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Posted in Motto Berlin store on July 6th, 2022
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I, Ecology, on the ecology of everything. Cristian Toro, Jens Benöhr, Klara Lena Virik.

Posted in books, ecology, politics, zines on August 12th, 2022
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This collection of incomplete essays is what we call the ecology of everything. We think of complexity like an astrayed arrow hitting no target. Line and dots. A dashing constellation of things. Everything is not directly related to everything, but everything is related to something.

These ideas are a vestige of a fragmented ecosystem. A marginal third nature that manages to live in the interstices of capitalism. They are a recollection of brief awe, not able to finish their growth and already being torn into pieces by social media, memes, podcasts, YouTube videos, video games, and a constant urge for disaster. A little codex sent from planet Earth in times of destruction. And so, we find them. Sporulating at the End of the World is Holobiont; me, you, and everything in between.

Numbered edition of 50.

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Discrepant in Motto Berlin

Posted in music, vinyl on August 11th, 2022
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Discrepant: inconsistent; conflicting; at variance [from Latin discrepāns, from discrepāre to differ in sound, from dis-1 + crepāre to be noisy]

Discrepant is a record label, founded in London in 2011. Our aim is to deconstruct, distort and re-assemble the lore of (un)popular music around the world.

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11.08: Panya Routes with UTC’s African Centre for Cities | Book Launch with the author, Kim Gurney, in conversation with Neo Muyanga @ A4 Arts Foundation, Cape Town

Posted in art, events, Motto Books on August 10th, 2022
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Ketty la Rocca: You – works and writings 1964-1976. Angelika Stepken (Ed.). Revolver Publishing

Posted in art, books, Monograph on August 9th, 2022
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Texts by: Emi Fontana, Pier Luigi Tazzi, Angelika Stepken and Ketty La Rocca.

This book is the first international monograph on Ketty La Rocca’s works and writings.

Initially, inspired by the experimental visual poetry of the mid-sixties, Ketty La Rocca critically investigated questions of communication in the age of mass media. She soon began addressing herself in her work as both an artist and a woman in a desire to find “another” language to express difference and the non-identical. She worked with collage, photography, video, text, drawing, and performance to develop a language of gestures and appropriated imagery of disempowerment. But her work was only granted the short time span of a decade’s production, during which she underwent a rapid artistic development with enormous energy and intelligence.

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She (7″). Kristin Oppenheim. INFO

Posted in art, editions, music, vinyl on August 8th, 2022
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Edition of 20 signed and numbered lathe cut 7” featuring two works from Kristin Oppenheim’s show “She Had A Heavy Day” at greengrassi, London (from 9 June to 30 July 2022).

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Cut a Door in the Wolf. Jason Dodge. BILL

Posted in art, Artist Book, books, exhibition catalogue, Monograph on August 7th, 2022
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Cut a Door in the Wolf, published on the occasion of the exhibition by Jason Dodge at MACRO Museum for Contemporary Art of Rome.
Photography Adrianna Glaviano.
Book design Julie Peeters.

Japanese binding, wrapped in a printed sheet.
This is the first in a series of monographs by BILL.

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6.08: Dark Advances: ‘Affect Aliens’ & Revolutionary Despair | Group Show curated by Lilly Markaki | Opening @ Motto Berlin

Posted in exhibitions, Motto Berlin event on August 2nd, 2022
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Please join us this Saturday for an evening of outdoors readings/performances to celebrate the opening of Dark Advances: ‘Affect Aliens’ & Revolutionary Despair—a group show featuring works by Spiros Kokkonis, Candice Nembhard (okcandice), Kari Rosenfeld, Lou Lou Sainsbury and Kwamé Sorrell.

Readings/Performances by: Lucie de Bréchard, Toni Brell, Genevieve Costello, Danya, Jesse Darling, Susan Finlay, Céline Mathieu, Kari Rosenfeld, Anna Winslow.

Saturday 6 August
from 6pm


Motto Berlin
Salitzer Str. 68 (im Hinterhof)
10997 Berlin


Please note: Lou Lou Sainsbury’s new video work descending notes and sound piece The Law of Desire is Fascist made with Kari Rosenfeld and commissioned by Gasworks London will be showing all weekend as part of the installation. Visit the basement on Saturday and Sunday, between 1-2, 3-4, and 5-6 pm.

Lou Lou Sainsbury, descending notes, 2022. With Raffia Li and Ada M. Patterson. HD Video, 17:45 min.


Spiros Kokkonis was born in 1992 in Athens, Greece, where he currently lives and works. He is a long-distance runner and amateur boxer at S.P.C Amarousiou. In 2016 he co-founded the artist-run space Grace/ Athens. Spiros’ work is defined by a particular approach to materiality and openness to environment. Operating in a very specific context—politically, socially, and culturally—the artist creates images both influenced by and dealing with aspects of contemporary life. His surroundings being the subject and raison d’être of his practice, Spiros treats this environment as a never-ending material source. Through his process, he exploits preexisting forms and the meanings attached to them, making new images out of what has previously been made, said or done. Employing steel, aluminum, concrete, and appropriated material—a series of readymades (archives, spaces, images, sounds and objects) are being mixed, reformed and translated into images, sculptures, installations and videos that aim to imprint a personal say. A personal take on outer reality, wavering between feelings of embracement, hope, enmity and despair.

Spiros’ work has been exhibited at Athens Conservatoire, Parko Eleftherias, Art Space Pythagoreion, Saigon Athens, SHED London, Grace / Athens and Onassis Cultural Centre.

okcandice (one word, all lowercase) is a writer, artist-curator, poet and musician based between Birmingham, England and Berlin, Germany. Their multi-disciplinary practice is explained as «i’m working on it», dealing with grief, love, queer identities, oration in Black cultures and archival materials.

okcandice is a co-founding member of the collective poet & prophetess and founder of the queer film series ALL FRUITS RIPE. They previously worked as a co-producer for The R.A.P Party Berlin and currently run the project okcandice archive. Today, they host the experimental broadcast Bedtime Stories on Cashmere radio and work as a freelance curator, (song)writer and creative producer.

Kari Rosenfeld (b. Houston, TX) is an artist currently based in Berlin, Germany.  Kari’s work is focused on ontology, political and social affect, religious and mythological narratives, image, genre, and attachment. They have degrees in American Studies and Philosophy from the University of Texas at Austin and graduated from Dutch Art Institute Masters of Art Praxis in 2021. They were a co-founder and Artist in Residence at the Cairo Institute of Liberal Arts and Science—Alexandria where they facilitated courses in theory and visual media.

Lou Lou Sainsbury is a trans artist based in Margate, UK & Rotterdam, NL, working in live performance, video, writing, installation and textiles. She identifies as a time traveller, making things that unwrite histories of living beings into mythopoeic dreamscapes, informed by queer and ecological activisms. She often works in collaboration and develops long-term research-based projects through improvisation, collective study, material exploration and cinematic processes led by sonic thinking. Her work questions how we can become better listeners, and how bodies (human and more-than-human) can trouble historicity and geography, often writing tricksterish narratives for (im)possible worlds in the realm of science-fiction and gothic horror.

Recently graduated from the Dutch Art Institute, she was an associate artist at Open School East in 2017 after completing the BA in Moving Image at the University of Brighton in 2016. She was awarded Freelands Gasworks Partnership Programme (2021/22) and has exhibited individually at Gasworks, London (2022) and Well Projects, Margate (2020). Recent performances and group exhibitions include: Whitstable Biennale (2022), Centre for Contemporary Arts Prague (2021); Yaby and La Casa Encendida, Madrid; Nottingham Contemporary; Tate Modern, London; Yaby, Madrid (all 2019); and Flat Time House, London (2018).

Kwamé Sorrell (b. 1990) is an artist, poet, researcher and writer. Kwamé is co-founder of BlackMass Publishing, an independent press focusing on re/de/contextualizing black and African social vernacular through image and text. He lives and works under the sun. His work is rooted in language and form, as a way to explore the gap between art and tradition, music and sound, space and time; constantly in transition. (this bio is subject to change)

La Grida Loca. Maximage. ECAL (Lausanne University of Art and Design)

Posted in books, design, graphic design on July 31st, 2022
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A tool for students and professional designers.

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One Thing I Know. Pati Hill. Daisy Editions

Posted in books, writing on July 30th, 2022
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Published in 1962, the third novel by Pati Hill was written in the purest tradition of the American coming-of-age stories. It follows a sixteen-year-old girl, Francesca Hollins, while she discovers an unexpected taste for autonomy. The bravado of her affirmation cannot mask the seriousness of her conviction: “One thing I know, I will never be in love again.”

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Radical Friends. Ruth Catlow, Penny Rafferty (Eds.). Torque Editions

Posted in art, politics, writing on July 29th, 2022
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Contributors: Ramon Amaro, Calum Bowden, Jaya Klara Brekke, Mitchell F. Chan, Cade Diehm, eeefff, Carina Erdmann, Primavera De Filippi, Charlotte Frost, Max Hampshire, Lucile Olympe Haute, Sara Heitlinger, Lara Houston, Cadence Kinsey, Nick Koppenhagen, Kei Kreutler, Laura Lotti, Jonas Lund, Massimiliano Mollona, MetaObjects, Rhea Myers, Omsk Social Club, Bhavisha Panchia, Legacy Russell, Tina Rivers Ryan, Nathan Schneider, Sam Skinner, Sam Spike, Hito Steyerl, Alex S. Taylor, Cassie Thornton, Suzanne Treister, Stacco Troncoso, Ann Marie Utratel, Samson Young

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations.

Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology. This new book, edited by Ruth Catlow and Penny Rafferty, who have been at the forefront of investigations into the relationship between DAOs and the arts, constitutes over 5 years of research with essays, interviews, exercises and prototypes from leading thinkers, artists and technologists across this emerging field.

Radical Friends is an urgent book for the 21st Century and beyond. It shows us, in the spirit of the legendary poet and artist Etel Adnan, that the technology of the future needs to be about “togetherness, not separation. Love, not suspicion. A common future, not isolation.”
–Hans Ulrich Obrist

How things are run is often more important than what is done. It may not be easy to establish alternative formats and infrastructures, but it’s certainly necessary… This collection shows that it is possible too.
–Sadie Plant

This book is about friendship, despair and hope — a beautiful, must-read for all people who are asking unanswerable questions about life, love and the end of the world.
–Franco “Bifo” Beradi

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