The White Review No. 12

Posted in literature, magazines, writing on March 11th, 2015
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The White Review No. 12 features interviews with choreographer Yvonne Rainer and novelist/artist Douglas Coupland. The incomparable Lydia Davis translates the ‘zeer korte verhalen’ (‘very short stories’) of Dutch writer A. L. Snijders; Mexican author Álvaro Enrigue gives us the story of a samurai in sixteenth-century Acapulco; Natasha Soobramanien & Luke Williams present the first installment of their collaborative novel; and Mark von Schlegell envisages a time travel bureau that pilfers plot lines from a paranoid writer popular with ‘the European crowd’.

Johanna Drucker rails against the impotence of contemporary art’s critical establishment and the failure of critique (citing counterexamples including Marcia Hafif, whose work is reproduced on a pull out card); elsewhere Owen Hatherley compares urbanism in Hamburg to the parlous state of British town planning. Caleb Klaces contributes a long, looping poem and we publish a series by New York-based poet Lonely Christopher. We are pleased to include series by British photographer Clare Strand and Dutch artist Parra. Our guest foreword is courtesy of George Szirtes, while the cover comes from Andrew Brischler.

ISSUE CONTENTS
Features
Foreword: A Pound of Flesh
George Szirtes

Fiction
Eight Stories
A. L. Snijders (tr. Lydia Davis)

Interviews
Interview with Yvonne Rainer
Orit Gat

Poetry
Genit
Caleb Klaces

Essay
Social and Democratic/Free and Hanseatic
Owen Hatherley

Fiction
A Samurai Watches the Sun Rise in Acapulco
Álvaro Enrigue (tr. Rahul Bery)

Art
Rags (1986-2014)
Clare Strand

Art
After After
Johanna Drucker

Fiction
Debt
Natasha Soobramanien & Luke Williams

Art
Parra!
Parra

Interviews
Interview with Douglas Coupland
Tom Overton

Poetry
From ‘In A January Would’
Lonely Christopher

Fiction
Return to Sender
Mark von Schlegell

Language: English
Binding: Softcover
Price: €17.99

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SPIKE #40

Posted in magazines, writing on July 2nd, 2014
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SPIKE No 40, SUMMER 2014, Rita Vitorelli (ed.)

Featuring contributions by Rita Vitorelli, Peter Pakesch, Metahaven: Johan Grimonprez, Katja Novitskova, Öyvind Fahlström, NSAPolly Staple, Der Galerist Gavin Brown und der Kurator Daniel Baumann, Alexander Scrimgeour, Andrew M. Goldstein & Homa Zarghamee, Kolja Reichert, Tiziana Terranova und Stefan Heidenreich, Laurie Parsons, Alex Israel, Rainer Ganahl, Maria Lassnig, Mark von Schlegell, Paul Maenz, Jordan Wolfsons, Timo Feldhaus, Curzio Malaparte, Mladen Stilinović, Damien Hirst/Arnulf Rainer, Paul Chan.

Price: € 9.50

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Tales from the Crypt: The Ghost Issue. Städelschule – Portikus.

Posted in writing on December 1st, 2012
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Tales from the Crypt: The Ghost Issue. Städelschule – Portikus.

Produced in conjunction with Mark von Schlegell’s “Pure Fiction” seminar at the Städelschule. Includes work by 16 contributors plus footnotes by A.S. Woof-Dwight.

Editors: Timothy Furey, Anna Susanna Woof-Dwight
Ghost in Chief: Mark von Schlegell
Graphic Design : Clémentine Coupau

Limited Edition of 500
Printed at Druckerei Vatter Bensheim
Frankfurt am Main, 2012
Supported by Städelschule – Portikus E.V

11 €

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Loveland. Charles Stankievech. K. Verlag

Posted in literature, writing on November 3rd, 2011
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Loveland. Charles Stankievech.

Concept + Design by Charles Stankievech
With Texts by M.P. Shiel, Mark von Schlegell, Mark Lanctôt + Anna-Sophie Springer

LOVELAND is a monograph conceptualised and designed by Canadian artist Charles Stankievech that collects primary sources, fiction and critical texts for his artwork produced for the Musée d’art contemporain de Montréal and the Sobey Art Award in the Fall of 2011. Typical of the artist’s research methodology, the book links a spectrum of fields across a broad span of history. Somewhere between the two poles of colour field painting and military colonisation in the Arctic, Stankievech has created a dense web that connects the birth of synthetic pigment and chemical warfare to the Romantic landscape and contemporary geopolitical issues. As curator Mark Lanctôt writes in his critical essay: “Stankievech’s work … directs us away from a-political modernist pictorial utopias towards something more telling: how the relationship between the narrative of history and the site it is connected to can veer into unsuspecting directions, escaping our perceived mastery over it.”

An exquisite edition of 300 with letterpress embossed cover, collation of unique paper stock for each section and 5 colour offset printing.

D 22€

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