
Graphic Design by Sibilla Ferrara / Makingthinkshappen

Published by the Association of Neuroesthetics, Berlin.
89 pages.

D 15 €

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Sans titre 1 – Shoboshobo – Kaugummi

All the money earned with this publication is 100% donated to the Japan red cross.

printed in may 2011
first edition : 100 copies

hand-numbered edition

20 pages, 14 x 20 cm
printed on cyclus paper

about the artist:
Lives & works in Paris, France

D 5€

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Gastronomica, The Journal of Food and Culture, Summer 2011 vol.11 #2

D 16€

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Expect Anything Fear Nothing, The Situationist Movement in Scandinavia and Elsewhere, Mikkel Bolt & Jakob Jakobsen

This volume is the first English-language presentation of the Scandinavian Situationists and their role in the Situationist movement. The Situationist movement was an international movement of artists, writers and thinkers that in the 1950s and 1960s tried to revolutionize the world through rejecting bourgeois art and critiquing the post-World War Two capitalist consumer society.

The book contains articles, conversations and statements by former members of the Situationists’ organisations as well as contemporary artists, activists, scholars and writers. While previous publications about the Situationist movement almost exclusively have focused on the contribution of the French section and in particular on the role of the Guy Debord this book aims to shed light on the activities of the Situationists active in places like Denmark, Sweden and Holland. The themes and stories chronicled include: The anarchist undertakings of the Drakabygget movement led by the rebel artists Jørgen Nash, Hardy Strid and Jens Jørgen Thorsen, the exhibition by the Situationist International “Destruction of RSG-6” in 1963 in Odense organised by the painter J.V. Martin in collaboration with Guy Debord, the journal The Situationist Times edited by Jacqueline de Jong, Asger Jorn’s political critique of natural science and the films of the Drakabygget movement.

Contributors: Peter Laugesen, Carl Nørrested, Fabian Tompsett, Mikkel Bolt Rasmussen, Jacqueline de Jong, Gordon Fazakerley, Hardy Strid, Karen Kurczynski, Stewart Home, Jakob Jakobsen.

The book was published in association with Autonomedia, New York.
288 pages + inserts
2011

D 25€
Buy: orders@mottodistribution.com

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Frog Numero 10, été 2011

25 exhibitions reviews, 3 interviews, a dozen exhibitions in pictures, some artists special projects, and the chronicles.

This issue Featuring: Pierre Huyghe, Didier Marcel, Guy Debord, son art et son temps, Benoît-Marie Moriceau, Les psychonautes, Elmgreen & Dragset, John McCracken, Jean Veilhan, 8th Qwangju Biennale, Oscar Niemeyer, Allan McCollum, Olaf Nicolai, Herzog & de Meuron, Karen Kilimnik, Paul Winstanley, Sgrafo vs Fat Lava, Marc Camille Chaimowicz, Marina Faust…

Edited by Eric Troncy and Stéphanie Moisdon, Frog is an international art and architecture magazine.
Graphic design: M/M (Paris).
Text only in French

D 18€

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