Gärten der Kooperation / Gardens of Cooperation. Alexander Kluge. Motto Books.

Posted in art, books, exhibitions, film, Motto Berlin store, Motto Books, writing on January 16th, 2018
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The publication accompanies the exhibition “Alexander Kluge: Gardens of Cooperation” in the Württembergischer Kunstverein Stuttgart: a comprehensive solo exhibition by the writer, filmmaker, and theorist Alexander Kluge, based on the show of the same name at the La Virreina Art Center in Barcelona. In close collaboration with La Virreina and with Alexander Kluge himself, the Kunstverein has developed a new version and expansion of seven individual aspects of this project.
The book, like the exhibition, is composed of seven “islands”, each introduced by a picture and text from Alexander Kluge’s books. In addition, it brings together a selection of complementary texts by Alexander Kluge, also found in the exhibition.

 

€ 18.00

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Maria Fusco: Give Up Art. Maria Fusco. New Documents

Posted in books, Motto Berlin store, writing on January 11th, 2018
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Give Up Art is a collection of critical writings by author Maria Fusco. Operating across fiction, criticism, and theory, Fusco’s work forges a contemporary space for critical art writing internationally. Give Up Art brings together nearly two dozen essays, reviews, and smaller pieces published between 2002 and 2017.

Maria Fusco is a Belfast-born writer based in Scotland. Her award-winning writing crosses the registers of criticism, ction, and theory. Her work has been translated into ten languages.

 

€ 28.00

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Anti-Book – On the Art and Politics of Radical Publishing. Nicholas Thoburn. University of Minnesota Press

Posted in books, history, Theory on January 4th, 2018
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A major new look at experimental political writing and publishing
Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing. He takes a “post-digital” approach to a wide array of textual media forms, inviting us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce.

 

€29.90

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Showroom (Punk/Sex/Bodies). Toby Mott. Dashwood Books.

Posted in 2016, history, photography, poster on January 2nd, 2018
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Showboat: Punk/Sex/Bodies explores sex in punk and punk in sex. Punk is often thought of as an almost asexual movement, in part because of its charged aversion to romance (see Johnny Rotten’s notorious description of love as “2 minutes and 52 seconds of squelching noises”). Yet, its raw street sound triggered an exuberant, primal physical release among its youthful followers.

For many punks, sex was used as a necessary shock tactic against the orthodoxies that held sway in conservative 1970s Britain. The status of punk as a radical subculture meant that it could freely explore sex without mainstream censorship; and this ability to openly express sex and sexuality provided punk with so much of its essential rawness and immediacy.

Beginning in 1972 and spanning right up to the present day, Showboat provides a chronological survey of the relationship between punk and sex as seen through original posters, flyers, record covers, photographs and ephemera drawn from the editor’s punk archive, The Mott Collection. Alongside written contributions from Julie Burchill, Paul Cook, Vivien Goldman, Eve Libertine, Bruce LaBruce, Amos Poe, Richard Prince and Will Self among many others. Designed by Jamie Andrew Reid.

 

€72.00

Blue Period / Last Summer (US Cover Edition). Nobuyoshi Araki. Session Press & Dashwood Books.

Posted in Japan, photography on December 30th, 2017
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One of the most influential photographers of our time, Nobuyoshi Araki is known for his diaristic style or “shi-shashin” (I-photographs) through the publication of over 500 books throughout his career. His work has become practically synonymous with Japanese photography; closely associated with his work on bondage, his late wife, Yoko, as well as still lifes and nudes.

In 1986 at Cinema Rise in Tokyo, Araki staged a live performance entitled Tokyo Monogatari (Tokyo Story). Using two projectors, Araki and his assistants, Nobuhiko Tokyo Monogatari became the first in a series of live performances entitled Arakinema, which he staged until the mid-2000s in The majority of the work is derived from Shashin Jidai, the important underground sub culture magazine of the 1980s museums and art institutions around the world. in Japan.

As a special case excited about our film work. As Araki also explained at our initial meeting in Shinjuku last year, “The two films should be seen as a set, since Blue Period is about the past and This project is just (a future). It is an act of subtraction (past), whereas adding color to the images in the images in Last Summer is about an act of addition (future). like life itself. ”

Working directly from the 140 original slides used for both projections, the book successfully offers a fresh review of the photographer’s hidden oeuvre and regains the true spirit and atmosphere of the original Arakinema performances

€74.00

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mean (analog + digital). Yoshinori Henguchi. Edition Nord

Posted in books, Japan, Motto Berlin store, photography on December 19th, 2017
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€ 76.00

 

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The Serving Library Annual 2017/18. Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Angie Keefer, Lauren Mackler, David Reinfurt (eds). Roma Publication 305

Posted in art, critique, Motto Berlin store, politics, writing on December 14th, 2017
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The Serving Library Annual comprises a number of individual “Bulletins” organized around a theme for an international audience of designers, artists, writers, and researchers. Newly published by ROMA Publications in a yearly format, this inaugural issue is realised in collaboration with Public Fiction, a journal and exhibition-maker based in Los Angeles. It deals with acts of civil disobedience and other forms of resistance, particularly in view of the relationship between entertainment and power. Contributors include Hilton Als, Tauba Auerbach, Anne Carson, Mark Leckey, Adrian Piper, Frances Stark, and Martine Syms.

Public Fiction’s next project, which runs broadly concurrent to this new Annual’s lifespan, is named The Conscientious Objector — a multifaceted endeavour commissioned by West Hollywood City Council that unfurls in parts from September 2017 to April 2018. Curated by Public Fiction founder Lauren Mackler and Serving Library editor Francesca Bertolotti-Bailey, The Conscientious Objector comprises a series of “commercials” produced by artists for public access TV, an exhibition of artworks and performances at the MAK Center for Art and Architecture’s Schindler House in West Hollywood, and the present publication.

 

€29.50

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I AINT THE NOING UV IT IM JUS ONLE THE SHOWING UV IT. Martin Clark, Steven Claydon. Bergen Kunsthall.

Posted in art, books, exhibition catalogue, exhibitions, Motto Berlin store, painting, photography, sculpture on December 13th, 2017
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Published by Bergen Kunsthall in 2017 on the occasion of the exhibitions:

The Noing Uv It
Bergen Kunsthall
9 January – 15 February 2015

The Showing Uv It
Simon Ling
Bergen Kunsthall
27 February – 5 April 2015

Curated by
Martin Clark and Steven Claydon

Texts by
Martin Clark, Steven Claydon, Timothy Morton, Martin Herbert, Russell Hoban, Martin Westwood

 

€32.00

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Composition No.1-10 and the derivatives, 2001-2016. Buku Akiyama. Rondade.

Posted in art, Artist Book, books, editions, Japan, Motto Berlin store, photography on December 5th, 2017
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Installations and arrangements by Buku Akiyama.
Photographs by Buku Akiyama, Kiyotoshi Takashima, Masahito Yamamoto.
English translation by Yuki Okumura with Linda Dennis.

Texts by Koichi Munakata, Koki Tanaka, Lei Yamabe, Tami Yanagisawa, Tohru Horiguchi.

Design by Shin Akiyama /edition.nord.
Edited printed and bound by Buku Akiyama.

“Publishing as an Artistic Toolbox: 1989 – 2017” extended version of 6 / second edition of 100.

 

€120.00

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SangBleu Typeface. SWTY Publishing

Posted in graphic design, Motto Berlin store, typography on November 22nd, 2017
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On the occasion of the launch of the SangBleu typeface, Swiss Typefaces issues a book for lovers of the printed letterform. On 128 pages, “SangBleu Typeface: The King, His Court, The Explorer & The Gift” celebrates cutting­edge typography in general and the SangBleu fonts in particular. Devised as a collector’s item, it provides a unique combination of design and content: at the heart of the publication is a novella by Daniela Party, specifically written for this purpose. The book starts off with illustrations of a skull and a beheaded female warrior, followed by serpents and an Aztec ghost figure. This dark and savage imagery sets the atmosphere. Giant initials, printed in loud pink, lead into the book like drumbeats in the jungle – S – B – G – U… The title page presents the names of the five collections that form the SangBleu typeface: Empire, Kingdom, Republic, Versailles, Sunrise. Each family is displayed on a spread of 20 pages, in a layout that was freely inspired by a type specimen for Caslon Old Face from 1924. The sample pages emulate all kinds of text types, from novels and magazines to drama and poetry, in sizes big and small. Some pages feature large headlines or block quotes in italics. Others show off spectacular drop caps and strongly contrasting sizes or weights. Designers interested in seeing the Cyrillics do not miss out either. The scope and versatility of the SangBleu collection is exhibited in its entirety. All text is taken from Daniela Party’s novella. Set in the late 17th century, an era of absolutism, superstition, and colonialism, it narrates the story of Meztli, an indigenous Mexican woman with extrasensory powers. Captured by French explorer La Salle, she is sent as a gift to Louis XIV, the Sun King – a gift that would set off a series of macabre events involving witchcraft, lust, envy, and death. Designed by Swiss Typefaces, the SangBleu Typeface book was printed in five colors, four of them Pantone spot colors including metallic and neon inks, and is further enriched by a special binding with several fold­out pages – all made in Switzerland.

 

€65.00

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