Camera Austria #132. Reinhard Braun (Ed.)

Posted in art, distribution, magazines, photography on December 1st, 2015
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Anne Collier
Helmut and Johanna Kandl
Ala Younis
Teresa Burga
Kolumne Column
Simon Baier
Matthias Reichelt
Guy Mannes-Abbott
Cecilia Fajardo-Hill
Cinenova Feminist

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E.R.O.S. Issue 7: The Interior

Posted in art, distribution, literature, magazines, writing on December 1st, 2015
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E.R.O.S. Issue 7 – The Interior

Richard Wentworth | Ross Exo Adams | Carlo Mollino & Becky Beasley | Francis Haselden | Pier Vittorio Aureli | Mark Cousins | Adam Jasper | Joanna Walsh | Marlene Haring | Jamie Sutcliffe | Gillian Wylde | Melanie Bonajo | J.A. Harrington | Jeanne Randolph | Alessandra Spranzi | Timothy Brittain-Catlin | Associates (Sami Jalili & Emma Letizia Jones) | Nathalie Du Pasquier | Horrible Gif. | Charles Rice | Daniella Valz-Gen | Emma Talbot | Forbes Morlock | Natasha Soobramanien & Luke Williams | Jessie Makinson | Claudia Dutson | A. Jones | Kim Schoen | Ivonne Santoyo Orozco | Hannah Gregory | Christopher Alexander | Nemanja Zimonjic | Gabor Gyory | Jonathan Meades | Neil Chapman | Jaspar Joseph-Lester | Jacob Dreyer

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You and me and everybody. Erik Steinbrecher. + Motto Books.

Posted in Artist Book, books, distribution, Motto Books, photography on November 30th, 2015
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You and me and everybody. Erik Steinbrecher. + Motto Books.

Everybody is busy this Tuesday.

Size: 19 x 12
Binding: Softcover
ISBN: 978-2-940524-40-2


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Today We Should Be Thinking About: Jo Baer, Thomas Baylre, Jimmie Durham, Robert Filliou, Haim Steinbach, and Rosemarie Trockel. Anthony Huberman (Ed.). Verlag der Buchhandlung Walther König.

Posted in books, writing on November 30th, 2015
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Today We Should Be Thinking About: Jo Baer, Thomas Baylre, Jimmie Durham, Robert Filliou, Haim Steinbach, and Rosemarie Trockel. Anthony Huberman (Ed.). Verlag der Buchhandlung Walther König.

The Artist´s Institute dedicates each six-month season to a single artist, whose work becomes the occasion for a series of exhibitions, public programs, and graduate seminars with leading contemporary thinkers in the fields of art, music, film, literature, science, art history, philosophy, and other creative pursuits. The first six seasons, taking place between 2010 and 2013, were dedicated to Robert Filliou, Jo Baer, Jimmie Durham, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle. In each context, the Institute convened private and public forums to reflect on each artist by reading relevant texts, displaying artworks, and programming related events, all of which are narrated in this book.


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What’s wrong with redistribution? Wolfgang Tillmans. Verlag der Buchhandlung Walther König.

Posted in Artist Book, collage, photography, politics on November 30th, 2015
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What’s wrong with redistribution? Wolfgang Tillmans. Verlag der Buchhandlung Walther König.

Wolfgang Tillmans’ “truth study centre” became a fixed part of his exhibitions since he first showed a version of the multi-part tabletop installation in 2005. Often arising from local circumstances and current issues at the time of their creation, the “truth study centre” works mark an endeavour to create a clear view in ever more confusing times.

Tillmans observed the paradigm shift that defines politics today early on. The scope and complexity of this project become apparent for the first time through this book, the second we have published, after “manual” in 2007, dedicated to this set of works. Over 320 pages, printed using a high-resolution technique, Tillmans presents an alternative chronology of the present. Far exceeding his original and main medium of photography, he juxtaposes a variety of contrary opinions, statements and comparisons on recurring table formats. The dimensions of the wooden tables, which he designed himself, are not arbitrary: they are built using standard British door panels, 198 cm long, and with one of four different standard widths.

This book gives an overview, through lavish reproductions, of this new form of collage, in which picture, text and object “are only kept in place by their own weight.” An essay by Thomas McDonough, Professor for Art History at Birmingham University, New York, places Tillmans’ project within the context of twentieth-century collage, from Hannah Höch to Robert Rauschenberg.

This artist’s book, produced by Tillmans’ Berlin atelier, includes a Fresnel magnifying glass, making it possible to zoom in on the contents and read even the smallest of printed texts. The largest installation of “truth study centre” to date will be shown in Berlin’s Hamburger Bahnhof beginning November 28, 2015.


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PIN-UP #19. The Great Indoors. Felix Burrichter (ed.)

Posted in architecture, art, distribution, magazines on November 30th, 2015
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PIN-UP issue 19 : The great Indoors

Fall/Winter 2015/16

FEATURING Jean Nouvel, Ippolito Pestellini Laparelli, Wendy Goodman, Pedro Friedeberg, Trix and Robert Haussmann, Ugo Rondinone, Yrjö Kukkapuro, Luca Cipelletti, and Mos Architects.

PLUS Jessi Reaves, Soft Baroque, Toshiko Mori and Tomas Maier, Candida Höfer, Carmen Herrera, Avery Singer, Mickalerie Thomas, Kaari Upson, Sahra Motalebi, Lena Henke, and Diane Simpson.


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Verbal Photography: Ilya Kabakov, Boris Mikhailov and the Moscow Archive of New Art. Margarita & Victor Tupitsyn. Serralves

Posted in art, books, distribution, exhibition catalogue, photography on November 28th, 2015
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Verbal Photography: Ilya Kabakov, Boris Mikhailov and the Moscow Archive of New Art – by Margarita & Victor Tupitsyn

Exhibition presented at the Serralves Museum of Contemporary Art from April 30 to July 4, 2004.


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The Wake of Dust. Thomas Hauser

Posted in distribution, photography on November 21st, 2015
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The Wake of Dust. Thomas Hauser

Images by Thomas Hauser
Design by Fred Cave

Printed at Werkplaats Typografie, Arnhem, NL
Plaatsmaaken, Arnhem, NL
Drukkerij Wihabo, Geffen, NL
Bound at Handboekbinderij Geertsen, Nijmegen, NL

Edition of 200
Published 2015


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Follow Me. Susan Philipz. Humboldt Books

Posted in architecture, history, interior, photography, travel on November 16th, 2015
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Follow Me is a book created for the exhibition by Susan Philipsz in the city of Genoa. Designed on the basis of a contemporary Baedeker, this book offers an original itinerary in the city, read through the work of the Scottish artist, invited by the Museum of Villa Croce in conceiving an exhibition inside the historic center of the city. The book is thus a city-guide that links different places and times, and that also moves from the habit of moving, investigated as a typical phenomenon of the Grand Tour – and that is the origin of the term “tourism”.

Susan Philipsz (Glasgow, 1965) won the prestigious Turner Prize in 2010 and has presented her installations in 2007 at Skulptur Projekte, Muenster, in 2012 at documenta13, Kassel and in 2015 at the Istanbul Biennial. Susan Philipsz has gained widespread recognition in the international artworld for the sharp execution of her works, unique in their genre, based on the rigorous analysis of the history, memory, and traditions of a specific place that she transposes into immaterial architectures creating an introspective environment for the “viewer”. The universal narrative of loss, hope, and homecoming is conveyed through the reproduction of tunes and melodies that, blending with the genius loci, generate a subjective storytelling.


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[theatro]. Maria Lalou’s Book Launch & Exhibition @ Motto Berlin 19.11.2015

Posted in Artist Book, exhibitions, Motto Berlin event, performance, Uncategorized on November 15th, 2015
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Questioning the physicality of space and the meaning of an object within its relation to a viewer, I tend to intertwine the viewer’s visual memory and imagination by repeating previous moments of an experience. The architectonic theatre features various objects and [theatro] expands on the notion of ‘view’ (‘thea’ in Greek, where the word ‘theatre’ comes from). The word ‘view’ is also the root of the word ‘theory’ [coming from the junction of the words ’thea’(=view) and ‘oro’( =to perceive)]. Intending the theory as practice, Ι composed [theatro] as an act of theory, asking ‘Does a de-construction of a composition inquire or does it request a knowledge of the past?’

[theatro] is a rhythmical reading experience, a 5.5 meters long transcript of a seminar performance reflecting it’s original pulse and duration. It is based on the seminar performance “PUZZLE”, that took place at FROWN, Athens initiated by Maria Lalou, consisted of Katerina Drakopoulou [A], Maro Zacharogianni [B], Maria Lalou [O], Mirrored Glass Object [X] and a live-feed camera. In this work Maria Lalou uses two software platforms for writing. Powerpoint for the pre-fabricated text and a live performed text on ‘Word’, both projected on the screen from her computer. [theatro] is verbatim transcription of the piece with several functions. Next to the documentation of the PUZZLE performance and a manual reading, it also serves as a script for the play, ‘I AM A ‘Φ’.

During the book launch in Motto Lalou will introduce the work with the lecture performance ‘theatre of consciousness’ a work based on a critical text that Lalou has written in 2013 for the academic press ‘activate’ published in London prior to the idea of [theatro]. The performance’ theatre of consciousness refers to the seen and the seer through an analysis that places the audience in a central position and as a core thematic of ‘the seen’.

[theatro] is published by Onomatopee launched primary in Eindhoven at Lalou’s solo exhibition ‘a spect’ during June 2015. The publication is designed in collaboration with Yin Yin Wong/Werkplats and includes an introduction to the work by Alena Alexandrova.

[theatro] leporello will be installed in its full length from the 19th November in the vitrines of Motto accessed through the public space. Lalou is producing a limited edition of prints of the floor plan ‘archetype’ which is one of her basic tools for this series of work, to will be installed in the exhibition space.

Maria Lalou is an artist born in Athens in 1977. She works with the science of objects – containers, spatial installations, film and accumulated performances, developing context as of extensions of architecture. Lalou’s specialization at glass science has been evolving in contextualizing aspects of mass / surface / space/ time /duration in the sphere of cognition by challenging the bodily experience and questioning alignment of the vertical and horizontal, disposition and disorientation. She graduated from the Gerrit Rietveld Academie in Fine Arts and from Technical University of Athens in Architecture, Design of Space – Object and Constructive Arts. She has been researcher at DasArts Amsterdam and an invited resident in e- mobilArt program for Interactive Artists. Lalou’s works have been shown amongst others in the Contemporary Art Museum of Thessaloniki during the 2nd Biennale of Thessaloniki, in ‘Technopolis’ Industrial Museum of Athens and at ‘Living Spaces’-2nd Contemporary Art Festival in Damascus, ‘Manobra’ Festival in Sao Paolo Brazil. She has been in collaboration with institutions as the E-Engineering of the Hogeschool of Amsterdam as an external adviser, with Roehampton Univesity in London as a writer on a post academic journal and an invited lecturer by Rijksacademie Studios in Amsterdam in 2012. For more info visit: